Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, two sites

A miniature city

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Sebastiano

A colourful floor

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

Norman apses

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

The Burgos crucifix

The senses tell the story of the Church of San Giovanni Evangelista

A hall for the feasts

The city of museums

A new site for a new church

The wall comes to life

St. Agatha and the giant candelabras

Modica, a city with ancient origins

Feast days

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The church of Carmine

A Nobel Prize in Modica

The disastrous earthquake

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

A talking palace

The senses tell about Palazzo La Rocca

A new site for a new city

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

Searching for colour

The senses tell the story of the church of San Giuseppe

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The two churches

The theatre of taste

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

Many owners, one palace

A half-Baroque church

A majestic and luminous church

The character of Badia Sant’Agata

One city, three sites

A city in colour

The chocolate of Modica

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

The Barresi-Branciforte lords

Limestone, the colour of harmony

Prominent façade

New roads for Catania

Militello, the story of an enlightened fiefdom

From the contrast of the exterior to the internal jubilation of colours

Rosario Gagliardi, the maestro of the Val di Noto

A museum to save a tradition

A square as the heart of the city

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

A prominent church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

Discovering the mother church

A feast only for Scicli

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

The internal colours

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

Wonderful quick decorations

The Maiolica of the staircase

An eagle-shaped city