Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

A talking palace

San Benedetto: a treasure reopened to the public

The city of museums

A miniature city

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

A long reconstruction

A new site for a new city

A feast only for Scicli

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Benedetto

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

Norman apses

The church of Carmine

A triumph of colour

The two churches

The wall comes to life

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

Places of knowledge: the Benedictines’ library

A colourful floor

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

The Maiolica of the staircase

The chocolate of Modica

The character of Badia Sant’Agata

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

The interior and its masterpieces

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

The theatre of taste

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

One city, two sites

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

The Baroque town by the sea

The colours of the cathedral

An eagle-shaped city

New roads for Catania

The façade used as a puppet theatre

The Barresi-Branciforte lords

Searching for colour

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

Many owners, one palace

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

The internal colours

The kitchen, a treasure chest of colours

A half-Baroque church

A new palace for the La Rocca lords

A prominent church

One city, three sites

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

Some masterpieces

Connections with other UNESCO sites

A museum to save a tradition

A new site for a new church

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

From St. Thomas to St. Joseph

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giuseppe

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

Discovering the mother church