Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

The character of Badia Sant’Agata

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

The colours of the cathedral

Wonderful quick decorations

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

Prominent façade

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The church of Carmine

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A feast only for Scicli

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

A miniature city

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

A symbol for the town

One city, two sites

A city in colour

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

Many owners, one palace

Two illustrious patron saints

The city of museums

The two churches

The Feast of San Giacomo (St. James)

Some masterpieces

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

Militello, the story of an enlightened fiefdom

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

A design by Vincenzo Sinatra

New roads for Catania

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

A prominent church

Feast days

A triumph of colour

Some prestigious works

Searching for colour

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

The internal colours

The senses tell the story of the church of San Giuseppe

A new site for a new city

The interior and its masterpieces

St. Sebastian, so much work!

The façade used as a puppet theatre

Norman apses

A museum to save a tradition

St. Agatha and the giant candelabras

A talking palace

A Nobel Prize in Modica

Connections with other UNESCO sites

A half-Baroque church

The kitchen, a treasure chest of colours

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The theatre of taste

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town