Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A colourful floor

A new site for a new city

The chocolate of Modica

A half-Baroque church

The kitchen, a treasure chest of colours

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

A new site for a new church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The character of Badia Sant’Agata

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

Prominent façade

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

The Barresi-Branciforte lords

Norman apses

A majestic and luminous church

The city of museums

A talking palace

The Maiolica of the staircase

A square as the heart of the city

The disastrous earthquake

A prominent church

The façade used as a puppet theatre

A triumph of colour

Wonderful quick decorations

One city, three sites

Many owners, one palace

A museum to save a tradition

San Benedetto: a treasure reopened to the public

One city, two sites

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

Some masterpieces

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

Discovering the mother church

Between white and black

Connections with other UNESCO sites

A miniature city

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

Feast days

Searching for colour

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

New roads for Catania

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

A symbol for the town

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The wall comes to life

Feasting in Palazzolo

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

Limestone, the colour of harmony

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Benedetto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe