Introduction to Val di Noto

The role of the religious orders in rebuilding the Val di Noto

After the tragic earthquake, the Val di Noto rose from its ashes like a phoenix to be reborn stronger and more beautiful than before.
The commitment of the religious orders to educate a modern generation of artists in the cultural and artistic knowledge of Baroque Rome was crucial in overcoming ancient conceptions and initiating a momentous transformation.
Studies undertaken by young clerics in the rich Roman libraries, the interest in Rome, and observation of the typical architecture of the Counter-Reformation gave rise to a synthesis of figurative elements which set Sicilian Baroque in motion.
In Sicily, Roman artistic influences replaced Spanish cultural dependence. By the hand of specialised workers, the new spirit of the era was inaugurated, not only in religious architecture but also in civic buildings, too. Sicilian Baroque combined the technical knowledge of local culture with the great dynamics of Roman Baroque.

Many owners, one palace

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

From the contrast of the exterior to the internal jubilation of colours

A majestic and luminous church

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

A long reconstruction

One city, two sites

An eagle-shaped city

Feast days

A new site for a new church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

St. Sebastian, so much work!

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

A city in colour

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Staircase of Angels

Modica, a city with ancient origins

The church of Carmine

Some prestigious works

Two illustrious patron saints

A small room with a golden entrance

The wall comes to life

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

The senses tell the story of the church of San Giovanni Battista

New roads for Catania

Searching for colour

Wonderful quick decorations

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

From International Gothic to present day

Discovering the mother church

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Prominent façade

The senses tell about Palazzo Nicolaci

A feast only for Scicli

The Baroque town by the sea

The façade used as a puppet theatre

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

The internal colours

The senses tell the Cathedral of Sant’Agata

Corbels: a celebration of the Nicolaci family

A Nobel Prize in Modica

Feasting in Palazzolo

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

Between white and black

Baroque and the loss of equilibrium in the 16th century

A hall for the feasts

A museum to save a tradition

A talking palace

A half-Baroque church

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

Connections with other UNESCO sites

A miniature city

Some masterpieces

A new site for a new city

The kitchen, a treasure chest of colours

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The city of museums

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A prominent church

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

A colourful floor