Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The Maiolica of the staircase

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

The two churches

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

The façade used as a puppet theatre

A new site for a new church

The colours of the cathedral

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

Many owners, one palace

A hall for the feasts

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The senses tell about Palazzo La Rocca

A new palace for the La Rocca lords

A prominent church

The senses tell the story of the church of San Giuseppe

A feast only for Scicli

Feasting in Palazzolo

Some masterpieces

Norman apses

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

Connections with other UNESCO sites

One city, three sites

The senses tell about Palazzo Nicolaci

Between white and black

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

The chocolate of Modica

A majestic and luminous church

San Benedetto: a treasure reopened to the public

The disastrous earthquake

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

The theatre of taste

A city in colour

A symbol for the town

The kitchen, a treasure chest of colours

Feast days

The interior and its masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

Militello, the story of an enlightened fiefdom

The church of Carmine

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

Searching for colour

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

The Baroque town by the sea

The wall comes to life

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

A triumph of colour

From International Gothic to present day

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

Some prestigious works

Limestone, the colour of harmony

A talking palace

Wonderful quick decorations

The city of museums

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

The senses tell the story of the Church of San Benedetto

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

A colourful floor

The internal colours

Discovering the mother church

A Nobel Prize in Modica

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?