Caltagirone

The senses tell the story of the Church of Santa Chiara

hearing
Listening was important

With a little imagination you can return to 1800 when the church was still used by the nuns and you could listen to the liturgical celebrations.
Worshippers and the nuns attended mass. But there was a problem!
The nuns could not be seen by anyone because they lived in seclusion.
So how did they attend mass? Galleries, like a sort of box seat, were built with louvre blinds (grilles), behind which they could watch the celebrations without being seen.

touch
Touch to discover

Touching objects is one of our instincts and gives us an immediate connection to what is in front of us.
Touching the façade of Santa Chiara (St. Claire) would help us understand the material’s hardness, the stone’s temperature and the porosity of the surface (smooth or rough), giving us a great deal of information in a very short time.
When comparing this information with other objects, we uncover the differences between one material and another.
The maiolica tiles on the floor of Santa Chiara are colder and much smoother to the touch than the façade. The wood of the galleries, on the other hand, is warmer than the sandstone façade and the maiolica floor and balustrade.

sight
Antependium

The alter area hides a masterpiece: the antependium.
Situated in the front part of the altar, the artists took inspiration from Renaissance architecture for the decoration.
The result was a splendid scenographic effect, amplified by the use of mirrors and embellished with materials such as amber and wood covered with silver sheets, then worked to imitate gold.
The light that hits it creates wonderful reflections that illuminate the room. foto edificio a specchi

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The senses tell the story of the Church of Santa Chiara

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From the contrast of the exterior to the internal jubilation of colours

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Two illustrious patron saints

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The colours of the cathedral

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Corbels: a celebration of the Nicolaci family

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Wonderful quick decorations

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Searching for colour

A design by Vincenzo Sinatra

The disastrous earthquake

St. Sebastian, so much work!

Between white and black

A half-Baroque church

The theatre of taste

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

Modica, a city with ancient origins

Discovering the mother church

Some prestigious works

The Infiorata, a feast of colours and flowers

A feast only for Scicli

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The chocolate of Modica

The internal colours

The Burgos crucifix

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The senses tell the story of the Church of Santa Chiara

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A colourful floor

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A small room with a golden entrance

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

The Barresi-Branciforte lords