Palazzolo Acreide

One city, three sites

Palazzolo Acreide is located further inland in Syracuse and is one of the oldest towns in the Val di Noto.Also struck by the 1693 earthquake, it was reborn from its rubble in the same location. Here the Baroque style fits in perfectly with the narrow, dense medieval streets.
Light enters the squares, making the façades and the contrasts between the colours stand out.
The town has three different construction phases that illustrate three different historical periods.
The medieval centre, which stood near former Acre, was located on a rocky spur in a strategic position for controlling the territory.
There stood a “palatium”, or imperial palace, which is probably where the name “palatiolum” of the new town came from. The oldest centre of the town was founded seventy years after the city of Syracuse, with which a lasting bond was built.
This new town on the plateau of the Hyblaean Mountains allowed trade between Syracuse and the other southern towns, promoting the spread of Hellenic culture in the centuries to come. After the tragic earthquake, the most important Baroque buildings and squares were built around the main street dedicated to Vittorio Emanuele. Palazzolo Acreide still retains some evidence of the ancient Greek city of Akrai: if you walk along Corso Vittorio Emanuele you’ll reach the Greek theatre .

A feast only for Scicli

The Barresi-Branciforte lords

The church of Carmine

A city in colour

Wonderful quick decorations

The Maiolica of the staircase

A talking palace

A hall for the feasts

A museum to save a tradition

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A majestic and luminous church

The Infiorata, a feast of colours and flowers

A long reconstruction

The colours of the cathedral

A small room with a golden entrance

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

Militello, the story of an enlightened fiefdom

The Baroque town by the sea

The city of museums

The disastrous earthquake

A symbol for the town

Many owners, one palace

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

San Benedetto: a treasure reopened to the public

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

From International Gothic to present day

A square as the heart of the city

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

Places of knowledge: the Benedictines’ library

A prominent church

New roads for Catania

Limestone, the colour of harmony

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

The interior and its masterpieces

The senses tell the story of the Church of San Sebastiano

Prominent façade

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

The Staircase of Angels

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

The two churches

An eagle-shaped city

One city, two sites

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

Discovering the mother church

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

Feast days

The senses tell about Palazzo Nicolaci

Between white and black

The senses tell the story of the Church of Santa Chiara

A miniature city

Some prestigious works

The senses tell the story of the Church of San Benedetto

A new entrance for Santa Chiara (St. Claire)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

Searching for colour

Feasting in Palazzolo

A new palace for the La Rocca lords

A new site for a new church

The internal colours