Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

One city, two sites

St. Agatha and the giant candelabras

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

A new site for a new city

Many owners, one palace

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

One city, three sites

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

Feast days

Two illustrious patron saints

A new site for a new church

From International Gothic to present day

The senses tell about Palazzo La Rocca

A museum to save a tradition

Between white and black

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

Feasting in Palazzolo

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

A talking palace

Some masterpieces

Some prestigious works

A square as the heart of the city

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

From St. Thomas to St. Joseph

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

A prominent church

The senses tell the story of the Church of San Sebastiano

The internal colours

A half-Baroque church

The Feast of San Giacomo (St. James)

A miniature city

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

The interior and its masterpieces

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

Prominent façade

A new palace for the La Rocca lords

The Burgos crucifix

A city in colour

The disastrous earthquake

The Baroque town by the sea

The kitchen, a treasure chest of colours

Wonderful quick decorations

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Badia di Sant’Agata

A hall for the feasts

The wall comes to life

A colourful floor

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

Norman apses

The theatre of taste

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

The senses tell about Palazzo Nicolaci

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista