Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

Connections with other UNESCO sites

The disastrous earthquake

The façade used as a puppet theatre

The two churches

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

A new site for a new city

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some prestigious works

A new site for a new church

Limestone, the colour of harmony

The internal colours

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The Staircase of Angels

The Baroque town by the sea

A half-Baroque church

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

St. Sebastian, so much work!

Searching for colour

The chocolate of Modica

A prominent church

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

The character of Badia Sant’Agata

The colours of the cathedral

A new palace for the La Rocca lords

The wall comes to life

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

Norman apses

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The Benedictine Monastery, one of the largest in Europe

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The theatre of taste

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

Feast days

A miniature city

A city in colour

A design by Vincenzo Sinatra

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

Prominent façade

Places of knowledge: the Benedictines’ library

A hall for the feasts

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

The kitchen, a treasure chest of colours

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

A symbol for the town

The Burgos crucifix

The senses tell the Cathedral of Sant’Agata

The city of museums

A colourful floor

A majestic and luminous church

An eagle-shaped city

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

The Supernatural dimension of the chapel of the Santissimo Sacramento