Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

Discovering the mother church

The senses tell about Palazzo Nicolaci

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Norman apses

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

The interior and its masterpieces

The internal colours

The Burgos crucifix

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Sebastiano

The city of museums

Some masterpieces

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

One city, two sites

Modica, a city with ancient origins

The wall comes to life

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

From St. Thomas to St. Joseph

A prominent church

Baroque and the loss of equilibrium in the 16th century

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giuseppe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

The Barresi-Branciforte lords

From International Gothic to present day

The senses tell the story of the staircase of Santa Maria del Monte

A talking palace

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

Searching for colour

The Maiolica of the staircase

Wonderful quick decorations

The Feast of San Giacomo (St. James)

Between white and black

St. Sebastian, so much work!

New roads for Catania

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

A half-Baroque church

A city in colour

The two churches

A majestic and luminous church

A new site for a new church

The senses tell the story of the Church of Santa Chiara

Feast days

Prominent façade

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

A miniature city

Feasting in Palazzolo

An eagle-shaped city

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

The colours of the cathedral

One city, three sites

A feast only for Scicli

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

A colourful floor

A design by Vincenzo Sinatra

The church of Carmine

The kitchen, a treasure chest of colours

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

A square as the heart of the city

A triumph of colour

Many owners, one palace