Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The internal colours

Searching for colour

The senses tell about Palazzo La Rocca

Prominent façade

New roads for Catania

A prominent church

From St. Thomas to St. Joseph

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

Feast days

The disastrous earthquake

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

The church of Carmine

The senses tell about Palazzo Napolino Tommasi Rosso

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

The chocolate of Modica

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The colours of the cathedral

From International Gothic to present day

One city, three sites

The wall comes to life

Some prestigious works

The character of Badia Sant’Agata

An eagle-shaped city

A long reconstruction

The city of museums

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

Connections with other UNESCO sites

A symbol for the town

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

The façade used as a puppet theatre

The Staircase of Angels

Between white and black

The Burgos crucifix

The Feast of San Giacomo (St. James)

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

Discovering the mother church

A new site for a new city

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

A talking palace

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some masterpieces

A Nobel Prize in Modica

Norman apses

A colourful floor

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

The interior and its masterpieces

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

A triumph of colour

Many owners, one palace

The two churches

A city in colour

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?