Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Between white and black

Limestone, the colour of harmony

The colours of the cathedral

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

A square as the heart of the city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

A colourful floor

A design by Vincenzo Sinatra

The Baroque town by the sea

Feasting in Palazzolo

The senses tell about Palazzo La Rocca

Many owners, one palace

The theatre of taste

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

Modica, a city with ancient origins

A feast only for Scicli

The Burgos crucifix

A Nobel Prize in Modica

The interior and its masterpieces

The Maiolica of the staircase

Prominent façade

A hall for the feasts

One city, three sites

Feast days

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

The senses tell about Palazzo Nicolaci

A long reconstruction

One city, two sites

Some prestigious works

A majestic and luminous church

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

The Staircase of Angels

A triumph of colour

A city in colour

Some masterpieces

The two churches

From International Gothic to present day

From the contrast of the exterior to the internal jubilation of colours

Norman apses

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

A talking palace

The city of museums

A small room with a golden entrance

The internal colours

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

Discovering the mother church

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

A new palace for the La Rocca lords

Wonderful quick decorations

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

Searching for colour