Caltagirone

The art of maiolica

One of the most ancient art forms of Caltagirone is the production of ceramics, a thousand-year-old history of wisdom and tradition. The discoveries of archaeologist Paolo Orsi prove that the production of maiolica predates the Islamic rule. museo della ceramicaIn fact, it was already popular in the territory before the arrival of the Arabs, who gave a renewed boost to production thanks to a new technique – glazing – that made the pottery more waterproof and resistant.
Under the Spanish rule of Alfonso of Aragon, the pottery trade intensified even more thanks to his tax privileges, which allowed workers to increase their production and sales throughout the island.
With the earthquake of 1693 many of the maiolica floors were destroyed and the artisans’ activity was interrupted. Some of the most valuable fragments are kept in the Regional Museum of Ceramics .
After the earthquake an attempt was made to make trade flourish again. The decorative motifs were renewed by expanding the designs on the entire floor so that they were no longer on a single maiolica tile.
ceramiche in ordine di descrizione per periodo
Production was interrupted in the 1800s due to the use of cement and the centuries-old activity of ceramists ended, for a certain period, when the last masters disappeared in the 1930s.
The tradition, which seemed destined to be lost, was saved by Don Luigi Sturzo who founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) in 1918, giving renewed impetus to the art of maiolica. One of the best-known examples throughout history of the maiolica process is the Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain).

The Antonino Uccello Birthplace Museum

Luminous sacred spaces

The city of Modica, a balance between nature and urbanism

Akrai and Syracuse: an unbreakable bond

Reconstruction after the earthquake

A compromise between Neoclassicism and Baroque

The church and the monastery

From the end of the world to rebirth from the rubble

Altars, saints and sculptural works

The two churches

Militello: The story of an enlightened fiefdom

The Palazzo dei due mori

A heritage of votive works

The senses tell the story of the Church of San Benedetto

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of the Badia di Sant’Agata

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Monastery of the Benedictine nuns

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Church of San Michele

The senses tell about Palazzo Zacco

The Church of Madonna della Stella

Palazzo Zacco, a balance between sobriety and decoration

Religious architecture

Majestic exteriors, grandiose interiors

Scicli, the city of Baroque scenery

The Church of St. Benedict

A stone garden

The interior and works of art

City and nature

The city within the city

Virtuosity, decorations and altars

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Piazza Duomo, the elephant fountain, the heart of the city

The Duomo di San Giorgio (Cathedral of St. George)

The expansion of space and changing reality

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Beneventano

Unusual iconographies: the Burgos crucifix

Scenography and devotion for St. Agatha

The Church of St. Francis

Madonna of the Militia: a singular warrior virgin

The eagle-shaped city

The interiors: diffused light and Byzantine relics

Fountain of the Nymph Zizza: public water in the town

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. John the Evangelist

The interior of the church: space and colour

The church and the college

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Expanded spaces, stucco and colourful lights

The articulated interior spaces

The Madonna dei Conadomini and the art of devotion

The Church of St. Mary of the Mountain

The casket of austerity under the great dome

A Nobel Prize in Modica

The beginning of an authentic Baroque conception

A story of rebirth

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Church of San Domenico

Views denied, views conquered: the power of the devout Benedictines

The works in the church

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Giuliano ai Crociferi

Art in the cathedral

The senses tell about Palazzo Ducezio

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of Santa Maria del Monte

The Benedictines’ library

The new roads of the city

The senses tell the Cathedral of San Giorgio

The smallest Greek theatre in the world

The senses tell about Palazzo Trigona

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Franciscan convent

A unifying project for the city of Catania

The Church of St. Julian on Via dei Crociferi

The senses tell of the Cathedral of San Pietro

One city, three sites

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Paolo

Rebirth and urban planning of the city of Noto

St. Agatha and the candelore

The dynamics of the Church of San Michele

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of San Giorgio

Palazzo Trigona: a building with a complex shape

Baroque and the loss of balance in the 16th century

Palazzo Trigona di Canicarao

A casket of precious works

Palazzo della Cancelleria: from former stable to the Nicastro family

The Staircase of Angels

The Church of St. Paul

The Monte delle Prestanze in the new city layout

The art of maiolica

San Domenico and Gagliardi’s work

Baroque creativity: recurring themes

The city palace

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Infiorata of Noto, a modern tradition

The palace, the town, the church

A new site for the church of San Giorgio