Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The kitchen, a treasure chest of colours

The Staircase of Angels

A Nobel Prize in Modica

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

The façade used as a puppet theatre

A prominent church

The Maiolica of the staircase

The wall comes to life

The disastrous earthquake

A new site for a new city

An eagle-shaped city

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

Prominent façade

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

Discovering the mother church

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

The Burgos crucifix

New roads for Catania

The senses tell the Cathedral of Sant’Agata

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

Between white and black

One city, three sites

A museum to save a tradition

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

Norman apses

Baroque and the loss of equilibrium in the 16th century

Feasting in Palazzolo

A hall for the feasts

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

Connections with other UNESCO sites

Modica, a city with ancient origins

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

The Barresi-Branciforte lords

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

The chocolate of Modica

San Benedetto: a treasure reopened to the public

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

A colourful floor

One city, two sites

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

A long reconstruction

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

Limestone, the colour of harmony

The city of museums

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

Searching for colour

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

Feast days

A miniature city

A talking palace

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

A triumph of colour

Some prestigious works

The theatre of taste

A new site for a new church