Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

A design by Vincenzo Sinatra

The Maiolica of the staircase

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

Limestone, the colour of harmony

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

The chocolate of Modica

The theatre of taste

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

A colourful floor

New roads for Catania

Connections with other UNESCO sites

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

St. Sebastian, so much work!

A square as the heart of the city

The city of museums

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

The Staircase of Angels

Some masterpieces

A half-Baroque church

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Norman apses

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Agatha and the giant candelabras

The façade used as a puppet theatre

A new site for a new church

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

The character of Badia Sant’Agata

A hall for the feasts

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

A long reconstruction

A city in colour

A prominent church

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

From International Gothic to present day

The colours of the cathedral

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

Feast days

One city, two sites

The two churches

A museum to save a tradition

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

Between white and black

A talking palace

The Burgos crucifix

A symbol for the town

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

The wall comes to life

The interior and its masterpieces

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

A new site for a new city

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

The church of Carmine

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour