Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

A talking palace

Connections with other UNESCO sites

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

Two illustrious patron saints

Some masterpieces

The internal colours

The senses tell about Palazzo Nicolaci

The city of museums

The senses tell the story of the Church of San Benedetto

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Badia di Sant’Agata

The Maiolica of the staircase

A miniature city

From St. Thomas to St. Joseph

Prominent façade

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Napolino Tommasi Rosso

A hall for the feasts

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

Some prestigious works

The disastrous earthquake

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The Baroque town by the sea

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

A colourful floor

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

Searching for colour

The church of Carmine

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

Places of knowledge: the Benedictines’ library

The Burgos crucifix

A museum to save a tradition

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

The two churches

Modica, a city with ancient origins

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

Between white and black

A square as the heart of the city

Wonderful quick decorations

One city, two sites

The wall comes to life

The theatre of taste

A city in colour

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

A symbol for the town

The colours of the cathedral

St. Sebastian, so much work!

New roads for Catania

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

The Benedictine Monastery, one of the largest in Europe

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

A design by Vincenzo Sinatra

The Staircase of Angels

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena