Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

From St. Thomas to St. Joseph

Some prestigious works

A talking palace

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

The senses tell the Cathedral of Sant’Agata

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

Searching for colour

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A half-Baroque church

The internal colours

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

The theatre of taste

Many owners, one palace

Wonderful quick decorations

The Staircase of Angels

A small room with a golden entrance

Modica, a city with ancient origins

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

The two churches

The wall comes to life

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

One city, three sites

A long reconstruction

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

The colours of the cathedral

Some masterpieces

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

A miniature city

Places of knowledge: the Benedictines’ library

The city of museums

The character of Badia Sant’Agata

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

A new palace for the La Rocca lords

The chocolate of Modica

The church of Carmine

One city, two sites

A triumph of colour

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

Discovering the mother church

A colourful floor

The interior and its masterpieces

A square as the heart of the city

Two illustrious patron saints

Connections with other UNESCO sites

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

The Burgos crucifix

The disastrous earthquake

A majestic and luminous church

A prominent church

A Nobel Prize in Modica

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

A museum to save a tradition

The Baroque town by the sea

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction