Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo La Rocca

The city of museums

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

Norman apses

The Baroque town by the sea

A prominent church

A square as the heart of the city

A city in colour

A symbol for the town

A new palace for the La Rocca lords

The two churches

New roads for Catania

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

A new site for a new city

The chocolate of Modica

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

Modica, a city with ancient origins

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

A new site for a new church

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

A talking palace

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Nicolaci

The theatre of taste

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of the Annunciation

Feast days

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Napolino Tommasi Rosso

The church of Carmine

A half-Baroque church

Between white and black

A miniature city

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

The internal colours

From St. Thomas to St. Joseph

The interior and its masterpieces

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

A colourful floor

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

The wall comes to life

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

An eagle-shaped city

The Maiolica of the staircase

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

Prominent façade

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

St. Sebastian, so much work!

Wonderful quick decorations

A majestic and luminous church

Searching for colour

Discovering the mother church

Places of knowledge: the Benedictines’ library

Many owners, one palace

The character of Badia Sant’Agata

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century