Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The chocolate of Modica

A miniature city

Norman apses

The senses tell about Palazzo La Rocca

The Burgos crucifix

A majestic and luminous church

The city of museums

A square as the heart of the city

Discovering the mother church

San Benedetto: a treasure reopened to the public

The colours of the cathedral

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

Connections with other UNESCO sites

Wonderful quick decorations

St. Agatha and the giant candelabras

A prominent church

New roads for Catania

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

Two illustrious patron saints

A symbol for the town

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

From the contrast of the exterior to the internal jubilation of colours

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

Searching for colour

Prominent façade

Many owners, one palace

A city in colour

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The Feast of San Giacomo (St. James)

Between white and black

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

One city, two sites

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

A new site for a new church

A new site for a new city

The role of the religious orders in rebuilding the Val di Noto

A design by Vincenzo Sinatra

A hall for the feasts

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

The two churches

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The wall comes to life

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

The internal colours

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

A new palace for the La Rocca lords

The church of Carmine

A small room with a golden entrance

A Nobel Prize in Modica

The character of Badia Sant’Agata

The senses tell the story of the church of San Giovanni Battista

A colourful floor

The disastrous earthquake

The theatre of taste

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

Feast days

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites