Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

The theatre of taste

The Burgos crucifix

The Staircase of Angels

A prominent church

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

A colourful floor

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

A talking palace

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

A miniature city

A new entrance for Santa Chiara (St. Claire)

Some prestigious works

A long reconstruction

San Nicolò l’Arena: an unfinished church

The chocolate of Modica

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The two churches

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

Norman apses

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

Two illustrious patron saints

The Baroque town by the sea

Wonderful quick decorations

One city, two sites

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

The Barresi-Branciforte lords

A triumph of colour

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

Limestone, the colour of harmony

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

The kitchen, a treasure chest of colours

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The character of Badia Sant’Agata

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

A museum to save a tradition

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some masterpieces

The interior and its masterpieces

Prominent façade

Discovering the mother church

A feast only for Scicli

A city in colour

The internal colours

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

Searching for colour

Places of knowledge: the Benedictines’ library

The wall comes to life

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The Feast of San Giacomo (St. James)

The senses tell the story of the Badia di Sant’Agata

The city of museums

One city, three sites

New roads for Catania

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A symbol for the town

A Nobel Prize in Modica

Militello, the story of an enlightened fiefdom

Many owners, one palace

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day