Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Many owners, one palace

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A city in colour

One city, two sites

The city of museums

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

Some prestigious works

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

An eagle-shaped city

Modica, a city with ancient origins

A design by Vincenzo Sinatra

A colourful floor

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

Prominent façade

Norman apses

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

Wonderful quick decorations

A feast only for Scicli

A Nobel Prize in Modica

The disastrous earthquake

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The colours of the cathedral

The Burgos crucifix

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

Searching for colour

From International Gothic to present day

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giuseppe

A new site for a new church

The senses tell the story of the Church of San Sebastiano

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

Baroque and the loss of equilibrium in the 16th century

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

Limestone, the colour of harmony

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

A museum to save a tradition

The Feast of San Giacomo (St. James)

A prominent church

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

Feast days

Connections with other UNESCO sites

A new site for a new city

New roads for Catania

The two churches

Some masterpieces

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

Two illustrious patron saints

A talking palace

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church