Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Some masterpieces

The colours of the cathedral

One city, two sites

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

A long reconstruction

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Nicolaci

Many owners, one palace

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

A colourful floor

Searching for colour

Wonderful quick decorations

The theatre of taste

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

New roads for Catania

A feast only for Scicli

The Burgos crucifix

A half-Baroque church

The kitchen, a treasure chest of colours

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

A prominent church

The senses tell about Palazzo La Rocca

A symbol for the town

A majestic and luminous church

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

Feasting in Palazzolo

From International Gothic to present day

St. Sebastian, so much work!

Some prestigious works

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

Feast days

One city, three sites

The wall comes to life

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

Limestone, the colour of harmony

The character of Badia Sant’Agata

A new palace for the La Rocca lords

The Staircase of Angels

A hall for the feasts

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

Prominent façade

Discovering the mother church

An eagle-shaped city

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

The city of museums

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

A miniature city

A square as the heart of the city

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

Norman apses

Militello, the story of an enlightened fiefdom

A new site for a new city

The Feast of San Giacomo (St. James)

A talking palace

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano