Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

A miniature city

One city, three sites

A new site for a new church

A triumph of colour

A museum to save a tradition

A square as the heart of the city

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

The internal colours

Militello, the story of an enlightened fiefdom

Prominent façade

A long reconstruction

The Infiorata, a feast of colours and flowers

Many owners, one palace

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

Corbels: a celebration of the Nicolaci family

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

The Staircase of Angels

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

The interior and its masterpieces

A small room with a golden entrance

A prominent church

Some prestigious works

A symbol for the town

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giuseppe

The two churches

A Nobel Prize in Modica

The theatre of taste

The Maiolica of the staircase

A half-Baroque church

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The church of Carmine

The senses tell the Cathedral of Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

Norman apses

From International Gothic to present day

A majestic and luminous church

The senses tell the story of the Church of San Sebastiano

Some masterpieces

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

A new palace for the La Rocca lords

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

From St. Thomas to St. Joseph

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

The chocolate of Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The Baroque town by the sea

A city in colour

Discovering the mother church

St. Agatha and the giant candelabras

Modica, a city with ancient origins

Searching for colour

New roads for Catania

The façade used as a puppet theatre

Between white and black

The city of museums

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

An eagle-shaped city

One city, two sites

Two illustrious patron saints