The Infiorata of Noto, a modern tradition

The Infiorata, or Greeting to Spring, is a popular feast started in 1979. It takes place every year in Via Corrado Nicolaci, on the third Sunday of May.
The first Infiorata brought the masters of Genzano (a province in Rome) to Noto. They arranged flowers in geometric and imaginative patterns. With the passage of time, the experience has been handed down and has become a veritable local tradition.
Sixteen large pictures are created on Via Corrado Nicolaci using petals, and each year a different theme is decided by the local government to inspire the master infioratori. The artists present their sketches to the municipal government, which selects the best ones.
The decoration covers the entire street for over 120 metres and each artist has a picture measuring 6 metres wide by 4 metres long.
This way, they create a beautiful floral carpet, formed mostly of petals from daisies, carnations, gerberas, roses and wildflowers of various sizes and colours.
The theme changes year after year, but the Infiorata is always opened by the city’s coat of arms made by the Istituto d’Arte di Noto (Noto Art Institute).
In recent years the Infiorata has been accompanied by the “Corteo Barocco” (Baroque Parade) that evokes the splendour of the families that made the city of Noto great.

The church and the monastery

The senses tell about Palazzo Zacco

The eagle-shaped city

Luminous sacred spaces

The interior and works of art

The works in the church

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A compromise between Neoclassicism and Baroque

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Michele

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of St. Mary of the Mountain

The articulated interior spaces

The senses tell the Cathedral of San Giorgio

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Paolo

The senses tell the Cathedral of San Giorgio

A heritage of votive works

Altars, saints and sculptural works

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A new site for the church of San Giorgio

The Monte delle Prestanze in the new city layout

A unifying project for the city of Catania

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The church and the college

The city palace

A Nobel Prize in Modica

The art of maiolica

The beginning of an authentic Baroque conception

The Palazzo dei due mori

Palazzo Trigona di Canicarao

City and nature

The interiors: diffused light and Byzantine relics

The smallest Greek theatre in the world

From the end of the world to rebirth from the rubble

Militello: The story of an enlightened fiefdom

The senses tell of Palazzo della Cancelleria

The Church of Madonna della Stella

One city, three sites

Akrai and Syracuse: an unbreakable bond

The new roads of the city

St. Agatha and the candelore

The Madonna dei Conadomini and the art of devotion

The Benedictines’ library

The senses tell the story of the Church of San Benedetto

Scenography and devotion for St. Agatha

A story of rebirth

The Church of St. Julian on Via dei Crociferi

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Church of San Domenico

The two churches

Fountain of the Nymph Zizza: public water in the town

The Church of St. Benedict

Religious architecture

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Paul

The senses tell about Palazzo Beneventano

The senses tell the Cathedral of Sant’Agata

Rebirth and urban planning of the city of Noto

Reconstruction after the earthquake

The dynamics of the Church of San Michele

The Church of St. Francis

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Ducezio

The senses tell about Palazzo Trigona

Virtuosity, decorations and altars

Views denied, views conquered: the power of the devout Benedictines

Baroque and the loss of balance in the 16th century

The interior of the church: space and colour

Majestic exteriors, grandiose interiors

Baroque creativity: recurring themes

The Infiorata of Noto, a modern tradition

The city within the city

The Antonino Uccello Birthplace Museum

The triumph of Baroque: expansion of spaces

The illusion of light and the decorative splendour

Expansion, spatiality and light in the church of San Domenico

Expanded spaces, stucco and colourful lights

The senses tell of the Cathedral of San Pietro

San Domenico and Gagliardi’s work

The Badia di Sant’Agata (St. Agatha’s Abbey)

Art in the cathedral

The city of Modica, a balance between nature and urbanism

The Franciscan convent

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Monastery of the Benedictine nuns

The expansion of space and changing reality

A stone garden

Scenography, lights and colours of the cathedral

The Church of St. John the Evangelist

The Duomo di San Giorgio (Cathedral of St. George)

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Garden of Novices and the restorations by Giancarlo De Carlo

The palace, the town, the church

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Staircase of Angels

Unusual iconographies: the Burgos crucifix

A casket of precious works

Scicli, the city of Baroque scenery

Piazza Duomo, the elephant fountain, the heart of the city