Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

Some prestigious works

The Feast of San Giacomo (St. James)

The chocolate of Modica

Connections with other UNESCO sites

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A long reconstruction

St. Agatha and the giant candelabras

The Baroque town by the sea

The wall comes to life

The two churches

A feast only for Scicli

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

The Barresi-Branciforte lords

Some masterpieces

The theatre of taste

Wonderful quick decorations

Between white and black

The role of the religious orders in rebuilding the Val di Noto

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

One city, two sites

Modica, a city with ancient origins

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

Prominent façade

New roads for Catania

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

The interior and its masterpieces

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

A majestic and luminous church

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Napolino Tommasi Rosso

A talking palace

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

St. Sebastian, so much work!

The internal colours

The colours of the cathedral

A Nobel Prize in Modica

A new site for a new church

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

Two illustrious patron saints

Searching for colour

The Maiolica of the staircase

Norman apses

A colourful floor

A miniature city

Feast days

The Benedictine Monastery, one of the largest in Europe

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The city of museums

A city in colour

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

A new site for a new city

Discovering the mother church

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo