Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

The theatre of taste

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

The two churches

The senses tell the story of the church of San Giuseppe

Prominent façade

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

Limestone, the colour of harmony

A triumph of colour

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

Militello, the story of an enlightened fiefdom

A long reconstruction

One city, three sites

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

The senses tell the story of the Church of San Sebastiano

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

A museum to save a tradition

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new city

Feast days

Some prestigious works

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo La Rocca

A talking palace

A symbol for the town

The Burgos crucifix

A small room with a golden entrance

The senses tell the story of the Church of the Annunciation

Searching for colour

Discovering the mother church

The wall comes to life

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

A miniature city

A square as the heart of the city

Some masterpieces

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

Many owners, one palace

The Baroque town by the sea

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

A city in colour

Corbels: a celebration of the Nicolaci family

A new site for a new church

A prominent church

The disastrous earthquake

From International Gothic to present day

Norman apses

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine