Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

From International Gothic to present day

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

An eagle-shaped city

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new church

A design by Vincenzo Sinatra

A Nobel Prize in Modica

From St. Thomas to St. Joseph

Some prestigious works

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

A city in colour

The senses tell the story of the Church of San Sebastiano

A prominent church

The senses tell the story of the Church of the Annunciation

One city, two sites

Between white and black

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

The Maiolica of the staircase

The two churches

The kitchen, a treasure chest of colours

Norman apses

San Benedetto: a treasure reopened to the public

St. Agatha and the giant candelabras

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Two illustrious patron saints

A long reconstruction

The theatre of taste

The internal colours

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

A hall for the feasts

Searching for colour

A miniature city

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

Modica, a city with ancient origins

A symbol for the town

The character of Badia Sant’Agata

St. Sebastian, so much work!

A new entrance for Santa Chiara (St. Claire)

Places of knowledge: the Benedictines’ library

The Staircase of Angels

The disastrous earthquake

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

Some masterpieces

Wonderful quick decorations

A small room with a golden entrance

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

New roads for Catania

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

Connections with other UNESCO sites

Discovering the mother church

The interior and its masterpieces

One city, three sites

Prominent façade

The façade used as a puppet theatre