Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

A city in colour

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

The Burgos crucifix

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Benedetto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

A long reconstruction

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

Discovering the mother church

A square as the heart of the city

From International Gothic to present day

Prominent façade

The character of Badia Sant’Agata

A colourful floor

The Infiorata, a feast of colours and flowers

A museum to save a tradition

A prominent church

A feast only for Scicli

Some masterpieces

A majestic and luminous church

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

A symbol for the town

A new site for a new church

The internal colours

A triumph of colour

St. Agatha and the giant candelabras

The Baroque town by the sea

The church of Carmine

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

Limestone, the colour of harmony

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

The city of museums

A small room with a golden entrance

Fontana della Ninfa Zizza, public water in the town

Norman apses

Places of knowledge: the Benedictines’ library

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello, the story of an enlightened fiefdom

The two churches

Searching for colour

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

Modica, a city with ancient origins

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

A miniature city

Some prestigious works

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

From St. Thomas to St. Joseph

New roads for Catania

The colours of the cathedral

The Feast of San Giacomo (St. James)

The wall comes to life

The senses tell the Cathedral of Sant’Agata

Feast days

The Barresi-Branciforte lords

A half-Baroque church

An eagle-shaped city

The façade used as a puppet theatre

One city, three sites