Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Connections with other UNESCO sites

The senses tell the Cathedral of Sant’Agata

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

Some masterpieces

The façade used as a puppet theatre

Many owners, one palace

A museum to save a tradition

Places of knowledge: the Benedictines’ library

The disastrous earthquake

The theatre of taste

A new site for a new city

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

An eagle-shaped city

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The chocolate of Modica

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

The colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

A design by Vincenzo Sinatra

Wonderful quick decorations

A Nobel Prize in Modica

The church of Carmine

A colourful floor

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

Discovering the mother church

Between white and black

A miniature city

A triumph of colour

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

One city, two sites

From International Gothic to present day

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

A half-Baroque church

Prominent façade

One city, three sites

Some prestigious works

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

Norman apses

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

The senses tell the story of the Badia di Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

The senses tell the story of the Church of San Sebastiano

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

The Staircase of Angels

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

San Nicolò l’Arena: an unfinished church

A long reconstruction

A hall for the feasts

The Burgos crucifix

A small room with a golden entrance

The Barresi-Branciforte lords

A new palace for the La Rocca lords

A new site for a new church