Noto

The Infiorata of Noto, a modern tradition

The Infiorata, or Greeting to Spring, is a popular feast started in 1979. It takes place every year in Via Corrado Nicolaci, on the third Sunday of May.
The first Infiorata brought the masters of Genzano (a province in Rome) to Noto. They arranged flowers in geometric and imaginative patterns. With the passage of time, the experience has been handed down and has become a veritable local tradition.
Sixteen large pictures are created on Via Corrado Nicolaci using petals, and each year a different theme is decided by the local government to inspire the master infioratori. The artists present their sketches to the municipal government, which selects the best ones.
The decoration covers the entire street for over 120 metres and each artist has a picture measuring 6 metres wide by 4 metres long.
This way, they create a beautiful floral carpet, formed mostly of petals from daisies, carnations, gerberas, roses and wildflowers of various sizes and colours.
The theme changes year after year, but the Infiorata is always opened by the city’s coat of arms made by the Istituto d’Arte di Noto (Noto Art Institute).
In recent years the Infiorata has been accompanied by the “Corteo Barocco” (Baroque Parade) that evokes the splendour of the families that made the city of Noto great.

A story of rebirth

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Beneventano

The expansion of space and changing reality

The Staircase of Angels

The church and the college

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

The city palace

The interiors: diffused light and Byzantine relics

The eagle-shaped city

Akrai and Syracuse: an unbreakable bond

The Church of St. Julian on Via dei Crociferi

The city within the city

The dynamics of the Church of San Michele

Madonna of the Militia: a singular warrior virgin

The senses tell the Church of San Domenico

San Domenico and Gagliardi’s work

The senses tell the Cathedral of San Giorgio

A stone garden

Scenography, lights and colours of the cathedral

Palazzo Trigona di Canicarao

The art of maiolica

Palazzo Zacco, a balance between sobriety and decoration

The Monastery of the Benedictine nuns

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Benedict

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The church and the monastery

The Madonna dei Conadomini and the art of devotion

The Church of St. Francis

Militello: The story of an enlightened fiefdom

Religious architecture

Baroque and the loss of balance in the 16th century

The senses tell the Church of San Michele

Piazza Duomo, the elephant fountain, the heart of the city

A unifying project for the city of Catania

One city, three sites

Scicli, the city of Baroque scenery

Altars, saints and sculptural works

The senses tell the Cathedral of Sant’Agata

A compromise between Neoclassicism and Baroque

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell about Palazzo Trigona

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. Mary of the Mountain

Views denied, views conquered: the power of the devout Benedictines

The neo-Gothic seminary chapel: symbols, light and space

Baroque creativity: recurring themes

St. Agatha and the candelore

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of San Giuliano ai Crociferi

Expansion, spatiality and light in the church of San Domenico

The Church of St. Paul

The Church of Madonna della Stella

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

From the end of the world to rebirth from the rubble

The Monte delle Prestanze in the new city layout

The senses tell of Palazzo della Cancelleria

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Ducezio

The smallest Greek theatre in the world

Art in the cathedral

Palazzo Trigona: a building with a complex shape

A new site for the church of San Giorgio

The senses tell the story of the Church of San Benedetto

The Palazzo dei due mori

A Nobel Prize in Modica

The articulated interior spaces

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Paolo

The new roads of the city

The two churches

The beginning of an authentic Baroque conception

The Franciscan convent

The casket of austerity under the great dome

The Church of St. John the Evangelist

A casket of precious works

The Infiorata of Noto, a modern tradition

The Benedictines’ library

The works in the church

Rebirth and urban planning of the city of Noto

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Luminous sacred spaces

Fountain of the Nymph Zizza: public water in the town

Scenography and devotion for St. Agatha

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Carlo and the former Jesuit college

The triumph of Baroque: expansion of spaces

Verticality and dynamism of the façade of the Church of San Carlo

The Antonino Uccello Birthplace Museum

Virtuosity, decorations and altars

Palazzo della Cancelleria: from former stable to the Nicastro family

The city of Modica, a balance between nature and urbanism

The interior and works of art

The interior of the church: space and colour

City and nature

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A heritage of votive works

The senses tell the story of the Church of the Badia di Sant’Agata

The palace, the town, the church

The senses tell about Palazzo Zacco

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of Santa Maria del Monte