Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Benedictine Monastery, one of the largest in Europe

The city of museums

The disastrous earthquake

A feast only for Scicli

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

Between white and black

Places of knowledge: the Benedictines’ library

The wall comes to life

A prominent church

The Burgos crucifix

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

Militello, the story of an enlightened fiefdom

An eagle-shaped city

Feast days

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

A city in colour

The two churches

Corbels: a celebration of the Nicolaci family

New roads for Catania

A new site for a new city

A talking palace

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

Wonderful quick decorations

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

The internal colours

St. Sebastian, so much work!

Many owners, one palace

A symbol for the town

A small room with a golden entrance

The senses tell about Palazzo La Rocca

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feasting in Palazzolo

A new site for a new church

The colours of the cathedral

Two illustrious patron saints

The church of Carmine

Limestone, the colour of harmony

A Nobel Prize in Modica

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

Prominent façade

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

A colourful floor

From International Gothic to present day

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

The Infiorata, a feast of colours and flowers

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

The Barresi-Branciforte lords

The character of Badia Sant’Agata

Searching for colour

One city, two sites

Some prestigious works

Discovering the mother church

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras

A triumph of colour

The Maiolica of the staircase

Norman apses

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica