Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

smell
Odours and aromas from the kitchens

Try to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic elements of the Benedictine monastery is, without a doubt, the strong two-tone colour of the main materials used to build it.
Try to touch a marble column on the staircase then one of the lava stone steps leading to the library, and you’ll immediately notice how different they are.
If you touched them you would feel an immediate difference between the two materials: the marble is smooth with no superficial imperfections, while the lava stone is porous and rough.

hearing
Singing and prayer

The life of the Benedictine monks followed the strict rule of Ora et Labora (Pray and Work).
The days were organised into a series of activities: prayer, work and study.
Nor were the monks exempt from prayer at night or early in the morning; they gathered in the night-time chapel, the “night choir”, and sang choruses and prayers to the Lord.

sight
Wow, the colours!

When you think of a kitchen, somewhere clean and full of food, pots and spoons comes to mind. Perhaps for normal, trivial kitchens… because for the monastery kitchen the first thing that comes to mind are the colours of the floor and central structure; a triumph of white, blue, yellow, green and orange.

taste
Bon Appetit!

The kitchen prepared tasty lunches and dinners every day.
In particular, the New Year’s lunch in 1785 had a delicious menu. Shrimp, swordfish and a soup of pasta and fish were prepared as first courses; cod and sunfish with a herb and anchovy sauce were served for the second course, followed by cabbage with tuna and eggs.
The dinner ended with a custard, accompanied by some fruit to finish, in this case apple.
With such a respectable lunch, tasty and rich in every food, you could say the monks were not lacking in anything at all!

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Two illustrious patron saints

The disastrous earthquake

Wonderful quick decorations

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The Infiorata, a feast of colours and flowers

The two churches

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Limestone, the colour of harmony

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A majestic and luminous church

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The wall comes to life

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One city, two sites

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Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

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Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Nicolaci

A colourful floor

Prominent façade

The senses tell the Cathedral of Sant’Agata

A symbol for the town

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A miniature city

The senses tell about Palazzo La Rocca

A square as the heart of the city

One city, three sites

A museum to save a tradition

A triumph of colour

Norman apses

The façade used as a puppet theatre

The city of museums

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The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

A hall for the feasts

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

The internal colours

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Discovering the mother church

The Barresi-Branciforte lords

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

New roads for Catania

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

A new palace for the La Rocca lords

The Staircase of Angels

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The Burgos crucifix

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

Between white and black

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The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

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The Maiolica of the staircase