Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

The senses tell the Church of San Domenico

The city palace

City and nature

The Antonino Uccello Birthplace Museum

Views denied, views conquered: the power of the devout Benedictines

The Staircase of Angels

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Reconstruction after the earthquake

Rebirth and urban planning of the city of Noto

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

Militello: The story of an enlightened fiefdom

St. Agatha and the candelore

A heritage of votive works

The palace, the town, the church

The articulated interior spaces

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Beneventano

The two churches

Art in the cathedral

The interior and works of art

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A casket of precious works

Virtuosity, decorations and altars

The art of maiolica

The senses tell the story of the Church of San Carlo and the former Jesuit college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

The Madonna dei Conadomini and the art of devotion

Expanded spaces, stucco and colourful lights

The city within the city

The expansion of space and changing reality

Baroque and the loss of balance in the 16th century

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Trigona

One city, three sites

The Monastery of the Benedictine nuns

The Church of St. Paul

Palazzo Trigona di Canicarao

The Palazzo dei due mori

The new roads of the city

The senses tell the Cathedral of Sant’Agata

The Infiorata of Noto, a modern tradition

From the end of the world to rebirth from the rubble

The church and the college

The senses tell about Palazzo Ducezio

The Church of Madonna della Stella

A story of rebirth

The Church of St. Mary of the Mountain

A unifying project for the city of Catania

A compromise between Neoclassicism and Baroque

A stone garden

The Monte delle Prestanze in the new city layout

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scenography and devotion for St. Agatha

The senses tell the Cathedral of San Giorgio

The eagle-shaped city

The works in the church

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Paolo

The Benedictines’ library

The smallest Greek theatre in the world

San Domenico and Gagliardi’s work

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. John the Evangelist

The senses tell the Church of San Michele

Palazzo Trigona: a building with a complex shape

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of Santa Maria del Monte

The interior of the church: space and colour

Madonna of the Militia: a singular warrior virgin

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Altars, saints and sculptural works

The church and the monastery

Majestic exteriors, grandiose interiors

Unusual iconographies: the Burgos crucifix

The senses tell of the Cathedral of San Pietro

Scenography, lights and colours of the cathedral

Religious architecture

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The interiors: diffused light and Byzantine relics

Scicli, the city of Baroque scenery

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of Palazzo della Cancelleria

The illusion of light and the decorative splendour

Baroque creativity: recurring themes

Akrai and Syracuse: an unbreakable bond

The Franciscan convent

Fountain of the Nymph Zizza: public water in the town

The city of Modica, a balance between nature and urbanism

A new site for the church of San Giorgio

The dynamics of the Church of San Michele

The triumph of Baroque: expansion of spaces

Luminous sacred spaces

The Church of St. Francis

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of San Benedetto

The casket of austerity under the great dome

The Badia di Sant’Agata (St. Agatha’s Abbey)

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. Benedict

The senses tell about Palazzo Zacco