Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

Searching for colour

A hall for the feasts

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

The theatre of taste

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

The Maiolica of the staircase

New roads for Catania

The internal colours

Fontana della Ninfa Zizza, public water in the town

Norman apses

A Nobel Prize in Modica

A new palace for the La Rocca lords

A triumph of colour

A colourful floor

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

St. Agatha and the giant candelabras

Wonderful quick decorations

Discovering the mother church

A symbol for the town

A design by Vincenzo Sinatra

The Staircase of Angels

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

The senses tell the story of the church of San Giuseppe

A museum to save a tradition

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A prominent church

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The façade used as a puppet theatre

Many owners, one palace

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

Rosario Gagliardi, the maestro of the Val di Noto

An eagle-shaped city

The interior and its masterpieces

A city in colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

A long reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

Some prestigious works

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

One city, three sites

San Nicolò l’Arena: an unfinished church

A miniature city

The cathedral of Sant’Agata: a lengthy reconstruction

The Baroque town by the sea

A talking palace

From the contrast of the exterior to the internal jubilation of colours

The two churches

Between white and black

Two illustrious patron saints

Feast days

Feasting in Palazzolo

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours