Catania

The Benedictine Monastery, one of the largest in Europe

Located on the hill of Montevergine is one of the city’s largest complexes and the second largest monastic complex in Europe.
Benedictine monastery of Catania has a very long history marked by the passage of time (one testimony includes the remains of a Roman domus, or house), civilisations and natural disasters which have made it one of the most resistant and richest cultural sites on the entire island.
Founded by the monks of Cassino in the 16th century, when the west cloister was constructed, with the large Carrara marble fountain completed in 1608, most of the rooms were used for monastery life: the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour. foto d'insiemeDuring the eruption of 1669 the monastery was hit by magma that surrounded the building: it burst through the walls and reached the first-storey windows.
Traces of the exceptional lava flow are still visible along the retaining walls, which were built specially to divert it. In 1693 the monastery was hit by the great earthquake and suffered serious damage.
The new design involved the construction of four large courtyards that would make it the largest in the world, but only two were completed: the cloister with the fountain and one in the east where the caffeaos (coffee house) was placed.

foto caffeaos foto Coffeaos da dentro la struttura
The structure was reminiscent of a gazebo, made with white stone featuring an interesting decoration in colourful maiolica with an abstract design.

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

Norman apses

The senses tell the story of the Church of Santa Chiara

Some prestigious works

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

The Burgos crucifix

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

One city, two sites

A prominent church

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

The façade used as a puppet theatre

The church of Carmine

A city in colour

The senses tell the story of the Badia di Sant’Agata

The chocolate of Modica

A feast only for Scicli

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

Many owners, one palace

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

Between white and black

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

A miniature city

One city, three sites

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

Feast days

A museum to save a tradition

A long reconstruction

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

From St. Thomas to St. Joseph

A hall for the feasts

The kitchen, a treasure chest of colours

A half-Baroque church

Two illustrious patron saints

The Maiolica of the staircase

The wall comes to life

The colours of the cathedral

The theatre of taste

A new site for a new city

Modica, a city with ancient origins

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

Some masterpieces

The Baroque town by the sea

The two churches

Connections with other UNESCO sites

A small room with a golden entrance

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

Prominent façade

Corbels: a celebration of the Nicolaci family