Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Prominent façade

Modica, a city with ancient origins

New roads for Catania

A majestic and luminous church

A colourful floor

The internal colours

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

Feasting in Palazzolo

A small room with a golden entrance

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

Feast days

A half-Baroque church

The two churches

A Nobel Prize in Modica

A square as the heart of the city

The theatre of taste

The Staircase of Angels

The senses tell about Palazzo La Rocca

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

A talking palace

The senses tell the story of the Church of San Sebastiano

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

The senses tell the story of the Badia di Sant’Agata

A miniature city

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

From St. Thomas to St. Joseph

A triumph of colour

The kitchen, a treasure chest of colours

Connections with other UNESCO sites

Discovering the mother church

San Benedetto: a treasure reopened to the public

The city of museums

The senses tell about Palazzo Nicolaci

Some prestigious works

Searching for colour

The colours of the cathedral

The Feast of San Giacomo (St. James)

A prominent church

The role of the religious orders in rebuilding the Val di Noto

Many owners, one palace

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

The façade used as a puppet theatre

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Between white and black

The senses tell the Cathedral of Sant’Agata

A city in colour

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

A new site for a new church

One city, two sites

A long reconstruction

The wall comes to life

A museum to save a tradition

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

The Barresi-Branciforte lords

The Infiorata, a feast of colours and flowers

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

A symbol for the town

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites