Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Infiorata, a feast of colours and flowers

A feast only for Scicli

A triumph of colour

Norman apses

A symbol for the town

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

Many owners, one palace

A majestic and luminous church

The façade used as a puppet theatre

A small room with a golden entrance

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The city of museums

A half-Baroque church

From St. Thomas to St. Joseph

A hall for the feasts

The internal colours

A prominent church

The interior and its masterpieces

The church of Carmine

The senses tell the story of the Church of Santa Chiara

The theatre of taste

Some prestigious works

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

Corbels: a celebration of the Nicolaci family

An eagle-shaped city

Limestone, the colour of harmony

A new site for a new city

The senses tell about Palazzo Nicolaci

Between white and black

A city in colour

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

The two churches

Some masterpieces

The colours of the cathedral

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

From International Gothic to present day

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

St. Agatha and the giant candelabras

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

The Staircase of Angels

The Baroque town by the sea

A talking palace

The kitchen, a treasure chest of colours

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

Searching for colour

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

A new site for a new church

New roads for Catania

Prominent façade

From the contrast of the exterior to the internal jubilation of colours

One city, three sites

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

The senses tell the story of the Church of San Sebastiano