Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Feast of San Giacomo (St. James)

Discovering the mother church

The senses tell about Palazzo La Rocca

A colourful floor

St. Sebastian, so much work!

Some prestigious works

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

Many owners, one palace

The kitchen, a treasure chest of colours

The Staircase of Angels

Norman apses

Feast days

The Burgos crucifix

Prominent façade

Two illustrious patron saints

One city, two sites

Fontana della Ninfa Zizza, public water in the town

A design by Vincenzo Sinatra

A city in colour

Wonderful quick decorations

The chocolate of Modica

The church of Carmine

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

A feast only for Scicli

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

A museum to save a tradition

An eagle-shaped city

The city of museums

The two churches

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

From St. Thomas to St. Joseph

A Nobel Prize in Modica

A majestic and luminous church

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

Palazzo Nicolaci di Villadorata, who is the architect?

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

The Maiolica of the staircase

The character of Badia Sant’Agata

The wall comes to life

A new site for a new city

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

Militello, the story of an enlightened fiefdom

A symbol for the town

The senses tell the story of the Church of the Annunciation

New roads for Catania

A miniature city

Connections with other UNESCO sites

The interior and its masterpieces

Feasting in Palazzolo

A square as the heart of the city

Modica, a city with ancient origins

Between white and black

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Sebastiano

Some masterpieces