Caltagirone

The Church of St. Mary of the Mountain

The church stands with its austere size on the hill in the historic centre of Caltagirone.
To reach it from below you need to take the 142 maiolica steps of the monumental staircase of the same name, built in 1606 to unite the Church with the Town Hall.
The view from below of the long and majestic staircase, where there are small side openings similar to theatre flats, reveals the church elevation, which can be seen from the final steps, opening onto the square. The building’s foundation dates back to the 12th century and like most ecclesiastical buildings in the Val di Noto, it suffered from damage caused by the earthquake of 1693.
The long reconstruction was distinguished by some projects.
In 1739 the church was already well under way but, a few years after its completion, the bell tower collapsed, damaging other parts of the building.
chiesa santa Maria del Monte facciata frontalezoom sul portaleThis was when the architect Francesco Battaglia from Catania intervened and designed the new project.
The façade, entirely made of carved stone, is austere and sober, divided into two superimposed levels, with no dynamic ornaments apart from the two volutes and curved top that soften its severe lines.
In the more articulated central part, there is a portal with a large Venetian window above, with two small free-standing columns and the two side entrances framed by an elegant curved design and embellished by an oval opening.

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The city within the city

Luminous sacred spaces

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Palazzo Zacco, a balance between sobriety and decoration

The senses tell of Palazzo della Cancelleria

Palazzo della Cancelleria: from former stable to the Nicastro family

The two churches

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The senses tell the Cathedral of San Giorgio

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The articulated interior spaces

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A new site for the church of San Giorgio

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Altars, saints and sculptural works

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The Badia di Sant’Agata (St. Agatha’s Abbey)

A Nobel Prize in Modica

One city, three sites

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

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The senses tell the Cathedral of Sant’Agata

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The church of San Nicolò l’Arena: the majesty of an unfinished beauty

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The interiors: diffused light and Byzantine relics

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The beginning of an authentic Baroque conception

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Unusual iconographies: the Burgos crucifix

Militello: The story of an enlightened fiefdom

Reconstruction after the earthquake

Scenography, lights and colours of the cathedral

The church and the college

The new roads of the city

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The Antonino Uccello Birthplace Museum

Garden of Novices and the restorations by Giancarlo De Carlo

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The casket of austerity under the great dome

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of the Badia di Sant’Agata

Virtuosity, decorations and altars

A stone garden

The Palazzo dei due mori

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Religious architecture

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The Monastery of the Benedictine nuns

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A story of rebirth

St. Agatha and the candelore

Palazzo Trigona di Canicarao

Art in the cathedral

A unifying project for the city of Catania

Rebirth and urban planning of the city of Noto

The Madonna dei Conadomini and the art of devotion

The Franciscan convent

Verticality and dynamism of the façade of the Church of San Carlo

The works in the church

The Monte delle Prestanze in the new city layout

The Infiorata of Noto, a modern tradition

Expanded spaces, stucco and colourful lights

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The Staircase of Angels

Baroque creativity: recurring themes

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Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Church of San Domenico

The Church of St. Mary of the Mountain

The palace, the town, the church

The triumph of Baroque: expansion of spaces

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Akrai and Syracuse: an unbreakable bond

City and nature

San Domenico and Gagliardi’s work

The Duomo di San Giorgio (Cathedral of St. George)

The interior and works of art

Scenography and devotion for St. Agatha

Baroque and the loss of balance in the 16th century

The illusion of light and the decorative splendour

The smallest Greek theatre in the world

Madonna of the Militia: a singular warrior virgin

The church and the monastery

The senses tell the story of the Church of San Giovanni Evangelista

The art of maiolica

The Benedictines’ library

The Church of St. Julian on Via dei Crociferi

Palazzo Trigona: a building with a complex shape

The dynamics of the Church of San Michele