Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Modica, a city with ancient origins

The theatre of taste

Prominent façade

The senses tell about Palazzo La Rocca

The wall comes to life

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

The Baroque town by the sea

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

The Infiorata, a feast of colours and flowers

A feast only for Scicli

Between white and black

The interior and its masterpieces

Limestone, the colour of harmony

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

Norman apses

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, three sites

The character of Badia Sant’Agata

Two illustrious patron saints

Some masterpieces

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

A design by Vincenzo Sinatra

The internal colours

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

A new palace for the La Rocca lords

A small room with a golden entrance

A museum to save a tradition

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

A half-Baroque church

A city in colour

A miniature city

From International Gothic to present day

A talking palace

The Maiolica of the staircase

Searching for colour

The two churches

Corbels: a celebration of the Nicolaci family

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

The church of Carmine

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The city of museums

St. Sebastian, so much work!

The Burgos crucifix

A new site for a new city

Feast days

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

A symbol for the town

Some prestigious works

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

A prominent church

A long reconstruction

Wonderful quick decorations

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

Discovering the mother church

One city, two sites

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

Feasting in Palazzolo

An eagle-shaped city

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica