Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The theatre of taste

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

One city, two sites

Prominent façade

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

The Maiolica of the staircase

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

New roads for Catania

Searching for colour

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

A long reconstruction

A city in colour

A prominent church

A colourful floor

A feast only for Scicli

The wall comes to life

One city, three sites

A small room with a golden entrance

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

The character of Badia Sant’Agata

A hall for the feasts

A miniature city

The senses tell the story of the Church of the Annunciation

A talking palace

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

From the contrast of the exterior to the internal jubilation of colours

Militello, the story of an enlightened fiefdom

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

Discovering the mother church

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

An eagle-shaped city

Feast days

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

A design by Vincenzo Sinatra

Some masterpieces

The two churches

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

Norman apses

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

Many owners, one palace

A new palace for the La Rocca lords

Connections with other UNESCO sites

A triumph of colour

The senses tell the story of the Church of San Sebastiano

The city of museums

Wonderful quick decorations

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

Two illustrious patron saints

A half-Baroque church

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

Between white and black

The Baroque town by the sea

St. Sebastian, so much work!

The Burgos crucifix