Catania

San Nicolò l’Arena: an unfinished church

Located in Piazza Dante in the historic centre of Catania, the church of San Nicolò l’Arena is the spiritual heart of the monastery. It was built after Etna’s eruption in 1669, replacing an older building from the Renaissance period.
The façade is striking for the giant proportions of the eight columns, which, in pairs placed on large bases, flank the main and side portals.ta chiesa da piazza dante The large rectangular windows and the two oval openings above the portals light up the heavy, white marble structure. Work was started in 1774 by the architect Carmelo Battaglia Santangelo and left unfinished in 1802 by his cousin Antonino Battaglia. What is most surprising is the strong contrast between the incompleteness of the exterior and the large spaces of the interior.
foto cupola foto interno centrando l'altare
The church has a Latin cross plan, divided into three naves , separated by large arcades; crossing the main nave leads you to the main altar.
The walls have no particular decorations; as a matter of fact, they are white, but the interior shines thanks to light from the windows. The brightness is also created by the majestic dome designed by architect Stefano Ittar in 1780. Its large windows create plays of light that are reflected between the naves, altar and precious colourful marble floor.
69 foto dettaglio cupola foto parete navata con arcate e finestre
Inside, the church contains precious works of art , a valuable organ and a splendid sundial .
foto cappella foto organo foto meridiana su pavimento

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

One city, three sites

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

The Staircase of Angels

A triumph of colour

From International Gothic to present day

New roads for Catania

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

A small room with a golden entrance

Many owners, one palace

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

The city of museums

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

Searching for colour

A half-Baroque church

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

Some prestigious works

The Burgos crucifix

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

A talking palace

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

Discovering the mother church

A prominent church

The theatre of taste

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The chocolate of Modica

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

A long reconstruction

The colours of the cathedral

The interior and its masterpieces

The wall comes to life

One city, two sites

A miniature city

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

Feast days

Limestone, the colour of harmony

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

Some masterpieces

A feast only for Scicli

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

A square as the heart of the city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

An eagle-shaped city

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

The Barresi-Branciforte lords

A museum to save a tradition

Two illustrious patron saints

A symbol for the town

A colourful floor

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara