Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The wall comes to life

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of the Annunciation

A new site for a new city

New roads for Catania

The two churches

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli

The Baroque town by the sea

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

A design by Vincenzo Sinatra

A miniature city

The city of museums

Feasting in Palazzolo

Some prestigious works

One city, two sites

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

A long reconstruction

The senses tell about Palazzo La Rocca

The colours of the cathedral

A new site for a new church

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

A square as the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Feast of San Giacomo (St. James)

A half-Baroque church

One city, three sites

The disastrous earthquake

A city in colour

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

The church of Carmine

The internal colours

The senses tell about Palazzo Nicolaci

A triumph of colour

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

St. Agatha and the giant candelabras

The Staircase of Angels

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

The character of Badia Sant’Agata

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

The theatre of taste

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A majestic and luminous church

Feast days

A talking palace

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

Searching for colour

Between white and black

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

Prominent façade

Places of knowledge: the Benedictines’ library

Norman apses

A colourful floor

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

The Burgos crucifix

Two illustrious patron saints

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

The Maiolica of the staircase