Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Garden of Novices and the restorations by Giancarlo De Carlo

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Agatha and the giant candelabras

A talking palace

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

An eagle-shaped city

The kitchen, a treasure chest of colours

The Maiolica of the staircase

The internal colours

A museum to save a tradition

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Infiorata, a feast of colours and flowers

Two illustrious patron saints

One city, three sites

From St. Thomas to St. Joseph

A half-Baroque church

A feast only for Scicli

The senses tell about Palazzo La Rocca

The interior and its masterpieces

The Feast of San Giacomo (St. James)

Some prestigious works

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

Connections with other UNESCO sites

Wonderful quick decorations

A colourful floor

The senses tell the story of the Church of San Benedetto

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

The two churches

The city of museums

The façade used as a puppet theatre

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

A new entrance for Santa Chiara (St. Claire)

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

Searching for colour

The senses tell the story of the Badia di Sant’Agata

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

A long reconstruction

One city, two sites

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

Prominent façade

Discovering the mother church

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

Norman apses

A new site for a new church

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

Some masterpieces

Militello, the story of an enlightened fiefdom

The wall comes to life

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

The Barresi-Branciforte lords

St. Sebastian, so much work!

The Burgos crucifix

San Benedetto: a treasure reopened to the public

The character of Badia Sant’Agata

The colours of the cathedral

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church

The disastrous earthquake

A prominent church

Baroque and the loss of equilibrium in the 16th century

Between white and black

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

New roads for Catania

The church of Carmine

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The senses tell the story of the Church of Santa Chiara