Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

Garden of Novices and the restorations by Giancarlo De Carlo

A miniature city

The senses tell about Palazzo La Rocca

Norman apses

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

A long reconstruction

The church of Carmine

The senses tell the story of the Church of Santa Chiara

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

Feast days

San Benedetto: a treasure reopened to the public

The chocolate of Modica

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

The theatre of taste

Some masterpieces

The senses tell the story of the Church of San Benedetto

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

The interior and its masterpieces

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

The internal colours

The façade used as a puppet theatre

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

A new palace for the La Rocca lords

Discovering the mother church

A square as the heart of the city

The two churches

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

A museum to save a tradition

Searching for colour

A feast only for Scicli

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A city in colour

A colourful floor

A half-Baroque church

Wonderful quick decorations

One city, two sites

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

A small room with a golden entrance

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

The senses tell the story of the Church of the Annunciation

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

Prominent façade

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The senses tell the story of the Church of San Sebastiano

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

The Burgos crucifix

Many owners, one palace

The character of Badia Sant’Agata

Limestone, the colour of harmony

Connections with other UNESCO sites

A Nobel Prize in Modica

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

The city of museums

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

A prominent church

A design by Vincenzo Sinatra

A new site for a new city

Militello, the story of an enlightened fiefdom

A majestic and luminous church

Two illustrious patron saints