Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Staircase of Angels

The colours of the cathedral

Wonderful quick decorations

The wall comes to life

Places of knowledge: the Benedictines’ library

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

A feast only for Scicli

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

A new site for a new city

A talking palace

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

A miniature city

St. Agatha and the giant candelabras

A long reconstruction

One city, three sites

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

Baroque and the loss of equilibrium in the 16th century

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The Baroque town by the sea

From St. Thomas to St. Joseph

Norman apses

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

The city of museums

The theatre of taste

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

Fontana della Ninfa Zizza, public water in the town

The interior and its masterpieces

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

Prominent façade

The façade used as a puppet theatre

The disastrous earthquake

A museum to save a tradition

Searching for colour

A Nobel Prize in Modica

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

Feasting in Palazzolo

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?

The Infiorata, a feast of colours and flowers

A triumph of colour

The Feast of San Giacomo (St. James)

A symbol for the town

Limestone, the colour of harmony

A majestic and luminous church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

The internal colours

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

Some prestigious works

The kitchen, a treasure chest of colours

Feast days

The two churches

From the contrast of the exterior to the internal jubilation of colours

Two illustrious patron saints

Between white and black

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

Some masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

A colourful floor

The Benedictine Monastery, one of the largest in Europe

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public