Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A talking palace

The Barresi-Branciforte lords

The senses tell about Palazzo Nicolaci

A long reconstruction

The two churches

Militello, the story of an enlightened fiefdom

The disastrous earthquake

A new site for a new city

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The kitchen, a treasure chest of colours

An eagle-shaped city

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

A symbol for the town

A majestic and luminous church

St. Sebastian, so much work!

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

A museum to save a tradition

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

A hall for the feasts

A feast only for Scicli

Modica, a city with ancient origins

The Maiolica of the staircase

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

A new palace for the La Rocca lords

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Cathedral of Sant’Agata

The internal colours

A miniature city

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

Norman apses

A Nobel Prize in Modica

The wall comes to life

The senses tell the story of the Church of San Benedetto

The church of Carmine

A prominent church

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

A colourful floor

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

The city of museums

The theatre of taste

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

Two illustrious patron saints

Between white and black

Searching for colour

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

A design by Vincenzo Sinatra

A half-Baroque church

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

The Infiorata, a feast of colours and flowers

One city, three sites

A triumph of colour

Limestone, the colour of harmony

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

Connections with other UNESCO sites

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works