Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Barresi-Branciforte lords

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

A talking palace

The senses tell the story of the church of San Giuseppe

Discovering the mother church

One city, two sites

A long reconstruction

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

The Maiolica of the staircase

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

The church of Carmine

The interior and its masterpieces

Some masterpieces

Limestone, the colour of harmony

The city of museums

A colourful floor

A city in colour

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

Between white and black

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

A triumph of colour

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

Searching for colour

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

A museum to save a tradition

Norman apses

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

An eagle-shaped city

St. Agatha and the giant candelabras

The Infiorata, a feast of colours and flowers

One city, three sites

A new site for a new church

A miniature city

San Nicolò l’Arena: an unfinished church

A feast only for Scicli

The senses tell the story of the Church of San Sebastiano

Some prestigious works

A new palace for the La Rocca lords

A prominent church

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

Two illustrious patron saints

The chocolate of Modica

From International Gothic to present day

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The two churches

The character of Badia Sant’Agata

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

Modica, a city with ancient origins