Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

Feast days

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for a new city

The internal colours

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

Feasting in Palazzolo

Connections with other UNESCO sites

The character of Badia Sant’Agata

The wall comes to life

A feast only for Scicli

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

Norman apses

The senses tell the story of the church of San Giuseppe

The city of museums

Many owners, one palace

San Benedetto: a treasure reopened to the public

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

A colourful floor

A majestic and luminous church

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

From the contrast of the exterior to the internal jubilation of colours

A miniature city

Limestone, the colour of harmony

The senses tell the story of the Church of the Annunciation

The church of Carmine

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

Prominent façade

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

Corbels: a celebration of the Nicolaci family

One city, two sites

Wonderful quick decorations

The theatre of taste

The Burgos crucifix

St. Sebastian, so much work!

A museum to save a tradition

From International Gothic to present day

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

Between white and black

The Staircase of Angels

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

A new site for a new church

The chocolate of Modica

The Baroque town by the sea

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A city in colour

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

A triumph of colour

A square as the heart of the city

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

Some prestigious works

New roads for Catania

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

Places of knowledge: the Benedictines’ library