Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

A new site for a new church

One city, two sites

A prominent church

An eagle-shaped city

A square as the heart of the city

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St. Agatha and the giant candelabras

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The wall comes to life

A colourful floor

The Baroque town by the sea

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San Benedetto: a treasure reopened to the public

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

The theatre of taste

A symbol for the town

The disastrous earthquake

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Corbels: a celebration of the Nicolaci family

Two illustrious patron saints

The Burgos crucifix

The internal colours

Searching for colour

Some masterpieces

A triumph of colour

One city, three sites

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

A city in colour

The colours of the cathedral

The interior and its masterpieces

Feast days

Norman apses

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The character of Badia Sant’Agata

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The Staircase of Angels

Feasting in Palazzolo

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Connections with other UNESCO sites

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

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From International Gothic to present day

Limestone, the colour of harmony

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

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A miniature city

New roads for Catania

A talking palace

The senses tell the story of the Church of San Benedetto

Wonderful quick decorations

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A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

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The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

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The two churches

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Prominent façade

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The façade used as a puppet theatre

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A small room with a golden entrance

Some prestigious works

A half-Baroque church

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The kitchen, a treasure chest of colours

Modica, a city with ancient origins