Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The colours of the cathedral

A small room with a golden entrance

Connections with other UNESCO sites

Two illustrious patron saints

The internal colours

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

Some masterpieces

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new city

One city, two sites

The senses tell the story of the Church of San Sebastiano

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

Some prestigious works

A new site for a new church

The senses tell the story of the Church of Santa Chiara

A talking palace

A feast only for Scicli

A museum to save a tradition

Wonderful quick decorations

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

A city in colour

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

A Nobel Prize in Modica

The city of museums

Norman apses

A majestic and luminous church

Feast days

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

The church of Carmine

A symbol for the town

Between white and black

A new palace for the La Rocca lords

The Barresi-Branciforte lords

From International Gothic to present day

The senses tell about Palazzo Nicolaci

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

A hall for the feasts

Limestone, the colour of harmony

The Staircase of Angels

The interior and its masterpieces

New roads for Catania

A colourful floor

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

Militello, the story of an enlightened fiefdom

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

Feasting in Palazzolo

The wall comes to life

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

The Feast of San Giacomo (St. James)

A triumph of colour

The character of Badia Sant’Agata

A long reconstruction

The Baroque town by the sea

A new entrance for Santa Chiara (St. Claire)

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

Prominent façade

The chocolate of Modica

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

Modica, a city with ancient origins

A miniature city