Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Feast days

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo La Rocca

Prominent façade

A museum to save a tradition

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

Between white and black

A small room with a golden entrance

The wall comes to life

The city of museums

The theatre of taste

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The internal colours

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

A majestic and luminous church

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

New roads for Catania

Feasting in Palazzolo

The disastrous earthquake

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

A design by Vincenzo Sinatra

Two illustrious patron saints

The Maiolica of the staircase

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

From St. Thomas to St. Joseph

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

An eagle-shaped city

A city in colour

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Nicolaci

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

The Staircase of Angels

A Nobel Prize in Modica

Some prestigious works

Some masterpieces

A half-Baroque church

The colours of the cathedral

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

A triumph of colour

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

A square as the heart of the city

A talking palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

One city, three sites

A new site for a new church

Norman apses

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

St. Sebastian, so much work!

The two churches

A symbol for the town

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords