Introduction to Val di Noto

Baroque creativity: recurring themes

Baroque creativity develops in the central part of the elevation.
The long balconies of the piano nobile (main floor) are embellished by elegant wrought iron railings with a classic round-bottomed shape; the cornices of the large windows are enriched by sculptures and allegories that recall abundance and wealth.
The recurring themes taken from Baroque iconography and widely documented in still life paintings include cornucopias, grapes and garlands. The latter differ from their previous depictions due to their dynamics that enhance the creative spirit of the period.
The most emblematic elements are the large corbels that support the protrusions. It is here that the engravers gave free rein to their imagination, drawing from the vast graphic repertoire of Baroque imagery.
In this way, masks and grotesques were created, modelled using local stone to depict animals and anthropomorphic elements with curious expressions that attract the eye of passers-by, rousing “wonder and amazement”.

The interior and works of art

The Benedictines’ library

A compromise between Neoclassicism and Baroque

The city within the city

Palazzo della Cancelleria: from former stable to the Nicastro family

A Nobel Prize in Modica

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Francis

The beginning of an authentic Baroque conception

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

City and nature

The palace, the town, the church

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. John the Evangelist

The senses tell the Church of San Domenico

The Monastery of the Benedictine nuns

Expanded spaces, stucco and colourful lights

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

Virtuosity, decorations and altars

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The articulated interior spaces

The Infiorata of Noto, a modern tradition

Fountain of the Nymph Zizza: public water in the town

The Madonna dei Conadomini and the art of devotion

Scenography, lights and colours of the cathedral

The eagle-shaped city

The interior of the church: space and colour

The Palazzo dei due mori

The new roads of the city

Baroque and the loss of balance in the 16th century

St. Agatha and the candelore

The Church of St. Mary of the Mountain

Scicli, the city of Baroque scenery

The senses tell the Cathedral of San Giorgio

The smallest Greek theatre in the world

The senses tell the Cathedral of San Giorgio

The casket of austerity under the great dome

The Badia di Sant’Agata (St. Agatha’s Abbey)

Piazza Duomo, the elephant fountain, the heart of the city

A story of rebirth

A heritage of votive works

A unifying project for the city of Catania

A stone garden

The works in the church

The senses tell the Cathedral of Sant’Agata

Religious architecture

Unusual iconographies: the Burgos crucifix

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Giovanni Evangelista

The Monte delle Prestanze in the new city layout

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Paul

The two churches

The art of maiolica

The illusion of light and the decorative splendour

Reconstruction after the earthquake

Majestic exteriors, grandiose interiors

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of San Benedetto

A new site for the church of San Giorgio

The Church of Madonna della Stella

The Antonino Uccello Birthplace Museum

The Franciscan convent

A casket of precious works

The Duomo di San Giorgio (Cathedral of St. George)

One city, three sites

Baroque creativity: recurring themes

The interiors: diffused light and Byzantine relics

The expansion of space and changing reality

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Benedict

Rebirth and urban planning of the city of Noto

The city palace

Scenography and devotion for St. Agatha

Palazzo Trigona: a building with a complex shape

The triumph of Baroque: expansion of spaces

The city of Modica, a balance between nature and urbanism

Luminous sacred spaces

Verticality and dynamism of the façade of the Church of San Carlo

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Church of San Paolo

The church and the college

Akrai and Syracuse: an unbreakable bond

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Altars, saints and sculptural works

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell of Palazzo della Cancelleria

The senses tell the Church of San Michele

The senses tell the story of the Church of the Badia di Sant’Agata

Art in the cathedral

San Domenico and Gagliardi’s work

Militello: The story of an enlightened fiefdom

The dynamics of the Church of San Michele

The senses tell about Palazzo Trigona

The senses tell of the Cathedral of San Pietro

The neo-Gothic seminary chapel: symbols, light and space

Views denied, views conquered: the power of the devout Benedictines

Palazzo Trigona di Canicarao

The Church of St. Julian on Via dei Crociferi

The senses tell about Palazzo Zacco

The church and the monastery

The senses tell about Palazzo Ducezio