Introduction to Val di Noto

The role of the religious orders in rebuilding the Val di Noto

After the tragic earthquake, the Val di Noto rose from its ashes like a phoenix to be reborn stronger and more beautiful than before.
The commitment of the religious orders to educate a modern generation of artists in the cultural and artistic knowledge of Baroque Rome was crucial in overcoming ancient conceptions and initiating a momentous transformation.
Studies undertaken by young clerics in the rich Roman libraries, the interest in Rome, and observation of the typical architecture of the Counter-Reformation gave rise to a synthesis of figurative elements which set Sicilian Baroque in motion.
In Sicily, Roman artistic influences replaced Spanish cultural dependence. By the hand of specialised workers, the new spirit of the era was inaugurated, not only in religious architecture but also in civic buildings, too. Sicilian Baroque combined the technical knowledge of local culture with the great dynamics of Roman Baroque.

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

Between white and black

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The two churches

A new site for a new city

A new site for a new church

One city, two sites

A talking palace

Many owners, one palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

The internal colours

The senses tell the Cathedral of Sant’Agata

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

A majestic and luminous church

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The Maiolica of the staircase

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

The Burgos crucifix

The façade used as a puppet theatre

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

A symbol for the town

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

Connections with other UNESCO sites

The Staircase of Angels

Places of knowledge: the Benedictines’ library

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

Limestone, the colour of harmony

Some masterpieces

The church of Carmine

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The city of museums

The theatre of taste

An eagle-shaped city

The character of Badia Sant’Agata

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Nicolaci

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

The senses tell the story of the Church of the Annunciation

A colourful floor

A city in colour

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

Feast days

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

Wonderful quick decorations

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

The disastrous earthquake

Some prestigious works

St. Agatha and the giant candelabras

A long reconstruction

A museum to save a tradition

From International Gothic to present day

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

Prominent façade