Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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foto statue su mensole foto statue su mensole

Some prestigious works

The interior and its masterpieces

The Burgos crucifix

The Maiolica of the staircase

One city, two sites

The character of Badia Sant’Agata

A talking palace

Wonderful quick decorations

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

Norman apses

The two churches

The disastrous earthquake

Connections with other UNESCO sites

A miniature city

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Discovering the mother church

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

A new site for a new church

Two illustrious patron saints

A new site for a new city

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Sebastian, so much work!

Feast days

The kitchen, a treasure chest of colours

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

The Baroque town by the sea

The church of Carmine

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Sebastiano

Limestone, the colour of harmony

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

The internal colours

A symbol for the town

The Feast of San Giacomo (St. James)

Between white and black

A square as the heart of the city

The colours of the cathedral

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

Baroque and the loss of equilibrium in the 16th century

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

Searching for colour

The senses tell the story of the church of San Giuseppe

A prominent church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

A colourful floor

The Barresi-Branciforte lords

A hall for the feasts

The façade used as a puppet theatre

The wall comes to life

New roads for Catania

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

The city of museums

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

A city in colour

An eagle-shaped city