Militello in Val di Catania

A heritage of votive works

The worship of the Madonna della Stella is deeply celebrated by the population in Militello. Worship sky-rocketed in the 18th century and the rich lords of Militello, among others, began to commission votive works for the Madonna. In fact, the parish church of the Madonna della Stella is home to the stanza degli argenti (room of silverware).
foto tessuti e parametri
altare portatileIt is a place where sacred vases, chalices, pyxes and monstrances belonging to the parish of Santa Maria and the rectoral churches of San Giovanni and San Sebastiano are kept and arranged.
It also contains the gold crowns and the star of the simulacrum of the Madonna della Stella, alongside three silver keys needed for the unveiling.
On the day of the feast, the keys are used to open the doors of the niche that houses the simulacrum and are intended for the parish priest, the mayor and the marshal of the Carabinieri.
Another room holds a precious “portable altar”, an object that resembles a wooden wardrobe but inside it houses an altar with simulacra and reliquaries.
This particular object was used as a private chapel in the houses of the nobility.
Finally, the many works of art include the colourful Madonna by Giandomenico Gagini .

A casket of precious works

The Church of St. Mary of the Mountain

From the end of the world to rebirth from the rubble

The interiors: diffused light and Byzantine relics

Religious architecture

The senses tell the story of the Church of San Paolo

The new roads of the city

The senses tell about Palazzo Zacco

The Duomo di San Giorgio (Cathedral of St. George)

City and nature

The Church of St. Paul

The Church of St. Julian on Via dei Crociferi

Expanded spaces, stucco and colourful lights

A unifying project for the city of Catania

Scicli, the city of Baroque scenery

The city of Modica, a balance between nature and urbanism

The senses tell the Church of San Domenico

The art of maiolica

Palazzo Trigona di Canicarao

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Benedict

The senses tell about Palazzo Trigona

The church and the college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The church and the monastery

The senses tell about Palazzo Beneventano

Art in the cathedral

The Staircase of Angels

The senses tell of Palazzo della Cancelleria

Fountain of the Nymph Zizza: public water in the town

Majestic exteriors, grandiose interiors

Scenography and devotion for St. Agatha

Scenography, lights and colours of the cathedral

Palazzo Zacco, a balance between sobriety and decoration

A compromise between Neoclassicism and Baroque

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of Santa Maria del Monte

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Church of San Michele

The illusion of light and the decorative splendour

A new site for the church of San Giorgio

A stone garden

The Church of Madonna della Stella

Baroque creativity: recurring themes

Akrai and Syracuse: an unbreakable bond

Piazza Duomo, the elephant fountain, the heart of the city

Militello: The story of an enlightened fiefdom

The Franciscan convent

Expansion, spatiality and light in the church of San Domenico

Luminous sacred spaces

The smallest Greek theatre in the world

The Madonna dei Conadomini and the art of devotion

The casket of austerity under the great dome

Madonna of the Militia: a singular warrior virgin

A story of rebirth

Altars, saints and sculptural works

The beginning of an authentic Baroque conception

The interior and works of art

The expansion of space and changing reality

The Palazzo dei due mori

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of San Giovanni Evangelista

The city within the city

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Benedetto

Verticality and dynamism of the façade of the Church of San Carlo

Reconstruction after the earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Badia di Sant’Agata

The Badia di Sant’Agata (St. Agatha’s Abbey)

Baroque and the loss of balance in the 16th century

Rebirth and urban planning of the city of Noto

San Domenico and Gagliardi’s work

St. Agatha and the candelore

The senses tell the Cathedral of San Giorgio

The palace, the town, the church

A Nobel Prize in Modica

The Monastery of the Benedictine nuns

Views denied, views conquered: the power of the devout Benedictines

The Church of St. Francis

Palazzo Trigona: a building with a complex shape

The eagle-shaped city

The two churches

The interior of the church: space and colour

The Church of St. John the Evangelist

The works in the church

The articulated interior spaces

The senses tell of the Cathedral of San Pietro

The Benedictines’ library

The Antonino Uccello Birthplace Museum

Unusual iconographies: the Burgos crucifix

The dynamics of the Church of San Michele

The triumph of Baroque: expansion of spaces

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Infiorata of Noto, a modern tradition

The Monte delle Prestanze in the new city layout

The city palace

Virtuosity, decorations and altars

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A heritage of votive works