Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

Norman apses

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

A hall for the feasts

A colourful floor

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

Militello, the story of an enlightened fiefdom

A museum to save a tradition

A long reconstruction

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

A prominent church

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

The church of Carmine

A majestic and luminous church

A talking palace

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

The theatre of taste

Between white and black

A half-Baroque church

Modica, a city with ancient origins

One city, two sites

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

The city of museums

One city, three sites

The Staircase of Angels

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

The Benedictine Monastery, one of the largest in Europe

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

The internal colours

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

Prominent façade

A symbol for the town

Many owners, one palace

The Barresi-Branciforte lords

A new palace for the La Rocca lords

The wall comes to life

New roads for Catania

The Infiorata, a feast of colours and flowers

A feast only for Scicli

Feasting in Palazzolo

An eagle-shaped city

Some prestigious works

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

A triumph of colour

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

Feast days

The cathedral of Sant’Agata: a lengthy reconstruction

A square as the heart of the city

The senses tell about Palazzo Nicolaci

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

Searching for colour

The character of Badia Sant’Agata

The interior and its masterpieces

From St. Thomas to St. Joseph

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

A new site for a new city

Discovering the mother church

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

San Nicolò l’Arena: an unfinished church

A new site for a new church

A city in colour

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction