Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Staircase of Angels

The church of Carmine

A square as the heart of the city

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

A majestic and luminous church

Prominent façade

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

A museum to save a tradition

The theatre of taste

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

The Baroque town by the sea

A hall for the feasts

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

Some masterpieces

A triumph of colour

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

A long reconstruction

A new site for a new church

An eagle-shaped city

New roads for Catania

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

The internal colours

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

Many owners, one palace

The senses tell the story of the Church of San Sebastiano

A prominent church

Between white and black

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

The city of museums

A city in colour

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

The wall comes to life

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

One city, three sites

Norman apses

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

A miniature city

Searching for colour

Connections with other UNESCO sites

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

A small room with a golden entrance

A new site for a new city

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras