Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

The church of Carmine

Places of knowledge: the Benedictines’ library

A talking palace

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

One city, two sites

A feast only for Scicli

Two illustrious patron saints

Discovering the mother church

Corbels: a celebration of the Nicolaci family

The two churches

Feast days

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

Wonderful quick decorations

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Limestone, the colour of harmony

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

A symbol for the town

The city of museums

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

A Nobel Prize in Modica

A square as the heart of the city

A colourful floor

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The senses tell the story of the staircase of Santa Maria del Monte

One city, three sites

The colours of the cathedral

Feasting in Palazzolo

A small room with a golden entrance

A half-Baroque church

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

From International Gothic to present day

The theatre of taste

The chocolate of Modica

A majestic and luminous church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

Prominent façade

The senses tell the story of the Church of San Benedetto

The internal colours

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

From St. Thomas to St. Joseph

A miniature city

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

A triumph of colour

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

A prominent church

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

Some masterpieces

Militello, the story of an enlightened fiefdom

The senses tell the Cathedral of Sant’Agata

The Feast of San Giacomo (St. James)

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque