Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A long reconstruction

The church of Carmine

An eagle-shaped city

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

A triumph of colour

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

Feast days

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

A square as the heart of the city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

Norman apses

Discovering the mother church

Between white and black

The two churches

A miniature city

A half-Baroque church

Prominent façade

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

One city, two sites

The façade used as a puppet theatre

The chocolate of Modica

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

One city, three sites

The senses tell the story of the Church of Santa Chiara

A talking palace

The role of the religious orders in rebuilding the Val di Noto

A prominent church

A symbol for the town

The colours of the cathedral

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The Baroque town by the sea

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

The senses tell the story of the Church of San Giuliano ai Crociferi

New roads for Catania

A city in colour

The Burgos crucifix

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

Searching for colour

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

Connections with other UNESCO sites

The kitchen, a treasure chest of colours

The city of museums

A hall for the feasts

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

Many owners, one palace

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

Some masterpieces

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

Some prestigious works

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

From International Gothic to present day