Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

The colours of the cathedral

Militello, the story of an enlightened fiefdom

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

A colourful floor

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

A majestic and luminous church

Norman apses

New roads for Catania

Some prestigious works

A talking palace

A design by Vincenzo Sinatra

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

The two churches

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

Between white and black

A new site for a new city

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

Searching for colour

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

The city of museums

A city in colour

The senses tell about Palazzo Nicolaci

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The internal colours

The Maiolica of the staircase

A small room with a golden entrance

The senses tell the story of the Badia di Sant’Agata

The interior and its masterpieces

Modica, a city with ancient origins

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

Some masterpieces

A new palace for the La Rocca lords

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

A long reconstruction

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The theatre of taste

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

A museum to save a tradition

A half-Baroque church

A Nobel Prize in Modica

Feast days

Feasting in Palazzolo

The wall comes to life

From International Gothic to present day

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giovanni Battista

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

A prominent church

Prominent façade

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

A symbol for the town

A miniature city

Many owners, one palace

Limestone, the colour of harmony