Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The role of the religious orders in rebuilding the Val di Noto

A talking palace

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The Baroque town by the sea

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

Searching for colour

The interior and its masterpieces

A long reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

A new palace for the La Rocca lords

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

A feast only for Scicli

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

The kitchen, a treasure chest of colours

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

A colourful floor

New roads for Catania

Militello, the story of an enlightened fiefdom

The theatre of taste

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

A miniature city

A half-Baroque church

Limestone, the colour of harmony

Wonderful quick decorations

A hall for the feasts

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

Feast days

A city in colour

Norman apses

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

The two churches

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

One city, two sites

Two illustrious patron saints

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

A new site for a new church

The church of Carmine

Feasting in Palazzolo

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

A museum to save a tradition

From International Gothic to present day

The colours of the cathedral

The internal colours

The disastrous earthquake

A square as the heart of the city

Prominent façade

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

A prominent church

Discovering the mother church

Many owners, one palace