Introduction to Val di Noto

Baroque creativity: recurring themes

Baroque creativity develops in the central part of the elevation.
The long balconies of the piano nobile (main floor) are embellished by elegant wrought iron railings with a classic round-bottomed shape; the cornices of the large windows are enriched by sculptures and allegories that recall abundance and wealth.
The recurring themes taken from Baroque iconography and widely documented in still life paintings include cornucopias, grapes and garlands. The latter differ from their previous depictions due to their dynamics that enhance the creative spirit of the period.
The most emblematic elements are the large corbels that support the protrusions. It is here that the engravers gave free rein to their imagination, drawing from the vast graphic repertoire of Baroque imagery.
In this way, masks and grotesques were created, modelled using local stone to depict animals and anthropomorphic elements with curious expressions that attract the eye of passers-by, rousing “wonder and amazement”.

The palace, the town, the church

The senses tell of the Cathedral of San Pietro

Palazzo Trigona: a building with a complex shape

The senses tell the Church of San Domenico

St. Agatha and the candelore

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

One city, three sites

City and nature

The Staircase of Angels

The Antonino Uccello Birthplace Museum

Art in the cathedral

The church and the monastery

The senses tell the Church of San Michele

The expansion of space and changing reality

The Monastery of the Benedictine nuns

Baroque creativity: recurring themes

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

Luminous sacred spaces

The Church of Madonna della Stella

The neo-Gothic seminary chapel: symbols, light and space

The Madonna dei Conadomini and the art of devotion

A stone garden

The smallest Greek theatre in the world

The dynamics of the Church of San Michele

San Domenico and Gagliardi’s work

Palazzo Trigona di Canicarao

The Monte delle Prestanze in the new city layout

Expanded spaces, stucco and colourful lights

Akrai and Syracuse: an unbreakable bond

The interior of the church: space and colour

The senses tell the story of the Church of San Paolo

Madonna of the Militia: a singular warrior virgin

The church and the college

The Church of St. Mary of the Mountain

Views denied, views conquered: the power of the devout Benedictines

The city within the city

A new site for the church of San Giorgio

The senses tell the Cathedral of San Giorgio

The Church of St. Paul

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. Julian on Via dei Crociferi

The new roads of the city

Fountain of the Nymph Zizza: public water in the town

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Carlo and the former Jesuit college

The beginning of an authentic Baroque conception

The casket of austerity under the great dome

Expansion, spatiality and light in the church of San Domenico

The art of maiolica

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of the Badia di Sant’Agata

The city palace

The senses tell the story of the Church of San Benedetto

The Church of St. Francis

The senses tell the Cathedral of San Giorgio

The triumph of Baroque: expansion of spaces

The eagle-shaped city

The Palazzo dei due mori

The Benedictines’ library

A story of rebirth

The interiors: diffused light and Byzantine relics

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of Santa Maria del Monte

The city of Modica, a balance between nature and urbanism

The Infiorata of Noto, a modern tradition

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Religious architecture

The Franciscan convent

The senses tell the Cathedral of Sant’Agata

The senses tell of Palazzo della Cancelleria

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo Zacco, a balance between sobriety and decoration

Altars, saints and sculptural works

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Scicli, the city of Baroque scenery

A Nobel Prize in Modica

A casket of precious works

The two churches

A compromise between Neoclassicism and Baroque

Unusual iconographies: the Burgos crucifix

A heritage of votive works

Majestic exteriors, grandiose interiors

The senses tell about Palazzo Beneventano

The Church of St. Benedict

Palazzo della Cancelleria: from former stable to the Nicastro family

A unifying project for the city of Catania

The senses tell about Palazzo Ducezio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Rebirth and urban planning of the city of Noto

Piazza Duomo, the elephant fountain, the heart of the city

The works in the church

The senses tell about Palazzo Trigona

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. John the Evangelist

The senses tell about Palazzo Zacco

Reconstruction after the earthquake

The interior and works of art

The articulated interior spaces

Scenography, lights and colours of the cathedral

Virtuosity, decorations and altars

Scenography and devotion for St. Agatha

Garden of Novices and the restorations by Giancarlo De Carlo

The Badia di Sant’Agata (St. Agatha’s Abbey)

From the end of the world to rebirth from the rubble