Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Palazzo Nicolaci di Villadorata, who is the architect?

The Burgos crucifix

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

Prominent façade

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

A miniature city

Connections with other UNESCO sites

Feast days

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

Between white and black

The colours of the cathedral

The senses tell the story of the Church of San Benedetto

A hall for the feasts

A half-Baroque church

One city, three sites

The wall comes to life

One city, two sites

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

The Barresi-Branciforte lords

The senses tell about Palazzo La Rocca

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

A city in colour

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

A small room with a golden entrance

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

Modica, a city with ancient origins

Limestone, the colour of harmony

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

A design by Vincenzo Sinatra

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

Some masterpieces

A colourful floor

An eagle-shaped city

Feasting in Palazzolo

The Baroque town by the sea

A symbol for the town

A museum to save a tradition

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

The senses tell the story of the church of Santa Maria del Carmelo

Fontana della Ninfa Zizza, public water in the town

Militello, the story of an enlightened fiefdom

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

Some prestigious works

The chocolate of Modica

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

The two churches

The senses tell the story of the church of San Giuseppe

The internal colours

A triumph of colour

Norman apses