Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

A new palace for the La Rocca lords

Two illustrious patron saints

An eagle-shaped city

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

Searching for colour

A square as the heart of the city

The Baroque town by the sea

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

Some masterpieces

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

Feasting in Palazzolo

From International Gothic to present day

A hall for the feasts

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A city in colour

San Nicolò l’Arena: an unfinished church

The two churches

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

The chocolate of Modica

St. Sebastian, so much work!

From St. Thomas to St. Joseph

A half-Baroque church

A Nobel Prize in Modica

The Barresi-Branciforte lords

Norman apses

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

Between white and black

A colourful floor

Connections with other UNESCO sites

The internal colours

The senses tell the story of the Church of Santa Chiara

A miniature city

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

The senses tell about Palazzo Nicolaci

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

One city, two sites

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

The Maiolica of the staircase

The character of Badia Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

The kitchen, a treasure chest of colours

A small room with a golden entrance

Prominent façade

A new site for a new church

A majestic and luminous church

The façade used as a puppet theatre

A talking palace

The Benedictine Monastery, one of the largest in Europe

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The wall comes to life

Feast days

The Burgos crucifix

The senses tell about Palazzo La Rocca

San Benedetto: a treasure reopened to the public

A feast only for Scicli

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista