Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Between white and black

A prominent church

Many owners, one palace

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

Some masterpieces

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

St. Sebastian, so much work!

The two churches

A colourful floor

A talking palace

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

A majestic and luminous church

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

San Benedetto: a treasure reopened to the public

Rosario Gagliardi, the maestro of the Val di Noto

Militello, the story of an enlightened fiefdom

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

The colours of the cathedral

The Burgos crucifix

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

The disastrous earthquake

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

The wall comes to life

One city, three sites

The interior and its masterpieces

A triumph of colour

A new site for a new church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

The city of museums

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

Searching for colour

St. Agatha and the giant candelabras

Feast days

The façade used as a puppet theatre

Discovering the mother church

A new site for a new city

A square as the heart of the city

The Barresi-Branciforte lords

A feast only for Scicli

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

One city, two sites

A hall for the feasts

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The church of Carmine

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

New roads for Catania

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

The theatre of taste

The internal colours

Wonderful quick decorations

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours