Catania

The colours of the cathedral

The contrast of colours offered by the cathedral’s façade is the result of specific choices by its architect Giovanni Battista Vaccarini .

The cathedral of Sant'Agata
The cathedral of Sant’Agata overlooks the wide Piazza Duomo from which it is physically divided by a balustrade. After passing there is a churchyard to cross before you can access the interior of the basilica. The exterior has a facade that is divided into three floors: in the lower part are placed the main portal and the two sides, surmounted by large oval windows; in the center of the second floor there is a niche with the statue of Saint Agatha and the angels; closes the third and last floor closed by a triangular tympanum. For the facade the materials chosen were white limestone and gray lava stone. Together they create on the facade a geometric game where white often creates a frame around the black. In other cases the white highlights some architectural elements such as the capital or the base of the columns.

Grey lava stone and white marble were used, which, by alternating their use, bestow liveliness upon the façade. The façade is split into three levels: in the lowest part there are the main portal and two lateral portals, each surmounted by large oval windows; on the second level, in a niche , on a blue background with red beams, there is a white statue of St. Agatha and the angels; finally, a triangular tympanum completes the third level.
Cattedrale di Sant'Agata : foto prospetto ravvicinata Statua di Sant'Agata nella nicchia
Colour also features inside the church. At the entrance, two pairs of red columns welcome visitors and a marble floor in various colours (red, green, yellow and white) leads worshippers to the altar.foto dall'ingresso verso l'altare, comprese coppie di colonneThe church has a Latin cross plan and is divided into three naves by large limestone pillars with a grey lava stone base. This adds brightness to the whole room, which is amplified by light coming in through the windows of the nave.
At the end of the church you can admire the decorations on the main apse by painter Giovanni Battista Corradini, who painted the Trionfo di Sant’Agata (Triumph of St. Agatha).

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The Staircase of Angels

Some masterpieces

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The Burgos crucifix

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

The cathedral of Sant’Agata: a lengthy reconstruction

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Norman apses

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

The senses tell the Cathedral of Sant’Agata

The church of Carmine

A city in colour

The two churches

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The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

A new entrance for Santa Chiara (St. Claire)

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The colours of the cathedral

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Fontana della Ninfa Zizza, public water in the town

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