Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The colours of the cathedral

From International Gothic to present day

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

A talking palace

The Maiolica of the staircase

Some masterpieces

A long reconstruction

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

Searching for colour

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

The Baroque town by the sea

The Barresi-Branciforte lords

Many owners, one palace

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

A square as the heart of the city

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

St. Sebastian, so much work!

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

One city, three sites

Feast days

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

The church of Carmine

Corbels: a celebration of the Nicolaci family

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

Two illustrious patron saints

Modica, a city with ancient origins

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The internal colours

The interior and its masterpieces

The Benedictine Monastery, one of the largest in Europe

The façade used as a puppet theatre

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

A triumph of colour

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

The city of museums

The wall comes to life

Norman apses

A prominent church

New roads for Catania

A new palace for the La Rocca lords

A symbol for the town

Prominent façade

A city in colour

A miniature city

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

Between white and black

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

Some prestigious works

A new site for a new church

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

From St. Thomas to St. Joseph

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

The character of Badia Sant’Agata

One city, two sites

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

A colourful floor

A new site for a new city

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation