Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

The senses tell the story of the Church of the Annunciation

St. Agatha and the giant candelabras

A feast only for Scicli

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

New roads for Catania

A square as the heart of the city

Discovering the mother church

A triumph of colour

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

A Nobel Prize in Modica

A new site for a new city

The Staircase of Angels

The Barresi-Branciforte lords

A half-Baroque church

San Benedetto: a treasure reopened to the public

The chocolate of Modica

The colours of the cathedral

The Maiolica of the staircase

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

Norman apses

A hall for the feasts

St. Sebastian, so much work!

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano

The city of museums

Some masterpieces

Searching for colour

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

A prominent church

The façade used as a puppet theatre

A museum to save a tradition

Between white and black

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

A long reconstruction

A majestic and luminous church

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

Modica, a city with ancient origins

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

The wall comes to life

Feasting in Palazzolo

One city, two sites

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

The interior and its masterpieces

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

The church of Carmine

San Nicolò l’Arena: an unfinished church

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

Feast days

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

The two churches

A talking palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

Many owners, one palace

The disastrous earthquake

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

The internal colours