Noto

The senses tell the Church of San Domenico

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White limestone

The church of San Domenico, like most of the late Baroque architecture of Noto built after the earthquake of 1693, is made of limestone, which gives it great chromatic homogeneity. The white stone is tinged with warm hues at sunset, offering a spectacle of unique beauty.

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A place of silence: the crypt of the Dominican friars

The crypt of the church of San Domenico is where the Dominican friars were taken when they died.
This is one of the main places of silence in the church, a small space characterised by few elements such as an altar and closed arcades.
It is interesting to note the stark contrast between the bare and essential architectural structure of the crypt and the grandeur of the church’s spaces.

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The colourful scenographic elements

The interior of the church of San Domenico is characterised by an entirely white environment, with very high walls decorated with bright stuccoes that give the setting a solemn and scenic appearance.
However, there are some elements that stand out from all the whiteness, including the majestic main altar and the gilded wooden ciborium made by Antonio Basile.
The former is embellished with red and white marble and the latter, made with a wonderful curvilinear structure, encloses the Virgin and Child.

Views denied, views conquered: the power of the devout Benedictines

Scenography, lights and colours of the cathedral

The triumph of Baroque: expansion of spaces

The interior and works of art

Religious architecture

The works in the church

Akrai and Syracuse: an unbreakable bond

The senses tell of Palazzo della Cancelleria

The Staircase of Angels

The beginning of an authentic Baroque conception

The illusion of light and the decorative splendour

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

St. Agatha and the candelore

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Franciscan convent

Virtuosity, decorations and altars

The senses tell the story of the Church of the Badia di Sant’Agata

The interior of the church: space and colour

Verticality and dynamism of the façade of the Church of San Carlo

The Antonino Uccello Birthplace Museum

The Church of St. Julian on Via dei Crociferi

The Benedictines’ library

City and nature

The Church of St. John the Evangelist

The senses tell about Palazzo Zacco

The smallest Greek theatre in the world

The new roads of the city

The Church of St. Benedict

The Church of St. Francis

Madonna of the Militia: a singular warrior virgin

Palazzo Zacco, a balance between sobriety and decoration

A Nobel Prize in Modica

The senses tell about Palazzo Beneventano

Unusual iconographies: the Burgos crucifix

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

The senses tell the story of the Church of Santa Maria del Monte

The Badia di Sant’Agata (St. Agatha’s Abbey)

Palazzo Trigona: a building with a complex shape

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

The church and the monastery

The senses tell the Cathedral of Sant’Agata

The casket of austerity under the great dome

The articulated interior spaces

The Church of St. Mary of the Mountain

The dynamics of the Church of San Michele

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Luminous sacred spaces

The expansion of space and changing reality

The palace, the town, the church

Reconstruction after the earthquake

Expanded spaces, stucco and colourful lights

The senses tell the Church of San Michele

The art of maiolica

The church and the college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A story of rebirth

The Palazzo dei due mori

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Benedetto

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A casket of precious works

The eagle-shaped city

Militello: The story of an enlightened fiefdom

The senses tell the Cathedral of San Giorgio

The neo-Gothic seminary chapel: symbols, light and space

San Domenico and Gagliardi’s work

Fountain of the Nymph Zizza: public water in the town

A heritage of votive works

The Monte delle Prestanze in the new city layout

Piazza Duomo, the elephant fountain, the heart of the city

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell of the Cathedral of San Pietro

Art in the cathedral

The city palace

Palazzo della Cancelleria: from former stable to the Nicastro family

A unifying project for the city of Catania

A compromise between Neoclassicism and Baroque

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Scicli, the city of Baroque scenery

Palazzo Trigona di Canicarao

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of Madonna della Stella

The Madonna dei Conadomini and the art of devotion

Rebirth and urban planning of the city of Noto

Altars, saints and sculptural works

From the end of the world to rebirth from the rubble

The Infiorata of Noto, a modern tradition

The senses tell the Cathedral of San Giorgio

One city, three sites

A stone garden

The Monastery of the Benedictine nuns

Baroque creativity: recurring themes

The city of Modica, a balance between nature and urbanism

A new site for the church of San Giorgio

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of San Paolo

Expansion, spatiality and light in the church of San Domenico

The city within the city

The Church of St. Paul

The senses tell about Palazzo Trigona

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Scenography and devotion for St. Agatha

The senses tell the Church of San Domenico