Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The colours of the cathedral

The Burgos crucifix

The Staircase of Angels

A majestic and luminous church

A new site for a new church

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

Prominent façade

San Nicolò l’Arena: an unfinished church

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

The Maiolica of the staircase

St. Agatha and the giant candelabras

The kitchen, a treasure chest of colours

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

Many owners, one palace

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

A symbol for the town

The wall comes to life

The internal colours

The senses tell the story of the church of San Giuseppe

One city, three sites

Wonderful quick decorations

An eagle-shaped city

One city, two sites

The Infiorata, a feast of colours and flowers

The city of museums

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A half-Baroque church

Searching for colour

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

A talking palace

A Nobel Prize in Modica

A small room with a golden entrance

Between white and black

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

Baroque and the loss of equilibrium in the 16th century

A museum to save a tradition

Some prestigious works

A miniature city

A new palace for the La Rocca lords

From International Gothic to present day

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

The Baroque town by the sea

A design by Vincenzo Sinatra

A square as the heart of the city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

A feast only for Scicli

Militello, the story of an enlightened fiefdom

The two churches

A new entrance for Santa Chiara (St. Claire)

Feast days

A long reconstruction

A city in colour

The disastrous earthquake

The theatre of taste

Connections with other UNESCO sites

Limestone, the colour of harmony

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

New roads for Catania

From St. Thomas to St. Joseph

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

A colourful floor

A triumph of colour

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano