Palazzolo Acreide

Akrai and Syracuse: an unbreakable bond

In this lush territory rich in springs and watercourses, the Corinthians of Syracuse founded their first colony between 664 and 663 BC, which was named Akrai.
It was a fortress city for military and political control over the Sicels of the Hyblaean plateau.
As testified by literary sources, Akrai’s history is closely linked to that of Syracuse. Plutarch tells us that Dion stopped there in 357 BC on his march to Syracuse.
The colony is mentioned in the peace treaty between Rome and Syracuse of 263 BC at the beginning of the First Punic War. This period coincided with the height of the city’s splendour. In 214 BC, Hippocrates was hosted there after being defeated in the clash with the Romans. For Sicily, the period of Roman rule was generally a period of decadence, but this was not the case for Akrai.
This was when the city began to mint its own coins and assumed some economic importance in the region.

Majestic exteriors, grandiose interiors

A unifying project for the city of Catania

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of Santa Maria del Monte

The articulated interior spaces

From the end of the world to rebirth from the rubble

The Church of St. John the Evangelist

A heritage of votive works

The two churches

Religious architecture

The church and the monastery

St. Agatha and the candelore

City and nature

Art in the cathedral

Reconstruction after the earthquake

Scicli, the city of Baroque scenery

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Benedictines’ library

The Palazzo dei due mori

The Church of St. Julian on Via dei Crociferi

The Church of St. Benedict

A casket of precious works

The senses tell the story of the Church of San Benedetto

Expanded spaces, stucco and colourful lights

The eagle-shaped city

Luminous sacred spaces

The church and the college

A compromise between Neoclassicism and Baroque

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Carlo and the former Jesuit college

The interior and works of art

The senses tell about Palazzo Beneventano

The art of maiolica

The senses tell the story of the Church of the Badia di Sant’Agata

The Staircase of Angels

The works in the church

The senses tell about Palazzo Zacco

A Nobel Prize in Modica

The Church of St. Francis

Militello: The story of an enlightened fiefdom

The senses tell about Palazzo Trigona

Expansion, spatiality and light in the church of San Domenico

Palazzo della Cancelleria: from former stable to the Nicastro family

Scenography and devotion for St. Agatha

Rebirth and urban planning of the city of Noto

The palace, the town, the church

The city of Modica, a balance between nature and urbanism

Baroque creativity: recurring themes

A new site for the church of San Giorgio

The Church of St. Paul

Palazzo Trigona di Canicarao

The Monastery of the Benedictine nuns

Palazzo Trigona: a building with a complex shape

A story of rebirth

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Fountain of the Nymph Zizza: public water in the town

The expansion of space and changing reality

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The city palace

The illusion of light and the decorative splendour

Virtuosity, decorations and altars

Altars, saints and sculptural works

The senses tell about Palazzo Ducezio

The Antonino Uccello Birthplace Museum

The senses tell of Palazzo della Cancelleria

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A stone garden

Piazza Duomo, the elephant fountain, the heart of the city

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Paolo

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of the Cathedral of San Pietro

The smallest Greek theatre in the world

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Church of San Michele

The senses tell the Cathedral of San Giorgio

The interior of the church: space and colour

The Infiorata of Noto, a modern tradition

Views denied, views conquered: the power of the devout Benedictines

The beginning of an authentic Baroque conception

The Franciscan convent

Scenography, lights and colours of the cathedral

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

Madonna of the Militia: a singular warrior virgin

The new roads of the city

The interiors: diffused light and Byzantine relics

The casket of austerity under the great dome

The neo-Gothic seminary chapel: symbols, light and space

The city within the city

The senses tell the Cathedral of Sant’Agata

Unusual iconographies: the Burgos crucifix

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

San Domenico and Gagliardi’s work

The dynamics of the Church of San Michele

Baroque and the loss of balance in the 16th century

Palazzo Zacco, a balance between sobriety and decoration

The Church of Madonna della Stella

The Church of St. Mary of the Mountain

The senses tell the Cathedral of San Giorgio

The triumph of Baroque: expansion of spaces

Garden of Novices and the restorations by Giancarlo De Carlo

Akrai and Syracuse: an unbreakable bond