Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

The senses tell the story of the Church of the Annunciation

Fontana della Ninfa Zizza, public water in the town

Between white and black

The city of museums

A new entrance for Santa Chiara (St. Claire)

A miniature city

A talking palace

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

A hall for the feasts

Searching for colour

A half-Baroque church

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new city

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

Discovering the mother church

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

A triumph of colour

The kitchen, a treasure chest of colours

A colourful floor

The senses tell the story of the Church of Santa Chiara

One city, three sites

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

Norman apses

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

Connections with other UNESCO sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The interior and its masterpieces

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

The church of Carmine

San Benedetto: a treasure reopened to the public

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Nicolò l’Arena: an unfinished church

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

A feast only for Scicli

A long reconstruction

A design by Vincenzo Sinatra

The theatre of taste

The Burgos crucifix

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

A small room with a golden entrance

The Staircase of Angels

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

The chocolate of Modica

Limestone, the colour of harmony

A museum to save a tradition

Wonderful quick decorations

The colours of the cathedral

Some prestigious works

St. Sebastian, so much work!

The two churches

The disastrous earthquake

Prominent façade

Militello, the story of an enlightened fiefdom

A majestic and luminous church

Modica, a city with ancient origins

The Barresi-Branciforte lords

Two illustrious patron saints

The Feast of San Giacomo (St. James)

A city in colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

Feast days

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso