Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A city in colour

From St. Thomas to St. Joseph

A hall for the feasts

The wall comes to life

A long reconstruction

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

One city, three sites

The Infiorata, a feast of colours and flowers

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The city of museums

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

Prominent façade

A design by Vincenzo Sinatra

The Baroque town by the sea

The chocolate of Modica

From International Gothic to present day

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

Many owners, one palace

The internal colours

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

The two churches

Modica, a city with ancient origins

Discovering the mother church

Places of knowledge: the Benedictines’ library

A half-Baroque church

The church of Carmine

A prominent church

The Feast of San Giacomo (St. James)

An eagle-shaped city

The character of Badia Sant’Agata

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

New roads for Catania

The senses tell the story of the Church of San Sebastiano

A triumph of colour

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

A new palace for the La Rocca lords

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The disastrous earthquake

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feast days

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Limestone, the colour of harmony

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Militello, the story of an enlightened fiefdom

Between white and black

Norman apses

A square as the heart of the city

A colourful floor

A new site for a new city

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

One city, two sites

Some prestigious works

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

A museum to save a tradition

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

A talking palace

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

A miniature city

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church