Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A city in colour

The interior and its masterpieces

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giuliano ai Crociferi

The Maiolica of the staircase

A talking palace

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The theatre of taste

St. Sebastian, so much work!

Discovering the mother church

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A triumph of colour

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

The wall comes to life

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

A majestic and luminous church

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

The disastrous earthquake

Some prestigious works

The Baroque town by the sea

One city, two sites

A new site for a new church

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

A hall for the feasts

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

New roads for Catania

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

A small room with a golden entrance

A square as the heart of the city

An eagle-shaped city

A prominent church

Some masterpieces

A miniature city

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

Norman apses

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

The internal colours

A museum to save a tradition

A new site for a new city

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

The two churches

The colours of the cathedral

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

A colourful floor

The Burgos crucifix

The Staircase of Angels

St. Agatha and the giant candelabras

Feast days

Prominent façade

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

The city of museums

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

A half-Baroque church

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The church of Carmine

Between white and black