Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A new site for a new city

Some prestigious works

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

A majestic and luminous church

An eagle-shaped city

The theatre of taste

Some masterpieces

The interior and its masterpieces

The two churches

A miniature city

A new site for a new church

A long reconstruction

Militello, the story of an enlightened fiefdom

A city in colour

Corbels: a celebration of the Nicolaci family

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

A prominent church

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

The colours of the cathedral

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

A colourful floor

Connections with other UNESCO sites

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

Norman apses

Prominent façade

One city, two sites

Baroque and the loss of equilibrium in the 16th century

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

A museum to save a tradition

The Feast of San Giacomo (St. James)

The Maiolica of the staircase

The character of Badia Sant’Agata

Two illustrious patron saints

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

The church of Carmine

The wall comes to life

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

Places of knowledge: the Benedictines’ library

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

The city of museums

The senses tell the story of the Church of San Sebastiano

Between white and black

The senses tell the story of the Church of the Annunciation

The internal colours

Limestone, the colour of harmony

New roads for Catania

Feast days

The façade used as a puppet theatre

The disastrous earthquake

A half-Baroque church

Searching for colour

San Benedetto: a treasure reopened to the public

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

The role of the religious orders in rebuilding the Val di Noto