Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

The chocolate of Modica

Modica, a city with ancient origins

Some masterpieces

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The city of museums

A triumph of colour

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

The two churches

Limestone, the colour of harmony

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

Feast days

St. Agatha and the giant candelabras

A long reconstruction

Between white and black

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The wall comes to life

A miniature city

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

The senses tell about Palazzo Nicolaci

A prominent church

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

A half-Baroque church

A hall for the feasts

Militello, the story of an enlightened fiefdom

One city, two sites

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

New roads for Catania

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

A colourful floor

A majestic and luminous church

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

Some prestigious works

Discovering the mother church

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

A talking palace

Norman apses

A new site for a new city

The disastrous earthquake

The façade used as a puppet theatre

A new palace for the La Rocca lords

The Burgos crucifix

A small room with a golden entrance

A feast only for Scicli

A city in colour

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

The internal colours

The interior and its masterpieces

Connections with other UNESCO sites

The Maiolica of the staircase

From St. Thomas to St. Joseph

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

Feasting in Palazzolo

Prominent façade

The role of the religious orders in rebuilding the Val di Noto