Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Modica, a city with ancient origins

The theatre of taste

Militello, the story of an enlightened fiefdom

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

A colourful floor

The senses tell about Palazzo Nicolaci

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

San Benedetto: a treasure reopened to the public

The colours of the cathedral

Some prestigious works

The interior and its masterpieces

St. Agatha and the giant candelabras

The wall comes to life

A triumph of colour

A city in colour

A Nobel Prize in Modica

A design by Vincenzo Sinatra

A new palace for the La Rocca lords

Feast days

A miniature city

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

Limestone, the colour of harmony

The internal colours

The Maiolica of the staircase

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A prominent church

A long reconstruction

Between white and black

The Staircase of Angels

The church of Carmine

The Burgos crucifix

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

A talking palace

Norman apses

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

A hall for the feasts

A new site for a new city

One city, three sites

Prominent façade

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

Discovering the mother church

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

The two churches

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

Some masterpieces

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

The Barresi-Branciforte lords

A symbol for the town

The city of museums

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

New roads for Catania

A majestic and luminous church

One city, two sites

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints