Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

The disastrous earthquake

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

From International Gothic to present day

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new city

The interior and its masterpieces

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

A new site for a new church

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The two churches

A talking palace

Fontana della Ninfa Zizza, public water in the town

Rosario Gagliardi, the maestro of the Val di Noto

A colourful floor

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

Prominent façade

New roads for Catania

The city of museums

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

The wall comes to life

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

One city, three sites

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

A city in colour

A square as the heart of the city

The Maiolica of the staircase

A Nobel Prize in Modica

Between white and black

One city, two sites

Many owners, one palace

St. Agatha and the giant candelabras

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

Feast days

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giuseppe

The church of Carmine

A small room with a golden entrance

Feasting in Palazzolo

A design by Vincenzo Sinatra

The theatre of taste

Searching for colour

The internal colours

The character of Badia Sant’Agata

The Barresi-Branciforte lords

The chocolate of Modica

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

Norman apses

A hall for the feasts

A triumph of colour