Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new site for a new city

The senses tell the story of the Church of San Giovanni Evangelista

The Barresi-Branciforte lords

Many owners, one palace

A colourful floor

A new entrance for Santa Chiara (St. Claire)

A feast only for Scicli

A Nobel Prize in Modica

One city, two sites

Some prestigious works

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

A symbol for the town

The interior and its masterpieces

St. Agatha and the giant candelabras

Prominent façade

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Wonderful quick decorations

An eagle-shaped city

A square as the heart of the city

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A half-Baroque church

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The city of museums

The church of Carmine

The senses tell about Palazzo La Rocca

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

A design by Vincenzo Sinatra

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feast days

A talking palace

Connections with other UNESCO sites

The senses tell the story of the Church of San Benedetto

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The colours of the cathedral

A new site for a new church

Places of knowledge: the Benedictines’ library

A prominent church

The Infiorata, a feast of colours and flowers

A triumph of colour

The senses tell the story of the staircase of Santa Maria del Monte

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

New roads for Catania

The disastrous earthquake

From International Gothic to present day

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

A miniature city

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

The theatre of taste

The chocolate of Modica

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

A city in colour

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

A long reconstruction

The character of Badia Sant’Agata

A museum to save a tradition

The senses tell about Palazzo Nicolaci