Modica

The senses tell of the Cathedral of San Pietro

touch
The tactile experience of materials

dettaglio colonna tortileAs you walk through the side naves of the church you will realise that the columns placed between the altars are made of different materials: some are marble, some are finished with stucco, some are fluted, some are smooth and some are Solomonic.
The use of different materials and finishes not only generates different reflections of light inside the spaces, but also different perceptions to the touch, relating to porosity, smoothness, roughness and temperature.

taste
Modica chocolate, a famous earthly pleasure

cioccolato di ModicaLocated just a few metres from the church is the oldest chocolate shop on the island.
The original chocolate recipe is from Aztec, the land of origin of cocoa beans, and was imported by the Spanish in the early 16th century.
In Modica, the chocolate shop was opened in 1880 by Francesco Bonajuto and produces the famous chocolate according to the ancient 18th-century recipe of “cold” processing.
A visit here will satisfy your taste buds!

sight
The Madonna Vasa

On the feast of the Madonna Vasa, the statue of the Madonna meets the statue of the Risen Christ at the foot of the steps of the Cathedral of San Pietro.
On Easter, between sacred performances and music, a rather scenic and sacred moment is celebrated and enjoyed by the community.

Reconstruction after the earthquake

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of the Badia di Sant’Agata

A heritage of votive works

A new site for the church of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Madonna dei Conadomini and the art of devotion

The casket of austerity under the great dome

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Paolo

Madonna of the Militia: a singular warrior virgin

The interior and works of art

A compromise between Neoclassicism and Baroque

Altars, saints and sculptural works

The Church of St. Benedict

A casket of precious works

Palazzo della Cancelleria: from former stable to the Nicastro family

Art in the cathedral

The Monte delle Prestanze in the new city layout

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church and the college

The triumph of Baroque: expansion of spaces

The eagle-shaped city

The senses tell about Palazzo Zacco

Views denied, views conquered: the power of the devout Benedictines

The Benedictines’ library

The city within the city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Benedetto

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Palazzo Trigona: a building with a complex shape

Verticality and dynamism of the façade of the Church of San Carlo

The Church of Madonna della Stella

The Franciscan convent

Baroque and the loss of balance in the 16th century

The palace, the town, the church

Unusual iconographies: the Burgos crucifix

A Nobel Prize in Modica

The senses tell of the Cathedral of San Pietro

A story of rebirth

The senses tell the Church of San Michele

The Church of St. Mary of the Mountain

St. Agatha and the candelore

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Zacco, a balance between sobriety and decoration

Rebirth and urban planning of the city of Noto

The articulated interior spaces

A stone garden

Garden of Novices and the restorations by Giancarlo De Carlo

San Domenico and Gagliardi’s work

The church and the monastery

The neo-Gothic seminary chapel: symbols, light and space

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of Sant’Agata

The interior of the church: space and colour

Majestic exteriors, grandiose interiors

Palazzo Trigona di Canicarao

One city, three sites

The Monastery of the Benedictine nuns

Scenography, lights and colours of the cathedral

Virtuosity, decorations and altars

The senses tell about Palazzo Beneventano

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The city palace

The city of Modica, a balance between nature and urbanism

City and nature

The beginning of an authentic Baroque conception

The Palazzo dei due mori

The works in the church

The interiors: diffused light and Byzantine relics

The senses tell about Palazzo Trigona

Expanded spaces, stucco and colourful lights

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Luminous sacred spaces

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. Francis

A unifying project for the city of Catania

Militello: The story of an enlightened fiefdom

Fountain of the Nymph Zizza: public water in the town

The art of maiolica

The Church of St. John the Evangelist

From the end of the world to rebirth from the rubble

Scicli, the city of Baroque scenery

The expansion of space and changing reality

The dynamics of the Church of San Michele

The Church of St. Paul

Religious architecture

The Staircase of Angels

The senses tell the Cathedral of San Giorgio

The new roads of the city

The senses tell about Palazzo Ducezio

The smallest Greek theatre in the world

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

Akrai and Syracuse: an unbreakable bond

The illusion of light and the decorative splendour

Scenography and devotion for St. Agatha

The Infiorata of Noto, a modern tradition

The senses tell the Cathedral of San Giorgio

The senses tell of Palazzo della Cancelleria

Baroque creativity: recurring themes