Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The chocolate of Modica

Some prestigious works

Searching for colour

A new site for a new church

A long reconstruction

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

A prominent church

A half-Baroque church

One city, three sites

The Barresi-Branciforte lords

Feasting in Palazzolo

Some masterpieces

A design by Vincenzo Sinatra

Between white and black

A talking palace

Norman apses

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Sebastiano

Prominent façade

Many owners, one palace

Fontana della Ninfa Zizza, public water in the town

The Feast of San Giacomo (St. James)

A new site for a new city

A hall for the feasts

Discovering the mother church

A square as the heart of the city

The theatre of taste

The two churches

From the contrast of the exterior to the internal jubilation of colours

The city of museums

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

A triumph of colour

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feast days

The Maiolica of the staircase

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

A colourful floor

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Wonderful quick decorations

An eagle-shaped city

The wall comes to life

The senses tell the Cathedral of Sant’Agata

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

A miniature city

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

St. Sebastian, so much work!

A symbol for the town

The church of Carmine

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

From International Gothic to present day

The interior and its masterpieces

Militello, the story of an enlightened fiefdom

A feast only for Scicli

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

Garden of Novices and the restorations by Giancarlo De Carlo

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

A city in colour

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

Modica, a city with ancient origins

The disastrous earthquake

Connections with other UNESCO sites