Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

The senses tell about Palazzo Nicolaci

A prominent church

A small room with a golden entrance

Connections with other UNESCO sites

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

Feast days

An eagle-shaped city

A new site for a new church

A new site for a new city

The internal colours

Norman apses

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

Wonderful quick decorations

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giovanni Battista

A hall for the feasts

A colourful floor

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

Many owners, one palace

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Napolino Tommasi Rosso

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

Prominent façade

A triumph of colour

The Staircase of Angels

Discovering the mother church

Some prestigious works

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The wall comes to life

New roads for Catania

The kitchen, a treasure chest of colours

The church of Carmine

A majestic and luminous church

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

The city of museums

Between white and black

The colours of the cathedral

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

The Maiolica of the staircase

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

A symbol for the town

One city, three sites

The two churches

The theatre of taste

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

A half-Baroque church

The chocolate of Modica

Feasting in Palazzolo

One city, two sites

A square as the heart of the city

Searching for colour

St. Agatha and the giant candelabras

A miniature city