Caltagirone

A colourful floor

The interior of the church of Santa Chiara (St. Claire) is surprising for the brightness with which it welcomes us.
The delicate colour of the walls, a very light orange, combined with the white capitals is also found in the corbels that support the louvre galleries;
The white sandstone capitals support the wooden structures, which are lacquered with a gentle sky blue colour and embellished with gold-coloured silver leaves. But what is most striking is the splendid maiolica floor that covers the church.

foto tribunetta di legno  foto ampia porzione del pavimento

foto delle tribunette, gelosie

The floor that can be admired today in Caltagirone is not the original one.
The first floor was created in 1749 by the potter Francesco Branciforte from Caltagirone, funded by the Bonanno del Polino family.
The family coat of arms was inserted in the middle of the maiolica tile design.
In 1886, following the Italian Unification, the monastic orders lost their properties.
The church of Santa Chiara (St. Claire) remained open and was maintained thanks to the generosity of Gaetano Bonanno di Polino, then his daughter, the Marquise Bonanno.
In 1942, the family gave the church away. In 1952, the floor was replaced. It was rebuilt using the same technique and copying the old design, in memory of the Bonanno family.
Yellow, green and turquoise stand out from the white background, creating a floral motif on the floor with a two-headed eagle in the middle containing the family crest.

The church of Santa Chiara
The church of Santa Chiara is located in Via Giovanni Bosco and among the wonders that are located there is a beautiful pavement. In the center there is the coat of arms of the Bonanno family of Polino who financed the work. On a white background is drawn a large floral pattern with bright yellow, green and turquoise colors. At the center in honor of the family Bonanno del Polino was represented a two-headed eagle that contains the family crest. Given the perfect state of preservation it should be remembered that this is not the original flooring of 1749, but is a remake of 1952.
The senses tell the story of the Church of the Annunciation

The cathedral of Sant’Agata: a lengthy reconstruction

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

Searching for colour

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

A symbol for the town

A talking palace

Wonderful quick decorations

A design by Vincenzo Sinatra

Some prestigious works

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

A triumph of colour

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

A prominent church

A museum to save a tradition

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

Two illustrious patron saints

The Barresi-Branciforte lords

A Nobel Prize in Modica

Between white and black

A new palace for the La Rocca lords

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano

A new site for a new church

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

The Burgos crucifix

The Staircase of Angels

New roads for Catania

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

The disastrous earthquake

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

A miniature city

One city, three sites

A new site for a new city

Feast days

A city in colour

The Infiorata, a feast of colours and flowers

The senses tell the story of the staircase of Santa Maria del Monte

Corbels: a celebration of the Nicolaci family

A colourful floor

San Benedetto: a treasure reopened to the public

Prominent façade

From International Gothic to present day

The city of museums

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

A small room with a golden entrance

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

The colours of the cathedral

The chocolate of Modica

From St. Thomas to St. Joseph

Places of knowledge: the Benedictines’ library

The Baroque town by the sea

The façade used as a puppet theatre

The senses tell the story of the Badia di Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The internal colours

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

The wall comes to life

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

Many owners, one palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

The church of Carmine