Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

From the contrast of the exterior to the internal jubilation of colours

From International Gothic to present day

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

The internal colours

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

A long reconstruction

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The wall comes to life

St. Agatha and the giant candelabras

Some masterpieces

One city, three sites

A Nobel Prize in Modica

The church of Carmine

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

A half-Baroque church

The Infiorata, a feast of colours and flowers

A new site for a new church

A prominent church

The Baroque town by the sea

Norman apses

The kitchen, a treasure chest of colours

The chocolate of Modica

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

A hall for the feasts

A small room with a golden entrance

A symbol for the town

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Nicolaci

Prominent façade

Feast days

Wonderful quick decorations

The city of museums

San Benedetto: a treasure reopened to the public

The theatre of taste

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

A city in colour

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

Some prestigious works

A majestic and luminous church

A talking palace

Between white and black

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

A colourful floor

The two churches

Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

Searching for colour

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library