Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

The chocolate of Modica

The city of museums

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

From International Gothic to present day

The Burgos crucifix

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

One city, three sites

A new site for a new city

The Barresi-Branciforte lords

A prominent church

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

The kitchen, a treasure chest of colours

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

The two churches

Feast days

St. Sebastian, so much work!

The church of Carmine

A majestic and luminous church

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Nicolaci

New roads for Catania

A long reconstruction

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

A miniature city

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

Some masterpieces

A half-Baroque church

A square as the heart of the city

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

Many owners, one palace

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

A Nobel Prize in Modica

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Discovering the mother church

Feasting in Palazzolo

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

Norman apses

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

A hall for the feasts

Wonderful quick decorations

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

A symbol for the town

One city, two sites

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

Places of knowledge: the Benedictines’ library

Prominent façade

A city in colour

Modica, a city with ancient origins

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras