Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

St. Sebastian, so much work!

Between white and black

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

A small room with a golden entrance

A half-Baroque church

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The theatre of taste

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

A symbol for the town

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

The senses tell the story of the Church of San Sebastiano

The Staircase of Angels

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

The Infiorata, a feast of colours and flowers

An eagle-shaped city

The senses tell about Palazzo La Rocca

Two illustrious patron saints

One city, two sites

Feast days

The senses tell the story of the Church of the Annunciation

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

A square as the heart of the city

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

Prominent façade

A long reconstruction

A museum to save a tradition

New roads for Catania

A Nobel Prize in Modica

The chocolate of Modica

Norman apses

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

A colourful floor

San Benedetto: a treasure reopened to the public

Many owners, one palace

A talking palace

A prominent church

The Baroque town by the sea

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

Places of knowledge: the Benedictines’ library

A city in colour

Wonderful quick decorations

The kitchen, a treasure chest of colours

The disastrous earthquake

The Barresi-Branciforte lords

Some prestigious works

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

The internal colours

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

A design by Vincenzo Sinatra

One city, three sites

The senses tell the story of the Church of San Benedetto

The two churches

Limestone, the colour of harmony

A miniature city

The city of museums

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Badia di Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

Searching for colour

The church of Carmine