Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The church of Carmine

A symbol for the town

A colourful floor

The theatre of taste

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

Feast days

The kitchen, a treasure chest of colours

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

A Nobel Prize in Modica

A half-Baroque church

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

A long reconstruction

The colours of the cathedral

A talking palace

Between white and black

St. Sebastian, so much work!

The senses tell the story of the Church of San Benedetto

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

The disastrous earthquake

Connections with other UNESCO sites

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

Prominent façade

An eagle-shaped city

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

Many owners, one palace

The wall comes to life

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

San Benedetto: a treasure reopened to the public

A triumph of colour

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

One city, two sites

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

Limestone, the colour of harmony

A new site for a new church

A majestic and luminous church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

The internal colours

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Norman apses

A feast only for Scicli

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

A prominent church

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

A museum to save a tradition

The Infiorata, a feast of colours and flowers

St. Agatha and the giant candelabras

Two illustrious patron saints

From International Gothic to present day

Some masterpieces

A new site for a new city

Feasting in Palazzolo

Some prestigious works

A hall for the feasts

A miniature city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

One city, three sites

A new entrance for Santa Chiara (St. Claire)