Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

Discovering the mother church

A museum to save a tradition

Wonderful quick decorations

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

The internal colours

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

Norman apses

San Benedetto: a treasure reopened to the public

Searching for colour

Feast days

San Nicolò l’Arena: an unfinished church

A long reconstruction

A half-Baroque church

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

From St. Thomas to St. Joseph

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

A new site for a new church

A miniature city

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

A triumph of colour

Some masterpieces

The Benedictine Monastery, one of the largest in Europe

The Barresi-Branciforte lords

The theatre of taste

Many owners, one palace

A talking palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

Modica, a city with ancient origins

The two churches

Prominent façade

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

A Nobel Prize in Modica

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

One city, two sites

A prominent church

The Maiolica of the staircase

The city of museums

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

A symbol for the town

A city in colour

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

A colourful floor

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The Staircase of Angels

Some prestigious works

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

A hall for the feasts

The cathedral of Sant’Agata: a lengthy reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The wall comes to life

A design by Vincenzo Sinatra

The church of Carmine

A new site for a new city

A majestic and luminous church

One city, three sites

A square as the heart of the city

Between white and black