Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

Places of knowledge: the Benedictines’ library

The two churches

The interior and its masterpieces

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

From International Gothic to present day

A small room with a golden entrance

The Burgos crucifix

A majestic and luminous church

Wonderful quick decorations

The façade used as a puppet theatre

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

Norman apses

A Nobel Prize in Modica

Discovering the mother church

The theatre of taste

The Infiorata, a feast of colours and flowers

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

The Baroque town by the sea

A prominent church

San Benedetto: a treasure reopened to the public

New roads for Catania

A city in colour

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

A triumph of colour

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

Feast days

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

The internal colours

The senses tell the story of the church of San Giovanni Battista

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Between white and black

Some prestigious works

From St. Thomas to St. Joseph

Many owners, one palace

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

Corbels: a celebration of the Nicolaci family

The Maiolica of the staircase

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The city of museums

Prominent façade

The Staircase of Angels

Limestone, the colour of harmony

The church of Carmine

The senses tell about Palazzo La Rocca

A new palace for the La Rocca lords

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

A symbol for the town

Modica, a city with ancient origins

A design by Vincenzo Sinatra

A hall for the feasts

A half-Baroque church

A museum to save a tradition

Two illustrious patron saints

The character of Badia Sant’Agata