Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new palace for the La Rocca lords

The internal colours

Limestone, the colour of harmony

Feast days

San Benedetto: a treasure reopened to the public

A small room with a golden entrance

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

Places of knowledge: the Benedictines’ library

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

The kitchen, a treasure chest of colours

Many owners, one palace

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

A new site for a new church

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The wall comes to life

An eagle-shaped city

Militello, the story of an enlightened fiefdom

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

The façade used as a puppet theatre

A design by Vincenzo Sinatra

A museum to save a tradition

Searching for colour

A miniature city

Wonderful quick decorations

Prominent façade

The interior and its masterpieces

A talking palace

The senses tell the story of the Badia di Sant’Agata

One city, three sites

Norman apses

Some prestigious works

Two illustrious patron saints

A colourful floor

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

The character of Badia Sant’Agata

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

A half-Baroque church

The Feast of San Giacomo (St. James)

A majestic and luminous church

The two churches

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

A prominent church

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

The church of Carmine

The city of museums

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

St. Sebastian, so much work!

The Baroque town by the sea

The disastrous earthquake

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

Some masterpieces

A square as the heart of the city

A long reconstruction