Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

A new site for a new church

A colourful floor

Connections with other UNESCO sites

Feast days

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

A feast only for Scicli

The Baroque town by the sea

Prominent façade

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

Baroque and the loss of equilibrium in the 16th century

The city of museums

San Benedetto: a treasure reopened to the public

A small room with a golden entrance

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

One city, two sites

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

New roads for Catania

Norman apses

The interior and its masterpieces

A majestic and luminous church

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

The colours of the cathedral

From International Gothic to present day

One city, three sites

From St. Thomas to St. Joseph

Between white and black

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The Maiolica of the staircase

A prominent church

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

A symbol for the town

A miniature city

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

A city in colour

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

The wall comes to life

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

A half-Baroque church

Corbels: a celebration of the Nicolaci family

The theatre of taste

The internal colours

Many owners, one palace

Searching for colour

The senses tell about Palazzo Nicolaci

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

The façade used as a puppet theatre

Some masterpieces

A hall for the feasts

A Nobel Prize in Modica

Two illustrious patron saints

The two churches

A talking palace

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

The Barresi-Branciforte lords

Wonderful quick decorations

The senses tell the story of the church of Santa Maria del Carmelo

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

A new palace for the La Rocca lords

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

Limestone, the colour of harmony

A square as the heart of the city