Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The church of Carmine

Connections with other UNESCO sites

The colours of the cathedral

A triumph of colour

The internal colours

Feasting in Palazzolo

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

A miniature city

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

The Baroque town by the sea

Norman apses

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

A design by Vincenzo Sinatra

New roads for Catania

The theatre of taste

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

A hall for the feasts

A feast only for Scicli

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

A majestic and luminous church

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

Many owners, one palace

Wonderful quick decorations

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

A symbol for the town

Searching for colour

From St. Thomas to St. Joseph

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

A long reconstruction

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Nicolaci

One city, three sites

The two churches

Two illustrious patron saints

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

A city in colour

A new site for a new church

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

A talking palace

The chocolate of Modica

Prominent façade

Feast days

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

The Staircase of Angels

The senses tell about Palazzo La Rocca

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

The wall comes to life

A half-Baroque church

A colourful floor