Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, three sites

A miniature city

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for a new city

Searching for colour

A majestic and luminous church

New roads for Catania

The chocolate of Modica

The Baroque town by the sea

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

The façade used as a puppet theatre

A triumph of colour

Limestone, the colour of harmony

Feast days

A talking palace

An eagle-shaped city

The wall comes to life

The Staircase of Angels

From St. Thomas to St. Joseph

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

Prominent façade

The interior and its masterpieces

Connections with other UNESCO sites

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

A city in colour

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

The internal colours

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

Discovering the mother church

From International Gothic to present day

The character of Badia Sant’Agata

Modica, a city with ancient origins

The two churches

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

Between white and black

A prominent church

The senses tell the story of the church of San Giovanni Battista

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

A colourful floor

Some prestigious works

A feast only for Scicli

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Benedetto

The city of museums

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

A long reconstruction

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords