Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

A talking palace

The Baroque town by the sea

A small room with a golden entrance

Wonderful quick decorations

One city, two sites

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

The church of Carmine

The Barresi-Branciforte lords

A colourful floor

The wall comes to life

A square as the heart of the city

A feast only for Scicli

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Between white and black

Feast days

The character of Badia Sant’Agata

The interior and its masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

Many owners, one palace

A new site for a new city

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

Norman apses

A new site for a new church

A majestic and luminous church

The city of museums

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints

A triumph of colour

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

Prominent façade

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

A city in colour

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

The Burgos crucifix

St. Agatha and the giant candelabras

A prominent church

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

The façade used as a puppet theatre

The internal colours

The two churches

The senses tell the Cathedral of Sant’Agata

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

Feasting in Palazzolo

A symbol for the town

One city, three sites

From International Gothic to present day