Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new church

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

A majestic and luminous church

San Benedetto: a treasure reopened to the public

A long reconstruction

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

A half-Baroque church

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The character of Badia Sant’Agata

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

Two illustrious patron saints

The Staircase of Angels

The chocolate of Modica

The two churches

The Barresi-Branciforte lords

One city, three sites

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

Some masterpieces

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

The colours of the cathedral

Searching for colour

Places of knowledge: the Benedictines’ library

A new site for a new city

A Nobel Prize in Modica

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Norman apses

The city of museums

Feasting in Palazzolo

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

A prominent church

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

A talking palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giuseppe

A feast only for Scicli

The Baroque town by the sea

The internal colours

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

A miniature city

Limestone, the colour of harmony

From International Gothic to present day

A new palace for the La Rocca lords

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

Prominent façade

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

Discovering the mother church

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

A hall for the feasts

The theatre of taste

A city in colour

The church of Carmine

A colourful floor