Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

Many owners, one palace

A triumph of colour

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

A miniature city

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

A colourful floor

The interior and its masterpieces

A new site for a new city

The façade used as a puppet theatre

An eagle-shaped city

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

The church of Carmine

The senses tell the story of the Church of San Benedetto

The Staircase of Angels

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The disastrous earthquake

A long reconstruction

A hall for the feasts

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

A talking palace

Some masterpieces

The senses tell the story of the Church of the Annunciation

A half-Baroque church

A symbol for the town

A museum to save a tradition

Norman apses

The colours of the cathedral

Two illustrious patron saints

The character of Badia Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

The theatre of taste

Searching for colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

A Nobel Prize in Modica

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

Prominent façade

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A feast only for Scicli

One city, three sites

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

The city of museums

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The Baroque town by the sea

Limestone, the colour of harmony

Fontana della Ninfa Zizza, public water in the town

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

Feast days

From International Gothic to present day

A design by Vincenzo Sinatra

The internal colours

One city, two sites

San Nicolò l’Arena: an unfinished church

A city in colour

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

Some prestigious works

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

The chocolate of Modica

Between white and black

The senses tell the story of the church of San Giuseppe

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista