Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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foto statue su mensole foto statue su mensole

Feast days

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

A miniature city

The senses tell the Cathedral of Sant’Agata

Norman apses

The Baroque town by the sea

A small room with a golden entrance

A prominent church

St. Agatha and the giant candelabras

The city of museums

Searching for colour

The Staircase of Angels

Between white and black

The two churches

Two illustrious patron saints

St. Sebastian, so much work!

The façade used as a puppet theatre

One city, three sites

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

Some masterpieces

The Maiolica of the staircase

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

A long reconstruction

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

A new site for a new church

A half-Baroque church

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

A triumph of colour

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

A symbol for the town

The kitchen, a treasure chest of colours

A new palace for the La Rocca lords

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

Places of knowledge: the Benedictines’ library

A new site for a new city

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe

Many owners, one palace

The senses tell about Palazzo Nicolaci

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

Connections with other UNESCO sites

The theatre of taste

A museum to save a tradition

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

A colourful floor

One city, two sites

The wall comes to life

Feasting in Palazzolo

The chocolate of Modica

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

A feast only for Scicli

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

A city in colour

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city