Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

One city, two sites

A colourful floor

A talking palace

One city, three sites

The colours of the cathedral

Between white and black

Wonderful quick decorations

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

The character of Badia Sant’Agata

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

A small room with a golden entrance

An eagle-shaped city

The Burgos crucifix

A symbol for the town

Searching for colour

The disastrous earthquake

The internal colours

The role of the religious orders in rebuilding the Val di Noto

St. Sebastian, so much work!

The city of museums

The Baroque town by the sea

A museum to save a tradition

The Maiolica of the staircase

A new site for a new church

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

Two illustrious patron saints

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The wall comes to life

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

A miniature city

Fontana della Ninfa Zizza, public water in the town

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giuseppe

Prominent façade

Feasting in Palazzolo

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

A hall for the feasts

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

Discovering the mother church

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

The theatre of taste

The Barresi-Branciforte lords

Many owners, one palace

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

Feast days

San Benedetto: a treasure reopened to the public

From St. Thomas to St. Joseph

The Staircase of Angels

Some masterpieces