Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

smell
Odours and aromas from the kitchens

Try to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic elements of the Benedictine monastery is, without a doubt, the strong two-tone colour of the main materials used to build it.
Try to touch a marble column on the staircase then one of the lava stone steps leading to the library, and you’ll immediately notice how different they are.
If you touched them you would feel an immediate difference between the two materials: the marble is smooth with no superficial imperfections, while the lava stone is porous and rough.

hearing
Singing and prayer

The life of the Benedictine monks followed the strict rule of Ora et Labora (Pray and Work).
The days were organised into a series of activities: prayer, work and study.
Nor were the monks exempt from prayer at night or early in the morning; they gathered in the night-time chapel, the “night choir”, and sang choruses and prayers to the Lord.

sight
Wow, the colours!

When you think of a kitchen, somewhere clean and full of food, pots and spoons comes to mind. Perhaps for normal, trivial kitchens… because for the monastery kitchen the first thing that comes to mind are the colours of the floor and central structure; a triumph of white, blue, yellow, green and orange.

taste
Bon Appetit!

The kitchen prepared tasty lunches and dinners every day.
In particular, the New Year’s lunch in 1785 had a delicious menu. Shrimp, swordfish and a soup of pasta and fish were prepared as first courses; cod and sunfish with a herb and anchovy sauce were served for the second course, followed by cabbage with tuna and eggs.
The dinner ended with a custard, accompanied by some fruit to finish, in this case apple.
With such a respectable lunch, tasty and rich in every food, you could say the monks were not lacking in anything at all!

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Nicolò l’Arena: an unfinished church

New roads for Catania

Searching for colour

Two illustrious patron saints

The theatre of taste

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

Feasting in Palazzolo

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

Prominent façade

San Benedetto: a treasure reopened to the public

A colourful floor

Some masterpieces

A new site for a new city

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

One city, three sites

An eagle-shaped city

The two churches

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The Baroque town by the sea

A miniature city

A city in colour

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Sebastiano

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

Limestone, the colour of harmony

Norman apses

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

A talking palace

A new site for a new church

A half-Baroque church

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

The church of Carmine

The façade used as a puppet theatre

The chocolate of Modica

A feast only for Scicli

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A square as the heart of the city

Some prestigious works

The Maiolica of the staircase

The character of Badia Sant’Agata

A new palace for the La Rocca lords

Feast days

A design by Vincenzo Sinatra

The disastrous earthquake

The senses tell about Palazzo Nicolaci

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

One city, two sites

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

A prominent church

Many owners, one palace

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

A triumph of colour

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

The city of museums

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces