Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell about Palazzo Napolino Tommasi Rosso

The theatre of taste

A design by Vincenzo Sinatra

Norman apses

A museum to save a tradition

An eagle-shaped city

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

A talking palace

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

The Baroque town by the sea

A small room with a golden entrance

The wall comes to life

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

A new site for a new city

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

A triumph of colour

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

Some masterpieces

A feast only for Scicli

Searching for colour

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

The interior and its masterpieces

Some prestigious works

The disastrous earthquake

The two churches

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

One city, three sites

Many owners, one palace

Feasting in Palazzolo

A city in colour

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

A colourful floor

The senses tell the story of the Badia di Sant’Agata

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

Baroque and the loss of equilibrium in the 16th century

A hall for the feasts

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

The church of Carmine

One city, two sites

From St. Thomas to St. Joseph

A miniature city

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

A prominent church

Wonderful quick decorations

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

A half-Baroque church

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

Between white and black

The Maiolica of the staircase

New roads for Catania

The façade used as a puppet theatre