Catania

The church and the monastery

The church of San Benedetto (St. Benedict), considered one of the best examples of late Baroque in Catania, is located inside the historic monastery at the beginning of Via dei Crociferi.
monastero da via crociferi inquadrando l'arco d'unioneIt is the other largest convent complex of the Benedictine nuns and their current residence.
It is said that the superb arch that opens onto the street was built in one night to unite the two monasteries and connect the abbeys, following the earthquake in 1704.
arco d'unioneThe grandeur that emanates from this place inspired Giovanni Verga ‘s “Storia di una Capinera” (Story of a Blackcap) and Franco Zeffirelli’s film adaptation (Sparrow) set in Via dei Crociferi.
The monastery of San Benedetto originated from the remains of a Roman domus dating back to imperial times, the remains of which were discovered during restoration work.
One of the most fascinating elements of the cloistered monastery, where the Benedictine nuns practised a characteristic form of devotion , is the parlour, the only place where the nuns could have contact with the outside world.
In this room, concealed by thick black grating, they were allowed to talk to their relatives.
The room’s floor, preserved in its original state, dates back to the 14th century and is made of terracotta and limestone. It also has geometrically shaped decorations typical of the Arab-Norman period, created by the intersection of several depictions joined together. The main element is the symbolic eight-pointed star repeated in the geometric flooring and which represents the sacred centre par excellence.

Religious architecture

The Church of St. John the Evangelist

Expanded spaces, stucco and colourful lights

One city, three sites

The church and the monastery

The city of Modica, a balance between nature and urbanism

The triumph of Baroque: expansion of spaces

Akrai and Syracuse: an unbreakable bond

Unusual iconographies: the Burgos crucifix

Militello: The story of an enlightened fiefdom

Palazzo Trigona di Canicarao

The casket of austerity under the great dome

A casket of precious works

The city palace

Altars, saints and sculptural works

The beginning of an authentic Baroque conception

A Nobel Prize in Modica

Views denied, views conquered: the power of the devout Benedictines

The Monastery of the Benedictine nuns

Garden of Novices and the restorations by Giancarlo De Carlo

The Franciscan convent

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Paolo

Scenography and devotion for St. Agatha

The Benedictines’ library

Virtuosity, decorations and altars

The senses tell the story of the Church of San Giovanni Evangelista

The church and the college

The Church of St. Francis

The new roads of the city

The senses tell about Palazzo Beneventano

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of the Cathedral of San Pietro

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Majestic exteriors, grandiose interiors

The interiors: diffused light and Byzantine relics

The senses tell the Cathedral of San Giorgio

The art of maiolica

The senses tell about Palazzo Ducezio

The senses tell about Palazzo Trigona

From the end of the world to rebirth from the rubble

The Church of Madonna della Stella

Piazza Duomo, the elephant fountain, the heart of the city

The interior of the church: space and colour

Madonna of the Militia: a singular warrior virgin

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scenography, lights and colours of the cathedral

The Church of St. Benedict

Luminous sacred spaces

A stone garden

The senses tell the Cathedral of San Giorgio

St. Agatha and the candelore

The smallest Greek theatre in the world

Palazzo della Cancelleria: from former stable to the Nicastro family

Art in the cathedral

Scicli, the city of Baroque scenery

The Church of St. Paul

A compromise between Neoclassicism and Baroque

The two churches

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. Mary of the Mountain

The Monte delle Prestanze in the new city layout

Palazzo Trigona: a building with a complex shape

The senses tell the Cathedral of Sant’Agata

City and nature

The Infiorata of Noto, a modern tradition

Rebirth and urban planning of the city of Noto

The Duomo di San Giorgio (Cathedral of St. George)

The palace, the town, the church

The dynamics of the Church of San Michele

The expansion of space and changing reality

The senses tell the story of the Church of Santa Maria del Monte

A heritage of votive works

The city within the city

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Church of San Domenico

The illusion of light and the decorative splendour

The interior and works of art

Baroque creativity: recurring themes

The Palazzo dei due mori

The Staircase of Angels

A story of rebirth

San Domenico and Gagliardi’s work

The senses tell about Palazzo Zacco

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell of Palazzo della Cancelleria

The Madonna dei Conadomini and the art of devotion

A new site for the church of San Giorgio

Palazzo Zacco, a balance between sobriety and decoration

The works in the church

The senses tell the Church of San Michele

Reconstruction after the earthquake

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The articulated interior spaces

The senses tell the story of the Church of San Benedetto

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Antonino Uccello Birthplace Museum

Expansion, spatiality and light in the church of San Domenico

The eagle-shaped city

A unifying project for the city of Catania

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Baroque and the loss of balance in the 16th century