Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Fontana della Ninfa Zizza, public water in the town

The colours of the cathedral

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

A prominent church

A square as the heart of the city

A design by Vincenzo Sinatra

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

Limestone, the colour of harmony

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

The senses tell the story of the Church of San Sebastiano

The two churches

A new palace for the La Rocca lords

One city, two sites

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

A city in colour

A colourful floor

A new site for a new city

Between white and black

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

A hall for the feasts

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

A miniature city

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

The internal colours

The wall comes to life

A triumph of colour

Some prestigious works

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

The kitchen, a treasure chest of colours

A symbol for the town

An eagle-shaped city

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

Discovering the mother church

A new site for a new church

The Baroque town by the sea

A long reconstruction

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

From International Gothic to present day

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

A talking palace

Wonderful quick decorations

The senses tell the story of the Badia di Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of Santa Maria del Carmelo

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

A small room with a golden entrance

The Maiolica of the staircase

The disastrous earthquake

The theatre of taste

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Prominent façade

One city, three sites

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

San Benedetto: a treasure reopened to the public

A half-Baroque church

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

The senses tell about Palazzo Nicolaci

Feast days

Rosario Gagliardi, the maestro of the Val di Noto