Catania

San Nicolò l’Arena: an unfinished church

Located in Piazza Dante in the historic centre of Catania, the church of San Nicolò l’Arena is the spiritual heart of the monastery. It was built after Etna’s eruption in 1669, replacing an older building from the Renaissance period.
The façade is striking for the giant proportions of the eight columns, which, in pairs placed on large bases, flank the main and side portals.ta chiesa da piazza dante The large rectangular windows and the two oval openings above the portals light up the heavy, white marble structure. Work was started in 1774 by the architect Carmelo Battaglia Santangelo and left unfinished in 1802 by his cousin Antonino Battaglia. What is most surprising is the strong contrast between the incompleteness of the exterior and the large spaces of the interior.
foto cupola foto interno centrando l'altare
The church has a Latin cross plan, divided into three naves , separated by large arcades; crossing the main nave leads you to the main altar.
The walls have no particular decorations; as a matter of fact, they are white, but the interior shines thanks to light from the windows. The brightness is also created by the majestic dome designed by architect Stefano Ittar in 1780. Its large windows create plays of light that are reflected between the naves, altar and precious colourful marble floor.
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Inside, the church contains precious works of art , a valuable organ and a splendid sundial .
foto cappella foto organo foto meridiana su pavimento

The disastrous earthquake

The wall comes to life

A symbol for the town

Between white and black

Limestone, the colour of harmony

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A long reconstruction

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A majestic and luminous church

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Two illustrious patron saints

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The theatre of taste

The chocolate of Modica

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Prominent façade

The Baroque town by the sea

Connections with other UNESCO sites

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

A talking palace

Feasting in Palazzolo

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

Feast days

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

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The character of Badia Sant’Agata

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The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

Some prestigious works

A museum to save a tradition

The cathedral of Sant’Agata: a lengthy reconstruction

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

The kitchen, a treasure chest of colours

A triumph of colour

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Many owners, one palace

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

A city in colour

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The colours of the cathedral

The Barresi-Branciforte lords

The Staircase of Angels

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

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The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

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A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo La Rocca

The two churches

The Burgos crucifix

A half-Baroque church

A colourful floor

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From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

One city, two sites

A small room with a golden entrance