Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

The theatre of taste

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

Connections with other UNESCO sites

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

Searching for colour

From International Gothic to present day

The Maiolica of the staircase

Feast days

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

Some masterpieces

The senses tell about Palazzo Nicolaci

St. Sebastian, so much work!

A colourful floor

A talking palace

The colours of the cathedral

From St. Thomas to St. Joseph

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

New roads for Catania

From the contrast of the exterior to the internal jubilation of colours

An eagle-shaped city

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

A city in colour

Militello, the story of an enlightened fiefdom

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

Modica, a city with ancient origins

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

The city of museums

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

The character of Badia Sant’Agata

The chocolate of Modica

One city, two sites

The interior and its masterpieces

The Burgos crucifix

Limestone, the colour of harmony

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

The internal colours

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

The wall comes to life

The Staircase of Angels

A square as the heart of the city

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

A feast only for Scicli

Some prestigious works

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

The two churches

The church of Carmine

Prominent façade

The Infiorata, a feast of colours and flowers

A half-Baroque church