Caltagirone

The representative elements of the Church of San Francesco d’Assisi all’Immacolata

One of the elements that characterises the majestic church of San Francesco d’Assisi all’Immacolata is the dome, crowned by glazed terracotta spheres and divided into eight sections that house large windows.
The dome was left unfinished due to a tragic collapse in 1702 during works to complete it.
In fact, it does not have a segmental dome, i.e. the hemisphere that makes up the dome, or a skylight, the element used to let light into the dome. Another element of great value is the bell tower built in 1852 by Caltagirone architect Salvatore Marino, which stands slenderly next to the dome.
cappella del seminario  foto del campanile e cupola
Its shape and finishes were designed to match the ornamental richness of the façade. In addition, a cusp was designed, a pointed ornamental structure in turn surmounted by a tall steeple, an architectural element with an elongated, thin profile that, together with the cusp creates the illusion of the bell tower extending further up to the sky.
The bell tower is so elegant that it inspired the architect Ugo Tarchi who, in 1954, designed the bell tower of the Cathedral of San Giuliano nearby the church of San Francesco D’Assisi.
There are some very valuable objects inside the church. These include numerous paintings by the Vaccaro brothers, a silver-covered wooden statue from 1677 depicting St. Anthony, and a large maiolica panel by Antonio Ragona, depicting the nativity with St. Francis.

A Nobel Prize in Modica

A compromise between Neoclassicism and Baroque

The palace, the town, the church

The Church of St. Benedict

Piazza Duomo, the elephant fountain, the heart of the city

Verticality and dynamism of the façade of the Church of San Carlo

Scenography and devotion for St. Agatha

Fountain of the Nymph Zizza: public water in the town

The beginning of an authentic Baroque conception

The senses tell of Palazzo della Cancelleria

Virtuosity, decorations and altars

The interior of the church: space and colour

The Staircase of Angels

Baroque creativity: recurring themes

The senses tell the story of the Church of Santa Maria del Monte

The city palace

Religious architecture

The eagle-shaped city

The art of maiolica

The expansion of space and changing reality

The new roads of the city

The interiors: diffused light and Byzantine relics

Militello: The story of an enlightened fiefdom

A heritage of votive works

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Monte delle Prestanze in the new city layout

Unusual iconographies: the Burgos crucifix

Views denied, views conquered: the power of the devout Benedictines

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Paul

St. Agatha and the candelore

The Antonino Uccello Birthplace Museum

The two churches

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell about Palazzo Ducezio

The senses tell the Cathedral of Sant’Agata

Palazzo Trigona di Canicarao

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Francis

Madonna of the Militia: a singular warrior virgin

The Duomo di San Giorgio (Cathedral of St. George)

The church and the monastery

The senses tell the story of the Church of San Paolo

The senses tell about Palazzo Zacco

The casket of austerity under the great dome

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Church of San Michele

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of San Benedetto

The church and the college

Scenography, lights and colours of the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Palazzo dei due mori

The illusion of light and the decorative splendour

One city, three sites

The Infiorata of Noto, a modern tradition

A unifying project for the city of Catania

Rebirth and urban planning of the city of Noto

The interior and works of art

Palazzo della Cancelleria: from former stable to the Nicastro family

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Giovanni Evangelista

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Mary of the Mountain

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Benedictines’ library

The senses tell the Cathedral of San Giorgio

A stone garden

The senses tell about Palazzo Beneventano

Palazzo Zacco, a balance between sobriety and decoration

The Madonna dei Conadomini and the art of devotion

The dynamics of the Church of San Michele

Majestic exteriors, grandiose interiors

Luminous sacred spaces

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Church of San Domenico

The articulated interior spaces

The Monastery of the Benedictine nuns

The Church of St. Julian on Via dei Crociferi

A new site for the church of San Giorgio

The Church of Madonna della Stella

Art in the cathedral

A casket of precious works

The Church of St. John the Evangelist

A story of rebirth

Reconstruction after the earthquake

The triumph of Baroque: expansion of spaces

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

The smallest Greek theatre in the world

The city within the city

Expansion, spatiality and light in the church of San Domenico

The works in the church

Altars, saints and sculptural works

Scicli, the city of Baroque scenery

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

San Domenico and Gagliardi’s work

The senses tell about Palazzo Trigona

City and nature

Expanded spaces, stucco and colourful lights

The senses tell the Cathedral of San Giorgio

Akrai and Syracuse: an unbreakable bond

The Franciscan convent

Baroque and the loss of balance in the 16th century