Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

Palazzo Nicolaci di Villadorata, who is the architect?

The Benedictine Monastery, one of the largest in Europe

The internal colours

The theatre of taste

Militello, the story of an enlightened fiefdom

Feast days

Some masterpieces

The church of Carmine

A talking palace

A symbol for the town

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

Some prestigious works

One city, three sites

One city, two sites

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

The colours of the cathedral

Many owners, one palace

A feast only for Scicli

The disastrous earthquake

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

St. Agatha and the giant candelabras

A new site for a new church

Searching for colour

Prominent façade

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

Modica, a city with ancient origins

From St. Thomas to St. Joseph

A triumph of colour

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The city of museums

A city in colour

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

Discovering the mother church

The two churches

The interior and its masterpieces

A prominent church

Two illustrious patron saints

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

A half-Baroque church

A colourful floor

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

New roads for Catania

Norman apses

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

Wonderful quick decorations

A design by Vincenzo Sinatra

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

Limestone, the colour of harmony

The wall comes to life