Introduction to Val di Noto

The expansion of space and changing reality

Baroque encouraged a new view of the world where reality and fiction animated the art of painting, sculpture and architecture before merging into unexpected scenic sights that roused wonder and amazement.
The anthropocentric doctrines of the Renaissance, accompanied by a static view of society, were replaced by the need to identify with a mobile universe, thanks also to the new cosmological discoveries of Nicolaus Copernicus and the advent of new trade routes that broadened horizons that were previously unknown. In Baroque, renewed demands came to life that led to today’s culture and indispensable components of contemporary town planning.
In the Val di Noto, the innovative drive of this cultural and artistic period goes beyond the aesthetic revolution promoted by it, giving importance to the urgencies of the urban architectural context of each city affected by the terrible earthquake of 1693.

The senses tell the Church of San Michele

The senses tell of Palazzo della Cancelleria

The interior and works of art

The Church of Madonna della Stella

The senses tell the Cathedral of Sant’Agata

The Staircase of Angels

One city, three sites

Piazza Duomo, the elephant fountain, the heart of the city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The new roads of the city

The Antonino Uccello Birthplace Museum

The Franciscan convent

The Madonna dei Conadomini and the art of devotion

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of San Paolo

Expansion, spatiality and light in the church of San Domenico

The eagle-shaped city

A stone garden

The Monastery of the Benedictine nuns

The articulated interior spaces

The casket of austerity under the great dome

A Nobel Prize in Modica

The church and the college

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Carlo and the former Jesuit college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Majestic exteriors, grandiose interiors

Palazzo Zacco, a balance between sobriety and decoration

A casket of precious works

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Giovanni Evangelista

Fountain of the Nymph Zizza: public water in the town

Palazzo Trigona: a building with a complex shape

The interiors: diffused light and Byzantine relics

Reconstruction after the earthquake

The neo-Gothic seminary chapel: symbols, light and space

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Duomo di San Giorgio (Cathedral of St. George)

The church and the monastery

Art in the cathedral

The smallest Greek theatre in the world

The senses tell the Cathedral of San Giorgio

Garden of Novices and the restorations by Giancarlo De Carlo

A unifying project for the city of Catania

Madonna of the Militia: a singular warrior virgin

The expansion of space and changing reality

The works in the church

The Church of St. Mary of the Mountain

The Monte delle Prestanze in the new city layout

The senses tell the Church of San Domenico

San Domenico and Gagliardi’s work

The Church of St. Julian on Via dei Crociferi

Militello: The story of an enlightened fiefdom

Verticality and dynamism of the façade of the Church of San Carlo

Baroque and the loss of balance in the 16th century

The senses tell about Palazzo Ducezio

Religious architecture

The Church of St. Francis

The senses tell the story of the Church of the Badia di Sant’Agata

Baroque creativity: recurring themes

The senses tell the story of the Church of San Benedetto

The Church of St. John the Evangelist

The Badia di Sant’Agata (St. Agatha’s Abbey)

The palace, the town, the church

The Palazzo dei due mori

Scenography, lights and colours of the cathedral

Scicli, the city of Baroque scenery

The Church of St. Benedict

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Giuliano ai Crociferi

City and nature

Palazzo Trigona di Canicarao

Akrai and Syracuse: an unbreakable bond

Rebirth and urban planning of the city of Noto

A compromise between Neoclassicism and Baroque

The illusion of light and the decorative splendour

Expanded spaces, stucco and colourful lights

Virtuosity, decorations and altars

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A heritage of votive works

The Infiorata of Noto, a modern tradition

The city palace

The Benedictines’ library

The senses tell of the Cathedral of San Pietro

Altars, saints and sculptural works

Views denied, views conquered: the power of the devout Benedictines

The art of maiolica

Luminous sacred spaces

The senses tell about Palazzo Zacco

Unusual iconographies: the Burgos crucifix

A new site for the church of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The city within the city

The triumph of Baroque: expansion of spaces

St. Agatha and the candelore

The two churches

The senses tell the story of the Church of Santa Maria del Monte

Scenography and devotion for St. Agatha

The Church of St. Paul

The senses tell about Palazzo Beneventano

Palazzo della Cancelleria: from former stable to the Nicastro family

The interior of the church: space and colour

The senses tell about Palazzo Trigona

A story of rebirth