Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A feast only for Scicli

The interior and its masterpieces

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

The disastrous earthquake

Two illustrious patron saints

Norman apses

The Barresi-Branciforte lords

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

Wonderful quick decorations

The internal colours

New roads for Catania

The Infiorata, a feast of colours and flowers

San Benedetto: a treasure reopened to the public

A new site for a new church

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

One city, three sites

A half-Baroque church

Some prestigious works

The senses tell the story of the Church of the Annunciation

A miniature city

From St. Thomas to St. Joseph

A new site for a new city

A long reconstruction

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The colours of the cathedral

A design by Vincenzo Sinatra

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

A talking palace

A majestic and luminous church

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

A prominent church

Many owners, one palace

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

The kitchen, a treasure chest of colours

Prominent façade

The Staircase of Angels

A square as the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

Searching for colour

A triumph of colour

The theatre of taste

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

The senses tell about Palazzo La Rocca

The city of museums

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giovanni Battista

A museum to save a tradition

One city, two sites

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

From International Gothic to present day

A colourful floor

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

Some masterpieces

A city in colour

The two churches

The church of Carmine

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

Feast days