Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A symbol for the town

St. Sebastian, so much work!

A design by Vincenzo Sinatra

A small room with a golden entrance

A talking palace

From St. Thomas to St. Joseph

A Nobel Prize in Modica

A prominent church

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

Modica, a city with ancient origins

The church of Carmine

The two churches

Many owners, one palace

The senses tell the story of the Church of San Benedetto

Discovering the mother church

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

Searching for colour

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

The senses tell the story of the Church of the Annunciation

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

Norman apses

One city, two sites

Between white and black

The Infiorata, a feast of colours and flowers

New roads for Catania

A museum to save a tradition

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The Barresi-Branciforte lords

A hall for the feasts

The Feast of San Giacomo (St. James)

The Staircase of Angels

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

Limestone, the colour of harmony

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The façade used as a puppet theatre

Two illustrious patron saints

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

Feast days

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

Prominent façade

One city, three sites

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

The Burgos crucifix

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A city in colour

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

A new site for a new church

The chocolate of Modica

The interior and its masterpieces

A colourful floor

A miniature city

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

The character of Badia Sant’Agata

A new site for a new city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

San Nicolò l’Arena: an unfinished church