Introduction to Val di Noto

The role of the religious orders in rebuilding the Val di Noto

After the tragic earthquake, the Val di Noto rose from its ashes like a phoenix to be reborn stronger and more beautiful than before.
The commitment of the religious orders to educate a modern generation of artists in the cultural and artistic knowledge of Baroque Rome was crucial in overcoming ancient conceptions and initiating a momentous transformation.
Studies undertaken by young clerics in the rich Roman libraries, the interest in Rome, and observation of the typical architecture of the Counter-Reformation gave rise to a synthesis of figurative elements which set Sicilian Baroque in motion.
In Sicily, Roman artistic influences replaced Spanish cultural dependence. By the hand of specialised workers, the new spirit of the era was inaugurated, not only in religious architecture but also in civic buildings, too. Sicilian Baroque combined the technical knowledge of local culture with the great dynamics of Roman Baroque.

The senses tell about Palazzo La Rocca

Feast days

The city of museums

A half-Baroque church

San Benedetto: a treasure reopened to the public

A talking palace

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

San Nicolò l’Arena: an unfinished church

Many owners, one palace

Some prestigious works

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Prominent façade

Searching for colour

The kitchen, a treasure chest of colours

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The two churches

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

The church of Carmine

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

A prominent church

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

The façade used as a puppet theatre

A hall for the feasts

The Baroque town by the sea

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

Connections with other UNESCO sites

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new church

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

A feast only for Scicli

A long reconstruction

A design by Vincenzo Sinatra

Feasting in Palazzolo

A small room with a golden entrance

A miniature city

The senses tell the story of the Church of the Annunciation

Some masterpieces

St. Sebastian, so much work!

St. Agatha and the giant candelabras

The internal colours

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

A colourful floor

The senses tell the story of the church of San Giovanni Battista

The Staircase of Angels

Two illustrious patron saints

A new site for a new city

The wall comes to life

Modica, a city with ancient origins

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The Burgos crucifix

The character of Badia Sant’Agata

A majestic and luminous church

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

One city, three sites

Between white and black

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

A symbol for the town