Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A majestic and luminous church

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The Benedictine Monastery, one of the largest in Europe

A symbol for the town

One city, two sites

San Benedetto: a treasure reopened to the public

The Infiorata, a feast of colours and flowers

A square as the heart of the city

A long reconstruction

Some masterpieces

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

The colours of the cathedral

A small room with a golden entrance

A colourful floor

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The two churches

The internal colours

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

Discovering the mother church

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

One city, three sites

An eagle-shaped city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

Feast days

The wall comes to life

A prominent church

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

A Nobel Prize in Modica

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

Limestone, the colour of harmony

A city in colour

From International Gothic to present day

A triumph of colour

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The interior and its masterpieces

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

Norman apses

From St. Thomas to St. Joseph

Searching for colour

A museum to save a tradition

A miniature city

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

The Staircase of Angels

Prominent façade

Militello, the story of an enlightened fiefdom

Some prestigious works

A talking palace

A feast only for Scicli

A half-Baroque church

Wonderful quick decorations

A new site for a new church

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

Two illustrious patron saints

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore