Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Via dei Crociferi is a street a little more than one hundred metres long where some of Catania’s major Baroque architecture was built.
Among these is the exquisite church of San Giuliano (St. Julian), part of the architectural complex of the former Benedictine monastery. When the building in the old town (now Piazza Cutelli) was destroyed by the earthquake, the abbess Bonaiuto began its reconstruction. In 1703, with the help of her brother Don Fernando and the Bishop Riggio, the abbess sold the ruins of the old monastery and land, and began reconstruction on Via dei Crociferi.
The construction was long and complex. In 1741, when the final piece of land was purchased to build the church, the monastery had a dormitory, parlour and sacristy.

foto facciata chiesa frontale
When you are inside San Giuliano ai Crociferi it seems to be in a casket. The church has a central plan. Carved into the walls there are four niches, a small chapel and the high altar. The dome is painted with frescoes by the Catania painter Giuseppe Rapisardi. The scene shows Saint Berillo, the city’s third patron, while receiving from Saint Peter the task of founding the Catanese Church. Under the dome are four windows. Below are potbellied grates that allowed nuns to attend church celebrations.

Giuseppe Palazzotto was the architect and site manager; though tradition attributes this role to Vaccarini, in all likelihood he was only the designer of the project.

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Limestone, the colour of harmony

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Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

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The façade used as a puppet theatre

The Staircase of Angels

Norman apses

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A small room with a golden entrance

Discovering the mother church

Many owners, one palace

Prominent façade

A triumph of colour

Some masterpieces

Some prestigious works

A talking palace

The Burgos crucifix

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

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Between white and black

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The two churches

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The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

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The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

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The colours of the cathedral

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Wonderful quick decorations

The Feast of San Giacomo (St. James)

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The city of museums

The disastrous earthquake

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

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One city, three sites

Corbels: a celebration of the Nicolaci family

The internal colours

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Feasting in Palazzolo

A miniature city

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New roads for Catania

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Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Two illustrious patron saints

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A colourful floor

The senses tell the story of the church of San Giuseppe

A long reconstruction

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

The Barresi-Branciforte lords

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

A Nobel Prize in Modica

The wall comes to life

The theatre of taste

A city in colour

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A prominent church

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

The church of Carmine

Feast days

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

From St. Thomas to St. Joseph

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A new entrance for Santa Chiara (St. Claire)

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Searching for colour