Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the church of San Giuseppe

A square as the heart of the city

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

Between white and black

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

A miniature city

Places of knowledge: the Benedictines’ library

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The Feast of San Giacomo (St. James)

The city of museums

Limestone, the colour of harmony

A small room with a golden entrance

The two churches

St. Sebastian, so much work!

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

One city, three sites

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

Prominent façade

Feast days

The character of Badia Sant’Agata

The wall comes to life

The chocolate of Modica

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Nicolaci

The theatre of taste

A majestic and luminous church

A feast only for Scicli

A colourful floor

A hall for the feasts

The senses tell about Palazzo Napolino Tommasi Rosso

The church of Carmine

A half-Baroque church

A talking palace

The façade used as a puppet theatre

A new palace for the La Rocca lords

One city, two sites

Feasting in Palazzolo

Many owners, one palace

New roads for Catania

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

The Burgos crucifix

Discovering the mother church

A museum to save a tradition

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

Searching for colour

The senses tell the story of the Church of San Benedetto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

A Nobel Prize in Modica

Norman apses

From the contrast of the exterior to the internal jubilation of colours

A city in colour

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

Modica, a city with ancient origins

Some prestigious works

A prominent church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The Infiorata, a feast of colours and flowers

The Staircase of Angels

A new site for a new church

A triumph of colour

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata