Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

Wonderful quick decorations

A city in colour

Connections with other UNESCO sites

Discovering the mother church

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

A majestic and luminous church

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours

One city, three sites

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

The Burgos crucifix

St. Sebastian, so much work!

A feast only for Scicli

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

Many owners, one palace

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

Prominent façade

The Feast of San Giacomo (St. James)

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

A triumph of colour

Two illustrious patron saints

A miniature city

Feast days

Searching for colour

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

A square as the heart of the city

A long reconstruction

One city, two sites

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

A symbol for the town

The senses tell the story of the Church of Santa Chiara

The internal colours

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

A new site for a new church

Feasting in Palazzolo

The Barresi-Branciforte lords

The chocolate of Modica

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

A museum to save a tradition

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

The two churches

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

A new site for a new city

The Maiolica of the staircase

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

Some prestigious works

Norman apses

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

A prominent church

The church of Carmine

A small room with a golden entrance

New roads for Catania

A talking palace

A colourful floor

Corbels: a celebration of the Nicolaci family