The senses tell of the Cathedral of San Pietro

The tactile experience of materials

dettaglio colonna tortileAs you walk through the side naves of the church you will realise that the columns placed between the altars are made of different materials: some are marble, some are finished with stucco, some are fluted, some are smooth and some are Solomonic.
The use of different materials and finishes not only generates different reflections of light inside the spaces, but also different perceptions to the touch, relating to porosity, smoothness, roughness and temperature.

Modica chocolate, a famous earthly pleasure

cioccolato di ModicaLocated just a few metres from the church is the oldest chocolate shop on the island.
The original chocolate recipe is from Aztec, the land of origin of cocoa beans, and was imported by the Spanish in the early 16th century.
In Modica, the chocolate shop was opened in 1880 by Francesco Bonajuto and produces the famous chocolate according to the ancient 18th-century recipe of “cold” processing.
A visit here will satisfy your taste buds!

The Madonna Vasa

On the feast of the Madonna Vasa, the statue of the Madonna meets the statue of the Risen Christ at the foot of the steps of the Cathedral of San Pietro.
On Easter, between sacred performances and music, a rather scenic and sacred moment is celebrated and enjoyed by the community.

The Church of St. Francis

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Art in the cathedral

City and nature

The Duomo di San Giorgio (Cathedral of St. George)

Religious architecture

The city palace

The senses tell about Palazzo Trigona

A new site for the church of San Giorgio

Piazza Duomo, the elephant fountain, the heart of the city

A unifying project for the city of Catania

The church and the college

The illusion of light and the decorative splendour

The articulated interior spaces

The senses tell the story of the Church of San Paolo

The interior of the church: space and colour

The Staircase of Angels

The city of Modica, a balance between nature and urbanism

The senses tell the Cathedral of Sant’Agata

The beginning of an authentic Baroque conception

The interior and works of art

The city within the city

Expanded spaces, stucco and colourful lights

The Madonna dei Conadomini and the art of devotion

San Domenico and Gagliardi’s work

The two churches

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

Scicli, the city of Baroque scenery

The church and the monastery

A story of rebirth

The Benedictines’ library

Palazzo della Cancelleria: from former stable to the Nicastro family

From the end of the world to rebirth from the rubble

The new roads of the city

The works in the church

Majestic exteriors, grandiose interiors

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Ducezio

Palazzo Trigona di Canicarao

The Palazzo dei due mori

A compromise between Neoclassicism and Baroque

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Monastery of the Benedictine nuns

The Infiorata of Noto, a modern tradition

St. Agatha and the candelore

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Benedetto

The Church of St. Paul

The senses tell the Cathedral of San Giorgio

The Church of St. John the Evangelist

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Maria del Monte

The Antonino Uccello Birthplace Museum

Baroque and the loss of balance in the 16th century

The eagle-shaped city

The senses tell about Palazzo Zacco

Scenography, lights and colours of the cathedral

The Monte delle Prestanze in the new city layout

The Church of St. Julian on Via dei Crociferi

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of San Giuliano ai Crociferi

The neo-Gothic seminary chapel: symbols, light and space

Rebirth and urban planning of the city of Noto

Fountain of the Nymph Zizza: public water in the town

The senses tell the Church of San Domenico

A stone garden

The senses tell the story of the Church of San Carlo and the former Jesuit college

A heritage of votive works

A casket of precious works

Altars, saints and sculptural works

Baroque creativity: recurring themes

The casket of austerity under the great dome

Palazzo Zacco, a balance between sobriety and decoration

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Church of San Michele

Scenography and devotion for St. Agatha

Reconstruction after the earthquake

The senses tell of Palazzo della Cancelleria

Virtuosity, decorations and altars

The triumph of Baroque: expansion of spaces

Unusual iconographies: the Burgos crucifix

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell about Palazzo Beneventano

The smallest Greek theatre in the world

The expansion of space and changing reality

The senses tell of the Cathedral of San Pietro

The Franciscan convent

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Akrai and Syracuse: an unbreakable bond

The art of maiolica

The palace, the town, the church

The Badia di Sant’Agata (St. Agatha’s Abbey)

Luminous sacred spaces

The Church of St. Mary of the Mountain

The interiors: diffused light and Byzantine relics

A Nobel Prize in Modica

Expansion, spatiality and light in the church of San Domenico

The dynamics of the Church of San Michele

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Benedict