Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

A Nobel Prize in Modica

The church and the college

The Church of St. Julian on Via dei Crociferi

A new site for the church of San Giorgio

The senses tell of the Cathedral of San Pietro

The senses tell of Palazzo della Cancelleria

The expansion of space and changing reality

The senses tell the Church of San Domenico

Verticality and dynamism of the façade of the Church of San Carlo

Expanded spaces, stucco and colourful lights

The Madonna dei Conadomini and the art of devotion

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Scicli, the city of Baroque scenery

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Fountain of the Nymph Zizza: public water in the town

The Church of St. Francis

Virtuosity, decorations and altars

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Majestic exteriors, grandiose interiors

From the end of the world to rebirth from the rubble

The neo-Gothic seminary chapel: symbols, light and space

The articulated interior spaces

The interiors: diffused light and Byzantine relics

The Franciscan convent

The Monte delle Prestanze in the new city layout

City and nature

The Church of St. Benedict

The senses tell the story of the Church of San Giovanni Evangelista

The works in the church

The Palazzo dei due mori

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Beneventano

The two churches

The interior and works of art

Art in the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of Madonna della Stella

The Church of St. Paul

Baroque and the loss of balance in the 16th century

The senses tell about Palazzo Ducezio

The city palace

A unifying project for the city of Catania

The new roads of the city

The senses tell the story of the Church of San Benedetto

A stone garden

San Domenico and Gagliardi’s work

Piazza Duomo, the elephant fountain, the heart of the city

The palace, the town, the church

Religious architecture

Views denied, views conquered: the power of the devout Benedictines

Scenography, lights and colours of the cathedral

The Monastery of the Benedictine nuns

The city within the city

Baroque creativity: recurring themes

The Infiorata of Noto, a modern tradition

Rebirth and urban planning of the city of Noto

The Antonino Uccello Birthplace Museum

Madonna of the Militia: a singular warrior virgin

The church and the monastery

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell about Palazzo Zacco

The casket of austerity under the great dome

One city, three sites

Palazzo Zacco, a balance between sobriety and decoration

The beginning of an authentic Baroque conception

The senses tell the story of the Church of San Giuliano ai Crociferi

The triumph of Baroque: expansion of spaces

The Benedictines’ library

The art of maiolica

The Badia di Sant’Agata (St. Agatha’s Abbey)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Expansion, spatiality and light in the church of San Domenico

Palazzo Trigona: a building with a complex shape

A casket of precious works

The senses tell the story of the Church of San Carlo and the former Jesuit college

The interior of the church: space and colour

The Duomo di San Giorgio (Cathedral of St. George)

The Staircase of Angels

The Church of St. Mary of the Mountain

Altars, saints and sculptural works

The senses tell the Church of San Michele

Palazzo della Cancelleria: from former stable to the Nicastro family

Akrai and Syracuse: an unbreakable bond

Luminous sacred spaces

A compromise between Neoclassicism and Baroque

The senses tell the Cathedral of Sant’Agata

A heritage of votive works

Militello: The story of an enlightened fiefdom

The Church of St. John the Evangelist

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Paolo

The senses tell the Cathedral of San Giorgio

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The eagle-shaped city

The dynamics of the Church of San Michele

The senses tell the story of the Church of Santa Maria del Monte

Scenography and devotion for St. Agatha

The senses tell about Palazzo Trigona

The illusion of light and the decorative splendour

St. Agatha and the candelore

A story of rebirth

The smallest Greek theatre in the world

The senses tell the Cathedral of San Giorgio