Militello in Val di Catania

Militello: The story of an enlightened fiefdom

The town of Militello in Val di Catania reached the height of its growth in the 17th century, and is one of the centres rebuilt on new sites following the great earthquake of 1693.
In fact, in these years the enlightened Prince Francesco Branciforte designed the new urban layout, already thinking about a possible expansion of the town. Located in the northern extremity of the Hyblaean Mountains, it was rebuilt further upstream, not far from the former site, according to a grid layout.
Militello drone
piazza Vittorio Emanuele inquadrando chiesa san NicolòThe name Militellus, or Militum Tellus, land of soldiers, is said to come from the city’s Roman origins, though nothing has been proven yet. The first urban centre dates back to the Byzantine era, near the valley of the river Lèmbasi, to the south of the current township. This is evidenced by the transformation of the necropolises into homes and places of Christian worship. The main characteristic of Militello is, however, its strong connotation of a fortified centre. As a matter of fact, it remained a fiefdom until the end of the 18th century following the rule of the Barresi and Branciforte lords. The two main churches, those of Santa Maria della Stella (St. Mary of the Star) and San Nicolò (St. Nicholas), were razed to the ground by the earthquake and were rebuilt, in the upper part of the town, in the Baroque style of the Val di Noto.

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of the Badia di Sant’Agata

Militello: The story of an enlightened fiefdom

The Church of St. Francis

Fountain of the Nymph Zizza: public water in the town

A new site for the church of San Giorgio

Altars, saints and sculptural works

A story of rebirth

The casket of austerity under the great dome

The senses tell the story of the Church of San Carlo and the former Jesuit college

Expansion, spatiality and light in the church of San Domenico

Garden of Novices and the restorations by Giancarlo De Carlo

San Domenico and Gagliardi’s work

The expansion of space and changing reality

Scenography and devotion for St. Agatha

The palace, the town, the church

The Church of St. Benedict

The church and the college

The senses tell the Church of San Domenico

Baroque and the loss of balance in the 16th century

The Church of St. John the Evangelist

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Cathedral of San Giorgio

The Monastery of the Benedictine nuns

The senses tell the Cathedral of Sant’Agata

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Paolo

Majestic exteriors, grandiose interiors

The two churches

Palazzo Zacco, a balance between sobriety and decoration

The city of Modica, a balance between nature and urbanism

The Antonino Uccello Birthplace Museum

The new roads of the city

A compromise between Neoclassicism and Baroque

The interior of the church: space and colour

Religious architecture

The senses tell about Palazzo Beneventano

The senses tell of Palazzo della Cancelleria

Palazzo Trigona: a building with a complex shape

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Views denied, views conquered: the power of the devout Benedictines

The works in the church

The Church of St. Mary of the Mountain

From the end of the world to rebirth from the rubble

Scicli, the city of Baroque scenery

Scenography, lights and colours of the cathedral

The Monte delle Prestanze in the new city layout

The church and the monastery

Expanded spaces, stucco and colourful lights

The Madonna dei Conadomini and the art of devotion

A stone garden

A Nobel Prize in Modica

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell about Palazzo Zacco

Verticality and dynamism of the façade of the Church of San Carlo

The beginning of an authentic Baroque conception

The eagle-shaped city

The Infiorata of Noto, a modern tradition

Unusual iconographies: the Burgos crucifix

The senses tell of the Cathedral of San Pietro

The Benedictines’ library

The dynamics of the Church of San Michele

Luminous sacred spaces

Akrai and Syracuse: an unbreakable bond

The Church of Madonna della Stella

Reconstruction after the earthquake

The city palace

A casket of precious works

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A heritage of votive works

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of San Giuliano ai Crociferi

City and nature

The interiors: diffused light and Byzantine relics

The senses tell the Church of San Michele

The illusion of light and the decorative splendour

The Palazzo dei due mori

Piazza Duomo, the elephant fountain, the heart of the city

The Badia di Sant’Agata (St. Agatha’s Abbey)

The neo-Gothic seminary chapel: symbols, light and space

The Staircase of Angels

The Church of St. Julian on Via dei Crociferi

The Church of St. Paul

The interior and works of art

Palazzo Trigona di Canicarao

The senses tell the Cathedral of San Giorgio

Art in the cathedral

Baroque creativity: recurring themes

The senses tell the story of the Church of Santa Maria del Monte

The triumph of Baroque: expansion of spaces

The Duomo di San Giorgio (Cathedral of St. George)

The city within the city

The senses tell about Palazzo Trigona

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Franciscan convent

The senses tell the story of the Church of San Benedetto

St. Agatha and the candelore

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The smallest Greek theatre in the world

Virtuosity, decorations and altars

One city, three sites

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A unifying project for the city of Catania

The senses tell the story of the Church of San Giovanni Evangelista

The articulated interior spaces

The art of maiolica