Introduction to Val di Noto

The role of the religious orders in rebuilding the Val di Noto

After the tragic earthquake, the Val di Noto rose from its ashes like a phoenix to be reborn stronger and more beautiful than before.
The commitment of the religious orders to educate a modern generation of artists in the cultural and artistic knowledge of Baroque Rome was crucial in overcoming ancient conceptions and initiating a momentous transformation.
Studies undertaken by young clerics in the rich Roman libraries, the interest in Rome, and observation of the typical architecture of the Counter-Reformation gave rise to a synthesis of figurative elements which set Sicilian Baroque in motion.
In Sicily, Roman artistic influences replaced Spanish cultural dependence. By the hand of specialised workers, the new spirit of the era was inaugurated, not only in religious architecture but also in civic buildings, too. Sicilian Baroque combined the technical knowledge of local culture with the great dynamics of Roman Baroque.

Rosario Gagliardi, the maestro of the Val di Noto

Some prestigious works

A half-Baroque church

The chocolate of Modica

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A new site for a new city

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

The theatre of taste

St. Sebastian, so much work!

An eagle-shaped city

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

The disastrous earthquake

Norman apses

The internal colours

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The colours of the cathedral

Feast days

A hall for the feasts

The Barresi-Branciforte lords

A design by Vincenzo Sinatra

A triumph of colour

The senses tell the story of the Church of San Giuliano ai Crociferi

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

One city, two sites

Feasting in Palazzolo

Prominent façade

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The interior and its masterpieces

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

Between white and black

The Feast of San Giacomo (St. James)

The city of museums

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

A square as the heart of the city

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

A city in colour

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

Modica, a city with ancient origins

A miniature city

Two illustrious patron saints

Some masterpieces

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

Many owners, one palace

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

A colourful floor

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

A feast only for Scicli

The Burgos crucifix

A Nobel Prize in Modica

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The Baroque town by the sea

A talking palace

One city, three sites

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara