Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The character of Badia Sant’Agata

The interior and its masterpieces

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

The chocolate of Modica

The colours of the cathedral

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

A Nobel Prize in Modica

The façade used as a puppet theatre

The Staircase of Angels

One city, three sites

The Feast of San Giacomo (St. James)

A square as the heart of the city

A city in colour

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

The city of museums

The theatre of taste

The internal colours

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

A museum to save a tradition

Feast days

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

A majestic and luminous church

The Maiolica of the staircase

Prominent façade

The senses tell the story of the Church of Santa Chiara

New roads for Catania

A talking palace

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

A colourful floor

Wonderful quick decorations

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

A miniature city

One city, two sites

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

The wall comes to life

The two churches

Limestone, the colour of harmony

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

An eagle-shaped city

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

Discovering the mother church

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

The church of Carmine

The senses tell about Palazzo Nicolaci

Many owners, one palace

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

Connections with other UNESCO sites

A hall for the feasts

A symbol for the town

Some prestigious works

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The Infiorata, a feast of colours and flowers

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

From International Gothic to present day

Between white and black

A prominent church

Two illustrious patron saints