Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

The church of Carmine

Some prestigious works

The two churches

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A long reconstruction

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Napolino Tommasi Rosso

One city, three sites

One city, two sites

Feast days

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

An eagle-shaped city

The Maiolica of the staircase

A museum to save a tradition

Feasting in Palazzolo

Limestone, the colour of harmony

The Burgos crucifix

The senses tell the story of the church of San Giovanni Battista

A colourful floor

The Barresi-Branciforte lords

A hall for the feasts

Discovering the mother church

The senses tell about Palazzo Nicolaci

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

The senses tell the Cathedral of Sant’Agata

The Baroque town by the sea

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

The chocolate of Modica

Many owners, one palace

The senses tell the story of the Church of San Benedetto

Between white and black

A miniature city

A majestic and luminous church

The wall comes to life

From the contrast of the exterior to the internal jubilation of colours

Norman apses

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

New roads for Catania

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

A symbol for the town

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

Wonderful quick decorations

St. Sebastian, so much work!

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

A talking palace

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

The façade used as a puppet theatre

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

Searching for colour

A new site for a new city

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

The disastrous earthquake

A feast only for Scicli

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

Modica, a city with ancient origins

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers