Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Connections with other UNESCO sites

A triumph of colour

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

A prominent church

A majestic and luminous church

St. Agatha and the giant candelabras

Some masterpieces

A miniature city

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake

Between white and black

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

A hall for the feasts

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

From St. Thomas to St. Joseph

The church of Carmine

St. Sebastian, so much work!

A square as the heart of the city

A museum to save a tradition

The senses tell about Palazzo La Rocca

A new site for a new city

The two churches

A talking palace

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

Modica, a city with ancient origins

A colourful floor

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

The senses tell the story of the church of San Giuseppe

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

The internal colours

Fontana della Ninfa Zizza, public water in the town

Norman apses

Many owners, one palace

The Baroque town by the sea

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

Some prestigious works

One city, two sites

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

Prominent façade

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

Feast days

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

The chocolate of Modica

A half-Baroque church

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

A symbol for the town

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The interior and its masterpieces

Two illustrious patron saints