Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

A museum to save a tradition

A feast only for Scicli

St. Sebastian, so much work!

A miniature city

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

A half-Baroque church

St. Agatha and the giant candelabras

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

Some masterpieces

Limestone, the colour of harmony

A triumph of colour

Wonderful quick decorations

One city, three sites

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Between white and black

A small room with a golden entrance

The senses tell the story of the Badia di Sant’Agata

The theatre of taste

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

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The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giovanni Battista

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

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A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

Some prestigious works

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A colourful floor

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

A prominent church

The wall comes to life

Many owners, one palace

Modica, a city with ancient origins

Two illustrious patron saints

A Nobel Prize in Modica

A long reconstruction

An eagle-shaped city

From International Gothic to present day

A talking palace

Searching for colour

The senses tell the story of the Church of San Sebastiano

New roads for Catania

A symbol for the town

A new site for a new church

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

Prominent façade

A square as the heart of the city

The façade used as a puppet theatre

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

Feast days

The Barresi-Branciforte lords