Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

The senses tell about Palazzo Nicolaci

A talking palace

Feasting in Palazzolo

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

The interior and its masterpieces

A hall for the feasts

A square as the heart of the city

St. Agatha and the giant candelabras

A long reconstruction

A colourful floor

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The Maiolica of the staircase

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

Militello, the story of an enlightened fiefdom

One city, three sites

A Nobel Prize in Modica

A museum to save a tradition

Some masterpieces

Searching for colour

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

One city, two sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

The Feast of San Giacomo (St. James)

Between white and black

San Benedetto: a treasure reopened to the public

The Burgos crucifix

New roads for Catania

The internal colours

Wonderful quick decorations

Modica, a city with ancient origins

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

A majestic and luminous church

A symbol for the town

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

A half-Baroque church

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

Some prestigious works

The Staircase of Angels

The wall comes to life

The character of Badia Sant’Agata

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

A prominent church

Connections with other UNESCO sites

The chocolate of Modica

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

The two churches

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

A new site for a new city

A city in colour

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

Corbels: a celebration of the Nicolaci family