Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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The Infiorata, a feast of colours and flowers

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

A city in colour

The wall comes to life

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

Some prestigious works

The Maiolica of the staircase

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

Prominent façade

A new site for a new city

Two illustrious patron saints

A long reconstruction

A majestic and luminous church

A design by Vincenzo Sinatra

The Staircase of Angels

A new palace for the La Rocca lords

A feast only for Scicli

Many owners, one palace

A miniature city

A hall for the feasts

The senses tell the story of the Church of San Benedetto

A triumph of colour

Norman apses

The internal colours

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

The chocolate of Modica

Discovering the mother church

Feast days

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

The city of museums

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

The church of Carmine

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

One city, two sites

Wonderful quick decorations

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

A half-Baroque church

The role of the religious orders in rebuilding the Val di Noto

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

A prominent church

A symbol for the town

One city, three sites

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Searching for colour

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

A talking palace

Limestone, the colour of harmony

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

An eagle-shaped city

Between white and black

Places of knowledge: the Benedictines’ library

A colourful floor

Militello, the story of an enlightened fiefdom

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe