Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

Some masterpieces

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

Prominent façade

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

A colourful floor

The chocolate of Modica

The kitchen, a treasure chest of colours

An eagle-shaped city

A feast only for Scicli

The internal colours

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

A new palace for the La Rocca lords

A hall for the feasts

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

Feast days

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

The interior and its masterpieces

The church of Carmine

New roads for Catania

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of the Annunciation

A miniature city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

The senses tell about Palazzo Nicolaci

The two churches

A new site for a new church

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

Searching for colour

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

One city, two sites

Feasting in Palazzolo

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

Some prestigious works

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

A design by Vincenzo Sinatra

The Staircase of Angels

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

A symbol for the town

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

A new site for a new city

The disastrous earthquake

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

A triumph of colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

A Nobel Prize in Modica

A museum to save a tradition

The Infiorata, a feast of colours and flowers

Many owners, one palace

One city, three sites

Limestone, the colour of harmony

The Burgos crucifix

The senses tell the story of the church of San Giovanni Battista

A prominent church

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The Feast of San Giacomo (St. James)

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The Barresi-Branciforte lords

The city of museums

Garden of Novices and the restorations by Giancarlo De Carlo

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras