Noto

Palazzo Trigona di Canicarao

The Palazzo Trigona di Canicarao is one of the most interesting examples of Baroque building constructed after the earthquake of 1693. It takes its name from the family of the owners who had already been living in the city since the 12th century.
The palace occupies half a block between Via Cavour, which houses the main façade with the entrance, Via Giovanni XXIII, now Via Bancheri, and Via Giberti where the lateral asymmetrical terraced units extend. The centre is occupied by the courtyard with the exedra and the staircase and on the other side, completing the block, is the archbishop’s palace.
This is one of the most prestigious lots of land in Noto, located next to the Mother Church, the cathedral from 1844, and other noble palaces.
It was built between about 1750 and 1760, then enlarged by the Marquis Bernardo Trigona in 1777, and completed by his son Vincenzo in 1791.
The monumental façade on Via Cavour is the result of the union of pre-existing buildings stylistically unified into a single façade divided into two sections, with four windows on the ground floor and four balconies on the first floor.
Here the French windows are decorated at the top with a floral frieze, surmounted by a jutting cornice and crowned by curved or triangular tympanums. The balconies are supported by highly decorated stone cagnoli that are configured to continue the stone cornices of the windows.
portale

The palace, the town, the church

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The Church of St. Francis

Palazzo Trigona: a building with a complex shape

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Scenography and devotion for St. Agatha

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Virtuosity, decorations and altars

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The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Piazza Duomo, the elephant fountain, the heart of the city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

From the end of the world to rebirth from the rubble

The Staircase of Angels

The neo-Gothic seminary chapel: symbols, light and space

The new roads of the city

The city within the city

The Madonna dei Conadomini and the art of devotion

Baroque and the loss of balance in the 16th century

City and nature

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Garden of Novices and the restorations by Giancarlo De Carlo

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A casket of precious works

The Franciscan convent

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The smallest Greek theatre in the world

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The Duomo di San Giorgio (Cathedral of St. George)

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Akrai and Syracuse: an unbreakable bond

Religious architecture

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The Antonino Uccello Birthplace Museum

The works in the church

The senses tell the Cathedral of San Giorgio

San Domenico and Gagliardi’s work

The illusion of light and the decorative splendour

St. Agatha and the candelore

The senses tell the Cathedral of San Giorgio

The Palazzo dei due mori

The interior of the church: space and colour

The city of Modica, a balance between nature and urbanism

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Unusual iconographies: the Burgos crucifix

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Luminous sacred spaces

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The Monastery of the Benedictine nuns

The interior and works of art

The beginning of an authentic Baroque conception

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The dynamics of the Church of San Michele

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

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Scicli, the city of Baroque scenery

A stone garden

The art of maiolica

The senses tell about Palazzo Beneventano

The senses tell of the Cathedral of San Pietro

The two churches

Rebirth and urban planning of the city of Noto

Expansion, spatiality and light in the church of San Domenico

Reconstruction after the earthquake

The senses tell the story of the Church of Santa Maria del Monte

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell about Palazzo Trigona

A Nobel Prize in Modica

The casket of austerity under the great dome

The senses tell about Palazzo Zacco

The senses tell the Church of San Domenico

The triumph of Baroque: expansion of spaces

Altars, saints and sculptural works

The Badia di Sant’Agata (St. Agatha’s Abbey)

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. Benedict