Catania

Garden of Novices and the restorations by Giancarlo De Carlo

One of the most fascinating places in the monastic complex is the Giardino dei Novizi (Garden of Novices).
A place that perhaps more than any other inside the complex has suffered great damage and changes, but was also excellently restored by the architect Giancarlo De Carlo , who worked on restoring the entire monastery just over thirty years ago.
The Garden of Novices, as its name suggests, was reserved for those who were undertaking their spiritual journey to become part of the religious order. They were required to observe and learn the Benedictine way of life. The garden was created on top of the lava bed of 1669 in the guise of a hanging garden, but was destroyed to house a gymnasium over the course of the 20th century.
The gymnasium was demolished during the years of restoration of the complex. The architect De Carlo restored the area by adding a spiral staircase with modern shapes and a fountain, turning it into a green space open to all.
giardino dei novizi

Baroque and the loss of balance in the 16th century

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A Nobel Prize in Modica

The Church of St. Mary of the Mountain

The senses tell about Palazzo Trigona

Altars, saints and sculptural works

The church and the monastery

Religious architecture

The Infiorata of Noto, a modern tradition

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

Majestic exteriors, grandiose interiors

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Militello: The story of an enlightened fiefdom

Palazzo Trigona: a building with a complex shape

The new roads of the city

The city of Modica, a balance between nature and urbanism

The eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of St. Benedict

Rebirth and urban planning of the city of Noto

A compromise between Neoclassicism and Baroque

The interior and works of art

A unifying project for the city of Catania

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Ducezio

Scenography and devotion for St. Agatha

The articulated interior spaces

The senses tell the story of the Church of San Giuliano ai Crociferi

The Madonna dei Conadomini and the art of devotion

The triumph of Baroque: expansion of spaces

The Church of St. Julian on Via dei Crociferi

The interior of the church: space and colour

A heritage of votive works

Baroque creativity: recurring themes

Luminous sacred spaces

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Michele

From the end of the world to rebirth from the rubble

Expanded spaces, stucco and colourful lights

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of Sant’Agata

The interiors: diffused light and Byzantine relics

The Staircase of Angels

The Monte delle Prestanze in the new city layout

The beginning of an authentic Baroque conception

The Church of St. Francis

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Paul

The casket of austerity under the great dome

The Church of St. John the Evangelist

Reconstruction after the earthquake

Madonna of the Militia: a singular warrior virgin

Scicli, the city of Baroque scenery

The senses tell the Cathedral of San Giorgio

The illusion of light and the decorative splendour

The Monastery of the Benedictine nuns

Palazzo Trigona di Canicarao

Virtuosity, decorations and altars

A story of rebirth

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A stone garden

The senses tell the story of the Church of Santa Maria del Monte

The Franciscan convent

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of Madonna della Stella

The senses tell the story of the Church of San Paolo

The smallest Greek theatre in the world

The Benedictines’ library

The Palazzo dei due mori

A new site for the church of San Giorgio

The city within the city

Piazza Duomo, the elephant fountain, the heart of the city

The church and the college

City and nature

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Unusual iconographies: the Burgos crucifix

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The palace, the town, the church

Scenography, lights and colours of the cathedral

The dynamics of the Church of San Michele

The senses tell the Cathedral of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Benedetto

St. Agatha and the candelore

The senses tell the story of the Church of San Carlo and the former Jesuit college

San Domenico and Gagliardi’s work

Expansion, spatiality and light in the church of San Domenico

Verticality and dynamism of the façade of the Church of San Carlo

The city palace

Art in the cathedral

The neo-Gothic seminary chapel: symbols, light and space

Akrai and Syracuse: an unbreakable bond

The art of maiolica

The works in the church

A casket of precious works

One city, three sites

The expansion of space and changing reality

The senses tell the story of the Church of the Badia di Sant’Agata

The two churches

The senses tell the Church of San Domenico

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Zacco