Palazzolo Acreide

The Antonino Uccello Birthplace Museum

Among the narrow streets of Palazzolo Acreide we find the Antonino Uccello Birthplace Museum, one of the first ethnographic museums in Sicily.
The museum was opened in 1971 thanks to the passion of its founder, Sicilian teacher and poet Antonino Uccello , Driven by his love for his land after spending most of his life in northern Italy, he decided to create this special place. Local tradition is kept alive in the rooms of the noble palace of the Ferla family (18th century), purchased in the 1970s by the new owner.The museum runs through the entire building to the upper floor, where we find the owner’s residence.
Inside there are objects that document rural life: tools used by shepherds, furniture and everyday ceramics, the farmer’s room furnished with the original furniture, figurines from nativity scenes, puppets and typical carts , veritable works of art of Sicilian craftsmanship.

The cart’s make-up included aspects of sculpture and painting. It was more than just a decorative element that portrayed historical, symbolic and sacred subjects; it was, above all else, a functional element. In fact, the layers of paint guaranteed greater protection for the underlying structure.

The Franciscan convent

Majestic exteriors, grandiose interiors

The articulated interior spaces

The smallest Greek theatre in the world

A Nobel Prize in Modica

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Giuliano ai Crociferi

A story of rebirth

The city within the city

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Trigona

The Church of St. Paul

The works in the church

The Duomo di San Giorgio (Cathedral of St. George)

A new site for the church of San Giorgio

The interior and works of art

The neo-Gothic seminary chapel: symbols, light and space

Expansion, spatiality and light in the church of San Domenico

The palace, the town, the church

Scenography and devotion for St. Agatha

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell of the Cathedral of San Pietro

The Monastery of the Benedictine nuns

From the end of the world to rebirth from the rubble

St. Agatha and the candelore

The Benedictines’ library

The Church of Madonna della Stella

Militello: The story of an enlightened fiefdom

Unusual iconographies: the Burgos crucifix

The art of maiolica

The Madonna dei Conadomini and the art of devotion

The city palace

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell about Palazzo Beneventano

The city of Modica, a balance between nature and urbanism

The illusion of light and the decorative splendour

The Staircase of Angels

The Palazzo dei due mori

Virtuosity, decorations and altars

Rebirth and urban planning of the city of Noto

Akrai and Syracuse: an unbreakable bond

Religious architecture

The senses tell the Cathedral of San Giorgio

Scicli, the city of Baroque scenery

A unifying project for the city of Catania

The senses tell the story of the Church of San Benedetto

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of Santa Maria del Monte

The casket of austerity under the great dome

Baroque creativity: recurring themes

The senses tell the story of the Church of San Carlo and the former Jesuit college

A heritage of votive works

The Monte delle Prestanze in the new city layout

Verticality and dynamism of the façade of the Church of San Carlo

Baroque and the loss of balance in the 16th century

The eagle-shaped city

The dynamics of the Church of San Michele

The senses tell of Palazzo della Cancelleria

One city, three sites

The two churches

The senses tell the Cathedral of Sant’Agata

The beginning of an authentic Baroque conception

The expansion of space and changing reality

The Church of St. Mary of the Mountain

The interior of the church: space and colour

Palazzo Trigona di Canicarao

Palazzo Zacco, a balance between sobriety and decoration

The senses tell about Palazzo Ducezio

The senses tell about Palazzo Zacco

Palazzo della Cancelleria: from former stable to the Nicastro family

Piazza Duomo, the elephant fountain, the heart of the city

Views denied, views conquered: the power of the devout Benedictines

The new roads of the city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The church and the college

Garden of Novices and the restorations by Giancarlo De Carlo

A stone garden

Scenography, lights and colours of the cathedral

Art in the cathedral

A compromise between Neoclassicism and Baroque

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Church of San Domenico

The Infiorata of Noto, a modern tradition

The senses tell the Cathedral of San Giorgio

Madonna of the Militia: a singular warrior virgin

The church and the monastery

City and nature

The Church of St. Francis

A casket of precious works

Fountain of the Nymph Zizza: public water in the town

The Church of St. Benedict

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Badia di Sant’Agata (St. Agatha’s Abbey)

San Domenico and Gagliardi’s work

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Paolo

The interiors: diffused light and Byzantine relics

The Church of St. John the Evangelist

Altars, saints and sculptural works

The senses tell the Church of San Michele

Palazzo Trigona: a building with a complex shape

Luminous sacred spaces

Reconstruction after the earthquake

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of the Badia di Sant’Agata