Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of the Annunciation

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

The Barresi-Branciforte lords

The two churches

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

A city in colour

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

Two illustrious patron saints

Between white and black

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

A hall for the feasts

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

Limestone, the colour of harmony

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

A new site for a new city

The wall comes to life

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

Feast days

Discovering the mother church

A prominent church

A feast only for Scicli

Many owners, one palace

From St. Thomas to St. Joseph

Some prestigious works

The disastrous earthquake

A Nobel Prize in Modica

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

A miniature city

The Infiorata, a feast of colours and flowers

A talking palace

Prominent façade

A small room with a golden entrance

Searching for colour

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

A colourful floor

The city of museums

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

One city, two sites

From International Gothic to present day

Corbels: a celebration of the Nicolaci family

Connections with other UNESCO sites

Wonderful quick decorations

A new site for a new church

Feasting in Palazzolo

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The senses tell about Palazzo Nicolaci

The internal colours

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

The colours of the cathedral

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

The Staircase of Angels

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

The senses tell the Cathedral of Sant’Agata