Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A prominent church

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

One city, two sites

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

Limestone, the colour of harmony

A majestic and luminous church

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

A square as the heart of the city

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

St. Sebastian, so much work!

A triumph of colour

The colours of the cathedral

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

The Infiorata, a feast of colours and flowers

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

One city, three sites

Between white and black

The two churches

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

A museum to save a tradition

St. Agatha and the giant candelabras

The theatre of taste

The Burgos crucifix

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

A feast only for Scicli

Prominent façade

A new site for a new city

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

A talking palace

Norman apses

The interior and its masterpieces

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

A hall for the feasts

Corbels: a celebration of the Nicolaci family

Searching for colour

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Places of knowledge: the Benedictines’ library

The city of museums

A new palace for the La Rocca lords

A small room with a golden entrance

The Staircase of Angels

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

An eagle-shaped city

A Nobel Prize in Modica

Feast days

The Maiolica of the staircase

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

Discovering the mother church

The chocolate of Modica

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

Feasting in Palazzolo

From International Gothic to present day

The wall comes to life