A stone garden

Built over half a century by the best architects, stonemasons and master builders, the city of Noto is a harmonious ensemble of homogeneous colours, a Baroque city assembled by volumes, lines and perspectives, defined by UNESCO as “representing the culmination and final flowering of Baroque art in Europe”. The intervention of the architect Angelo Italia was fundamental in organising the city space in that with the creation of splendid scenographic effects, he transformed squares and streets into stages and theatre flats.
The element that makes this city so magnificent and harmonious is the use of local white limestone, which, with the passing of time and the effect of the sun, has been tinged with golden and pink shades, made even more vivid by the light of sunset that rests on the corbels, capitals, friezes and columns. It was called “the stone garden” by the famous restoration expert Cesare Brandi .

The choice of white limestone as the main element in the reconstruction of the city of Noto was dictated by the quarries surrounding the area, which facilitated its extraction and transport to the city.
Limestone is also soft and easy to work, and so it is still used by stonemasons and craftspeople to create imaginative and complex shapes today. This said, at the same time, it is a fragile and delicate stone that requires constant care and restoration.

The art of maiolica

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The expansion of space and changing reality

The senses tell the story of the Church of San Paolo

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Akrai and Syracuse: an unbreakable bond

The neo-Gothic seminary chapel: symbols, light and space

A compromise between Neoclassicism and Baroque

The Monastery of the Benedictine nuns

A heritage of votive works

The Church of St. Francis

Scicli, the city of Baroque scenery

Baroque creativity: recurring themes

The church and the college

Reconstruction after the earthquake

The smallest Greek theatre in the world

Scenography and devotion for St. Agatha

Altars, saints and sculptural works

City and nature

The Antonino Uccello Birthplace Museum

The Franciscan convent

Palazzo Trigona di Canicarao

Unusual iconographies: the Burgos crucifix

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The casket of austerity under the great dome

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Church of San Domenico

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of the Badia di Sant’Agata

The interior of the church: space and colour

The dynamics of the Church of San Michele

A Nobel Prize in Modica

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Staircase of Angels

The eagle-shaped city

The two churches

The senses tell the Cathedral of Sant’Agata

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Benedetto

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of the Cathedral of San Pietro

Expansion, spatiality and light in the church of San Domenico

A unifying project for the city of Catania

St. Agatha and the candelore

Piazza Duomo, the elephant fountain, the heart of the city

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of Santa Maria del Monte

The Church of Madonna della Stella

The city within the city

Militello: The story of an enlightened fiefdom

Baroque and the loss of balance in the 16th century

The Church of St. John the Evangelist

The city palace

The senses tell about Palazzo Ducezio

The city of Modica, a balance between nature and urbanism

The Church of St. Benedict

Fountain of the Nymph Zizza: public water in the town

Virtuosity, decorations and altars

Majestic exteriors, grandiose interiors

Religious architecture

Expanded spaces, stucco and colourful lights

The interior and works of art

The senses tell about Palazzo Zacco

The Church of St. Julian on Via dei Crociferi

The Church of St. Paul

A casket of precious works

Luminous sacred spaces

Madonna of the Militia: a singular warrior virgin

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

One city, three sites

The illusion of light and the decorative splendour

The palace, the town, the church

The senses tell the Church of San Michele

San Domenico and Gagliardi’s work

The triumph of Baroque: expansion of spaces

Palazzo Trigona: a building with a complex shape

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. Mary of the Mountain

A stone garden

The Monte delle Prestanze in the new city layout

The senses tell about Palazzo Beneventano

The senses tell the Cathedral of San Giorgio

The new roads of the city

A story of rebirth

The interiors: diffused light and Byzantine relics

From the end of the world to rebirth from the rubble

The articulated interior spaces

The Benedictines’ library

The senses tell about Palazzo Trigona

Art in the cathedral

Rebirth and urban planning of the city of Noto

The beginning of an authentic Baroque conception

The works in the church

The senses tell of Palazzo della Cancelleria

The Infiorata of Noto, a modern tradition

A new site for the church of San Giorgio

The church and the monastery

Garden of Novices and the restorations by Giancarlo De Carlo

The Madonna dei Conadomini and the art of devotion

Palazzo Zacco, a balance between sobriety and decoration

The Palazzo dei due mori

The senses tell the story of the Church of San Giovanni Evangelista