Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

The senses tell about Palazzo Nicolaci

A prominent church

The interior and its masterpieces

A majestic and luminous church

A small room with a golden entrance

The disastrous earthquake

Feasting in Palazzolo

Discovering the mother church

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

The internal colours

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

A half-Baroque church

The role of the religious orders in rebuilding the Val di Noto

The two churches

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

The colours of the cathedral

Prominent façade

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

A new entrance for Santa Chiara (St. Claire)

Feast days

One city, two sites

The senses tell the Cathedral of Sant’Agata

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new palace for the La Rocca lords

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

The city of museums

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

The senses tell about Palazzo La Rocca

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

One city, three sites

An eagle-shaped city

The Staircase of Angels

A triumph of colour

A design by Vincenzo Sinatra

A square as the heart of the city

The church of Carmine

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

St. Sebastian, so much work!

A colourful floor

A symbol for the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The Infiorata, a feast of colours and flowers

A hall for the feasts

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

A long reconstruction

Modica, a city with ancient origins

Searching for colour

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

Many owners, one palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

Between white and black

The Barresi-Branciforte lords

The façade used as a puppet theatre