Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Norman apses

The city of museums

Modica, a city with ancient origins

Between white and black

A museum to save a tradition

Feasting in Palazzolo

The wall comes to life

Searching for colour

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

The kitchen, a treasure chest of colours

The chocolate of Modica

A triumph of colour

The Baroque town by the sea

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

A new site for a new church

One city, two sites

A new palace for the La Rocca lords

The disastrous earthquake

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

The two churches

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade

Some masterpieces

One city, three sites

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

Some prestigious works

The senses tell the Cathedral of Sant’Agata

A colourful floor

Feast days

The senses tell the story of the church of San Giuseppe

A hall for the feasts

The Infiorata, a feast of colours and flowers

A miniature city

A city in colour

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Benedictine Monastery, one of the largest in Europe

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

A symbol for the town

From St. Thomas to St. Joseph

Limestone, the colour of harmony

The façade used as a puppet theatre

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

Garden of Novices and the restorations by Giancarlo De Carlo

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Sebastiano

A talking palace

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new city

The church of Carmine

The theatre of taste

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

The internal colours

A prominent church

From International Gothic to present day

Corbels: a celebration of the Nicolaci family

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

St. Agatha and the giant candelabras

A small room with a golden entrance