Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

San Benedetto: a treasure reopened to the public

The Maiolica of the staircase

Limestone, the colour of harmony

A square as the heart of the city

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

The Feast of San Giacomo (St. James)

The wall comes to life

A miniature city

Feasting in Palazzolo

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

The disastrous earthquake

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

A hall for the feasts

Two illustrious patron saints

A new palace for the La Rocca lords

Some prestigious works

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

The church of Carmine

Connections with other UNESCO sites

From International Gothic to present day

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

A majestic and luminous church

The senses tell about Palazzo La Rocca

The Baroque town by the sea

The character of Badia Sant’Agata

A long reconstruction

The senses tell the story of the Church of Santa Chiara

A talking palace

The Infiorata, a feast of colours and flowers

A prominent church

A colourful floor

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

The city of museums

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

Feast days

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

A half-Baroque church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Between white and black

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

Discovering the mother church

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

A new site for a new church

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

A city in colour

The Staircase of Angels

A museum to save a tradition

Norman apses

One city, two sites

The theatre of taste

The colours of the cathedral

The Burgos crucifix

A symbol for the town

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction