Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The façade used as a puppet theatre

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

The internal colours

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

The Barresi-Branciforte lords

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

A city in colour

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Benedetto

A museum to save a tradition

Wonderful quick decorations

Norman apses

The interior and its masterpieces

One city, two sites

Discovering the mother church

From International Gothic to present day

A triumph of colour

Many owners, one palace

St. Sebastian, so much work!

The disastrous earthquake

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The Staircase of Angels

A hall for the feasts

The theatre of taste

Between white and black

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A colourful floor

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

A symbol for the town

A half-Baroque church

A prominent church

An eagle-shaped city

Modica, a city with ancient origins

A feast only for Scicli

New roads for Catania

One city, three sites

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The chocolate of Modica

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The colours of the cathedral

A new palace for the La Rocca lords

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

The senses tell the story of the Church of Santa Chiara

Some prestigious works

A square as the heart of the city

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

Feast days

A Nobel Prize in Modica

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

The city of museums

Connections with other UNESCO sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

A miniature city

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

The Supernatural dimension of the chapel of the Santissimo Sacramento