Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A square as the heart of the city

Connections with other UNESCO sites

St. Sebastian, so much work!

A new site for a new city

The Burgos crucifix

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

A half-Baroque church

The church of Carmine

The senses tell about Palazzo Nicolaci

The city of museums

A symbol for the town

The disastrous earthquake

Limestone, the colour of harmony

Palazzo Nicolaci di Villadorata, who is the architect?

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

The Feast of San Giacomo (St. James)

The cathedral of Sant’Agata: a lengthy reconstruction

The character of Badia Sant’Agata

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A long reconstruction

Some prestigious works

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

A colourful floor

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

From International Gothic to present day

A miniature city

The Baroque town by the sea

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

The internal colours

A Nobel Prize in Modica

The two churches

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

New roads for Catania

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The Staircase of Angels

Some masterpieces

A small room with a golden entrance

One city, two sites

Militello, the story of an enlightened fiefdom

Searching for colour

A triumph of colour

The chocolate of Modica

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

A talking palace

The Barresi-Branciforte lords

The senses tell the story of the Church of San Benedetto

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

Feast days

Between white and black

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

The wall comes to life

The theatre of taste

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

A design by Vincenzo Sinatra

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

The Maiolica of the staircase

Wonderful quick decorations

A city in colour

Feasting in Palazzolo