Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

Two illustrious patron saints

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

From International Gothic to present day

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

A city in colour

The Barresi-Branciforte lords

A museum to save a tradition

Some masterpieces

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

Feasting in Palazzolo

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

Many owners, one palace

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

The internal colours

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

Modica, a city with ancient origins

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new city

A Nobel Prize in Modica

Wonderful quick decorations

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

A symbol for the town

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

Baroque and the loss of equilibrium in the 16th century

Between white and black

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

Some prestigious works

A triumph of colour

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The wall comes to life

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

One city, two sites

A talking palace

Norman apses

The Benedictine Monastery, one of the largest in Europe

A colourful floor

An eagle-shaped city

The façade used as a puppet theatre

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

A hall for the feasts

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

St. Agatha and the giant candelabras

A new palace for the La Rocca lords

The colours of the cathedral

Prominent façade

The disastrous earthquake

Searching for colour

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A new site for a new church

A miniature city

Feast days

The Maiolica of the staircase