Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The internal colours

The Infiorata, a feast of colours and flowers

Searching for colour

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

St. Agatha and the giant candelabras

New roads for Catania

Places of knowledge: the Benedictines’ library

Between white and black

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Prominent façade

A new site for a new city

Wonderful quick decorations

Many owners, one palace

Feast days

Some prestigious works

Some masterpieces

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

The city of museums

The Barresi-Branciforte lords

A hall for the feasts

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

Discovering the mother church

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

Feasting in Palazzolo

The two churches

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

San Benedetto: a treasure reopened to the public

A symbol for the town

Norman apses

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

A half-Baroque church

The wall comes to life

A city in colour

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

A long reconstruction

The Maiolica of the staircase

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

Modica, a city with ancient origins

A talking palace

The senses tell about Palazzo Nicolaci

One city, three sites

A miniature city

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

The façade used as a puppet theatre

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

The interior and its masterpieces

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

A triumph of colour

Two illustrious patron saints

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

A small room with a golden entrance

One city, two sites

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

A majestic and luminous church

The character of Badia Sant’Agata

A feast only for Scicli

A new site for a new church