Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

The senses tell about Palazzo La Rocca

A half-Baroque church

A hall for the feasts

Searching for colour

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

The city of museums

Modica, a city with ancient origins

Discovering the mother church

The disastrous earthquake

A prominent church

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

Some masterpieces

One city, two sites

The wall comes to life

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

Feast days

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

Prominent façade

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

The character of Badia Sant’Agata

A museum to save a tradition

A city in colour

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

Connections with other UNESCO sites

A miniature city

Wonderful quick decorations

Some prestigious works

One city, three sites

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

Feasting in Palazzolo

A Nobel Prize in Modica

A long reconstruction

The interior and its masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

Norman apses

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Many owners, one palace

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

A new site for a new church

The senses tell about Palazzo Nicolaci

A new site for a new city

The colours of the cathedral

Limestone, the colour of harmony

The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

A square as the heart of the city

A colourful floor

Between white and black

Corbels: a celebration of the Nicolaci family

A symbol for the town

The chocolate of Modica

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town