Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Modica, a city with ancient origins

Two illustrious patron saints

A city in colour

The character of Badia Sant’Agata

A new palace for the La Rocca lords

Feasting in Palazzolo

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

A prominent church

The senses tell the story of the church of San Giovanni Battista

Many owners, one palace

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

The internal colours

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

Fontana della Ninfa Zizza, public water in the town

Some prestigious works

A half-Baroque church

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

The chocolate of Modica

The church of Carmine

A new site for a new city

Between white and black

A miniature city

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

A square as the heart of the city

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

From International Gothic to present day

The theatre of taste

One city, two sites

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

Prominent façade

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

A long reconstruction

A triumph of colour

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

Searching for colour

A symbol for the town

Places of knowledge: the Benedictines’ library

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The Baroque town by the sea

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

The colours of the cathedral

Feast days

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The city of museums

A new site for a new church

The interior and its masterpieces

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

St. Sebastian, so much work!

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

A majestic and luminous church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

The Burgos crucifix

A talking palace

A colourful floor