Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Staircase of Angels

The Baroque town by the sea

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

Some prestigious works

A majestic and luminous church

From International Gothic to present day

A new site for a new city

The character of Badia Sant’Agata

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

The Maiolica of the staircase

Palazzo Nicolaci di Villadorata, who is the architect?

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The Burgos crucifix

Discovering the mother church

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

The theatre of taste

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

Feast days

San Benedetto: a treasure reopened to the public

From St. Thomas to St. Joseph

The senses tell the story of the Badia di Sant’Agata

The two churches

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

The senses tell about Palazzo Nicolaci

A triumph of colour

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

The chocolate of Modica

A Nobel Prize in Modica

A talking palace

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

Between white and black

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

A small room with a golden entrance

Modica, a city with ancient origins

Norman apses

San Nicolò l’Arena: an unfinished church

A hall for the feasts

A feast only for Scicli

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

One city, two sites

A half-Baroque church

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

The city of museums

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

An eagle-shaped city

New roads for Catania

A new palace for the La Rocca lords

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

The senses tell the story of the Church of Santa Chiara

Prominent façade

The church of Carmine

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

A city in colour

A colourful floor

The kitchen, a treasure chest of colours

A new site for a new church