Noto

Verticality and dynamism of the façade of the Church of San Carlo

The final element that gives vertical thrust to the long elevation on the Corso is the façade of the church of San Carlo, located on the left corner of the block.
The façade is formed of five bays of which the three central ones are taller than the cornice, the unifying element of the elevation.
The dynamism that distinguishes the structure can be seen in the concave mixtilinear shape that protrudes forward towards the street, bringing it out of alignment with the convent’s elevation.
The façade is divided into three levels with free-standing columns surmounted by Doric order capitals in the first section, Ionic   in the second, and Corinthian in the third. The central part has openings and niches on each level: the finely decorated entrance portal flanked by two niches with a broken tympanum , the large central window surmounted by a triangular tympanum and niches with a curved tympanum and the three openings on the last level.
All this gives the elevation a dynamism and alternation of full and empty spaces.
The building material used is local lime in golden hues.

The works in the church

The Church of St. Paul

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of Santa Maria del Monte

Majestic exteriors, grandiose interiors

The city within the city

City and nature

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Scenography and devotion for St. Agatha

The senses tell the Cathedral of San Giorgio

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of the Badia di Sant’Agata

The new roads of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

Expanded spaces, stucco and colourful lights

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Paolo

The expansion of space and changing reality

A stone garden

The palace, the town, the church

Baroque creativity: recurring themes

The Monastery of the Benedictine nuns

The Church of St. John the Evangelist

The interiors: diffused light and Byzantine relics

A compromise between Neoclassicism and Baroque

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Cathedral of Sant’Agata

San Domenico and Gagliardi’s work

The senses tell the Church of San Domenico

The senses tell of the Cathedral of San Pietro

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Giovanni Evangelista

Art in the cathedral

The Church of St. Julian on Via dei Crociferi

A story of rebirth

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Zacco, a balance between sobriety and decoration

The Antonino Uccello Birthplace Museum

A Nobel Prize in Modica

Palazzo Trigona di Canicarao

The casket of austerity under the great dome

The Church of St. Mary of the Mountain

The triumph of Baroque: expansion of spaces

Altars, saints and sculptural works

The Church of Madonna della Stella

One city, three sites

Views denied, views conquered: the power of the devout Benedictines

The Franciscan convent

The articulated interior spaces

The art of maiolica

The senses tell the Church of San Michele

Akrai and Syracuse: an unbreakable bond

The illusion of light and the decorative splendour

Scenography, lights and colours of the cathedral

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

The Palazzo dei due mori

Scicli, the city of Baroque scenery

The Madonna dei Conadomini and the art of devotion

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Ducezio

The church and the monastery

The city palace

Luminous sacred spaces

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Zacco

The senses tell about Palazzo Beneventano

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

The interior of the church: space and colour

The interior and works of art

The smallest Greek theatre in the world

The dynamics of the Church of San Michele

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Trigona

The senses tell of Palazzo della Cancelleria

The Badia di Sant’Agata (St. Agatha’s Abbey)

A heritage of votive works

The Benedictines’ library

Religious architecture

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Madonna of the Militia: a singular warrior virgin

The eagle-shaped city

A unifying project for the city of Catania

Reconstruction after the earthquake

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A casket of precious works

Baroque and the loss of balance in the 16th century

St. Agatha and the candelore

Virtuosity, decorations and altars

The two churches

A new site for the church of San Giorgio

The Infiorata of Noto, a modern tradition

The church and the college

The Monte delle Prestanze in the new city layout

Palazzo della Cancelleria: from former stable to the Nicastro family

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Benedict

The Church of St. Francis

The Staircase of Angels

Militello: The story of an enlightened fiefdom

The church of San Nicolò l’Arena: the majesty of an unfinished beauty