Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Between white and black

The disastrous earthquake

A square as the heart of the city

Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

A hall for the feasts

A new site for a new church

St. Agatha and the giant candelabras

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A feast only for Scicli

A majestic and luminous church

Some masterpieces

An eagle-shaped city

From International Gothic to present day

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

A city in colour

A new entrance for Santa Chiara (St. Claire)

The internal colours

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

The Benedictine Monastery, one of the largest in Europe

A colourful floor

St. Sebastian, so much work!

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The senses tell the story of the church of San Giuseppe

A miniature city

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Norman apses

A new site for a new city

The wall comes to life

The senses tell the Cathedral of Sant’Agata

Some prestigious works

Two illustrious patron saints

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

One city, three sites

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Limestone, the colour of harmony

The senses tell the story of the Church of the Annunciation

The chocolate of Modica

A talking palace

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The Maiolica of the staircase

Connections with other UNESCO sites

Prominent façade

Searching for colour

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

Feast days

A museum to save a tradition

The theatre of taste

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

The Burgos crucifix

A prominent church

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

A design by Vincenzo Sinatra