Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

Between white and black

The interior and its masterpieces

The two churches

The Infiorata, a feast of colours and flowers

A hall for the feasts

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

The Staircase of Angels

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

A long reconstruction

The city of museums

The theatre of taste

A new site for a new church

A miniature city

A small room with a golden entrance

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

Corbels: a celebration of the Nicolaci family

A colourful floor

The church of Carmine

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The Baroque town by the sea

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

New roads for Catania

A new palace for the La Rocca lords

Baroque and the loss of equilibrium in the 16th century

Norman apses

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

One city, three sites

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

Modica, a city with ancient origins

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

Feast days

A design by Vincenzo Sinatra

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

Some prestigious works

A Nobel Prize in Modica

The colours of the cathedral

San Benedetto: a treasure reopened to the public

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

The character of Badia Sant’Agata

Many owners, one palace

A symbol for the town

The senses tell the story of the Church of Santa Chiara

The internal colours

Prominent façade

A half-Baroque church

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

A majestic and luminous church

Connections with other UNESCO sites

The kitchen, a treasure chest of colours

Wonderful quick decorations

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

Some masterpieces

A new site for a new city

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony