The illusion of light and the decorative splendour

The interior of the church is clearly different to the austere exterior.ingresso verso abside
Though the architectural forms are more sober than in other Baroque churches, the decorations are sumptuous and cover the entire surface of the intradoses of the vaults, concentrated in the apse area.
dettaglio colonna marmo verdeThe interior space is divided into three naves marked by fourteen columns with Corinthian capitals and arcades leading to the apse, the central point of the church.
The vault of the central nave is decorated with sixteen painted medallions and frescoes depicting stories from the Old Testament by Gian Battista and Stefano Ragazzi, completed in 1780.
dett pavimentoThe side naves are defined by niches and altars luxuriously decorated with precious materials and separated by coupled columns , some in marble, others decorated in stucco. A pleasant lighting effect is created in this area thanks to the soft light entering from the lunette windows, which are also decorated on the inside.
The 1864 floor is made up of polychrome marble, white marble and black pietra pece where geometric designs and curvilinear decorations alternate with those of the vault. Also in this case, the different use of polished and opaque materials causes light to be reflected in different ways, thus creating multiple perceptions of the room in a continuous play of illusory effects.

The senses tell about Palazzo Trigona

The Church of St. Paul

The triumph of Baroque: expansion of spaces

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Giovanni Evangelista

Altars, saints and sculptural works

The Church of St. Julian on Via dei Crociferi

The new roads of the city

San Domenico and Gagliardi’s work

Majestic exteriors, grandiose interiors

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Views denied, views conquered: the power of the devout Benedictines

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell of Palazzo della Cancelleria

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Church of San Michele

The articulated interior spaces

The Church of Madonna della Stella

City and nature

The city palace

The palace, the town, the church

The Madonna dei Conadomini and the art of devotion

The expansion of space and changing reality

A unifying project for the city of Catania

The Franciscan convent

Religious architecture

The interior of the church: space and colour

Baroque and the loss of balance in the 16th century

Art in the cathedral

The casket of austerity under the great dome

The Church of St. Francis

Virtuosity, decorations and altars

The art of maiolica

The Church of St. John the Evangelist

The dynamics of the Church of San Michele

The beginning of an authentic Baroque conception

Unusual iconographies: the Burgos crucifix

Akrai and Syracuse: an unbreakable bond

Palazzo Trigona di Canicarao

Palazzo Trigona: a building with a complex shape

Rebirth and urban planning of the city of Noto

The Infiorata of Noto, a modern tradition

Militello: The story of an enlightened fiefdom

Palazzo Zacco, a balance between sobriety and decoration

One city, three sites

The works in the church

Fountain of the Nymph Zizza: public water in the town

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Staircase of Angels

The senses tell the story of the Church of San Paolo

The Monastery of the Benedictine nuns

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Beneventano

The senses tell about Palazzo Zacco

Madonna of the Militia: a singular warrior virgin

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Palazzo dei due mori

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

The Duomo di San Giorgio (Cathedral of St. George)

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Benedetto

Scenography and devotion for St. Agatha

The senses tell the Church of San Domenico

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Ducezio

The smallest Greek theatre in the world

A new site for the church of San Giorgio

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Cathedral of Sant’Agata

The two churches

Luminous sacred spaces

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of the Badia di Sant’Agata

A heritage of votive works

A Nobel Prize in Modica

The Church of St. Mary of the Mountain

The senses tell the Cathedral of San Giorgio

The city within the city

The eagle-shaped city

The Benedictines’ library

Baroque creativity: recurring themes

Piazza Duomo, the elephant fountain, the heart of the city

Expanded spaces, stucco and colourful lights

The Church of St. Benedict

The illusion of light and the decorative splendour

The senses tell the Cathedral of San Giorgio

A stone garden

The church and the college

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The interior and works of art

A story of rebirth

From the end of the world to rebirth from the rubble

The senses tell of the Cathedral of San Pietro

The neo-Gothic seminary chapel: symbols, light and space

Scicli, the city of Baroque scenery

St. Agatha and the candelore

The church and the monastery

Garden of Novices and the restorations by Giancarlo De Carlo

A compromise between Neoclassicism and Baroque

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A casket of precious works

Reconstruction after the earthquake