Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A symbol for the town

A long reconstruction

A new site for a new city

A half-Baroque church

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

The theatre of taste

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

The city of museums

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

The disastrous earthquake

The Infiorata, a feast of colours and flowers

A city in colour

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

A Nobel Prize in Modica

Between white and black

Searching for colour

The interior and its masterpieces

Connections with other UNESCO sites

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The senses tell the story of the church of San Giovanni Battista

Norman apses

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo La Rocca

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

The church of Carmine

The character of Badia Sant’Agata

The senses tell about Palazzo Nicolaci

A prominent church

A majestic and luminous church

Feasting in Palazzolo

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

Prominent façade

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

A colourful floor

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

Wonderful quick decorations

The senses tell the story of the Badia di Sant’Agata

A triumph of colour

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

Many owners, one palace

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

The Baroque town by the sea

The colours of the cathedral

From International Gothic to present day

Militello, the story of an enlightened fiefdom

Some prestigious works

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

One city, two sites

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

The Burgos crucifix

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

A talking palace

The façade used as a puppet theatre

A feast only for Scicli

A hall for the feasts

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

A miniature city

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque