Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Sebastiano

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

Prominent façade

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

The church of Carmine

A feast only for Scicli

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

One city, two sites

A museum to save a tradition

From St. Thomas to St. Joseph

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

The senses tell about Palazzo Nicolaci

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

The interior and its masterpieces

The chocolate of Modica

The Burgos crucifix

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

A city in colour

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

The Staircase of Angels

The internal colours

Feast days

A new site for a new church

Norman apses

A small room with a golden entrance

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

Limestone, the colour of harmony

Places of knowledge: the Benedictines’ library

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

The theatre of taste

The Infiorata, a feast of colours and flowers

A new site for a new city

A prominent church

Militello, the story of an enlightened fiefdom

A miniature city

San Benedetto: a treasure reopened to the public

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

The colours of the cathedral

Feasting in Palazzolo

New roads for Catania

A hall for the feasts

From International Gothic to present day

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

A talking palace

The Barresi-Branciforte lords

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

Searching for colour

St. Sebastian, so much work!

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours

The two churches

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata