Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The Infiorata, a feast of colours and flowers

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

Discovering the mother church

The city of museums

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Some prestigious works

A half-Baroque church

Some masterpieces

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

New roads for Catania

The senses tell the Cathedral of Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of the Annunciation

The two churches

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

The character of Badia Sant’Agata

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

Prominent façade

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

A miniature city

A talking palace

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

One city, three sites

From St. Thomas to St. Joseph

The church of Carmine

A new site for a new city

A square as the heart of the city

The disastrous earthquake

Many owners, one palace

An eagle-shaped city

The Staircase of Angels

A new site for a new church

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

A long reconstruction

Feasting in Palazzolo

St. Agatha and the giant candelabras

A triumph of colour

The senses tell the story of the Church of San Sebastiano

Searching for colour

Fontana della Ninfa Zizza, public water in the town

One city, two sites

The senses tell about Palazzo Nicolaci

From the contrast of the exterior to the internal jubilation of colours

A prominent church

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

The internal colours

The colours of the cathedral

A feast only for Scicli

A majestic and luminous church

The chocolate of Modica

The façade used as a puppet theatre

St. Sebastian, so much work!

The interior and its masterpieces

From International Gothic to present day

A colourful floor

The Baroque town by the sea

A museum to save a tradition