Catania

San Nicolò l’Arena: an unfinished church

Located in Piazza Dante in the historic centre of Catania, the church of San Nicolò l’Arena is the spiritual heart of the monastery. It was built after Etna’s eruption in 1669, replacing an older building from the Renaissance period.
The façade is striking for the giant proportions of the eight columns, which, in pairs placed on large bases, flank the main and side portals.ta chiesa da piazza dante The large rectangular windows and the two oval openings above the portals light up the heavy, white marble structure. Work was started in 1774 by the architect Carmelo Battaglia Santangelo and left unfinished in 1802 by his cousin Antonino Battaglia. What is most surprising is the strong contrast between the incompleteness of the exterior and the large spaces of the interior.
foto cupola foto interno centrando l'altare
The church has a Latin cross plan, divided into three naves , separated by large arcades; crossing the main nave leads you to the main altar.
The walls have no particular decorations; as a matter of fact, they are white, but the interior shines thanks to light from the windows. The brightness is also created by the majestic dome designed by architect Stefano Ittar in 1780. Its large windows create plays of light that are reflected between the naves, altar and precious colourful marble floor.
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Inside, the church contains precious works of art , a valuable organ and a splendid sundial .
foto cappella foto organo foto meridiana su pavimento

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

The Infiorata, a feast of colours and flowers

Between white and black

The wall comes to life

A city in colour

Norman apses

A small room with a golden entrance

A prominent church

A design by Vincenzo Sinatra

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

The interior and its masterpieces

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

A long reconstruction

Modica, a city with ancient origins

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

A talking palace

One city, two sites

A feast only for Scicli

Discovering the mother church

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Badia di Sant’Agata

The city of museums

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

Some prestigious works

The colours of the cathedral

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

A new site for a new city

The theatre of taste

The senses tell the story of the Church of San Giovanni Evangelista

The Barresi-Branciforte lords

A colourful floor

Wonderful quick decorations

The senses tell about Palazzo La Rocca

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

The chocolate of Modica

The church of Carmine

A square as the heart of the city

St. Agatha and the giant candelabras

A triumph of colour

The internal colours

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

The two churches

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The Burgos crucifix

A symbol for the town

An eagle-shaped city

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

Feasting in Palazzolo

The Baroque town by the sea

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

Prominent façade

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

Feast days

The kitchen, a treasure chest of colours

Some masterpieces

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

One city, three sites