Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A hall for the feasts

A triumph of colour

A colourful floor

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

A symbol for the town

Norman apses

The interior and its masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

From the contrast of the exterior to the internal jubilation of colours

The city of museums

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The Baroque town by the sea

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

Some prestigious works

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

Many owners, one palace

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

Two illustrious patron saints

The senses tell the story of the Church of San Benedetto

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giovanni Battista

A talking palace

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

One city, three sites

The senses tell about Palazzo Nicolaci

Modica, a city with ancient origins

The Staircase of Angels

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

One city, two sites

Prominent façade

St. Sebastian, so much work!

A Nobel Prize in Modica

A feast only for Scicli

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

A new site for a new church

Feast days

The two churches

The church of Carmine

The senses tell the story of the staircase of Santa Maria del Monte

The theatre of taste

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A prominent church

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

Some masterpieces

Searching for colour

New roads for Catania

Between white and black

A city in colour

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

The Barresi-Branciforte lords

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

Discovering the mother church

A museum to save a tradition

The colours of the cathedral

The Benedictine Monastery, one of the largest in Europe