Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Feast days

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

The wall comes to life

The chocolate of Modica

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

A talking palace

Searching for colour

The senses tell the story of the Church of San Sebastiano

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of the Annunciation

The two churches

Modica, a city with ancient origins

A long reconstruction

The senses tell the Cathedral of Sant’Agata

The theatre of taste

The Maiolica of the staircase

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

A majestic and luminous church

A new site for a new church

A symbol for the town

The senses tell the story of the Church of San Benedetto

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

A half-Baroque church

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

The Burgos crucifix

From St. Thomas to St. Joseph

A colourful floor

Baroque and the loss of equilibrium in the 16th century

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

A museum to save a tradition

St. Agatha and the giant candelabras

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

The Barresi-Branciforte lords

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

A new entrance for Santa Chiara (St. Claire)

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

A hall for the feasts

Connections with other UNESCO sites

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

The city of museums

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

A feast only for Scicli

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The colours of the cathedral

The disastrous earthquake

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

A square as the heart of the city

One city, two sites

Many owners, one palace

The character of Badia Sant’Agata

A miniature city

The senses tell the story of the Church of San Giovanni Evangelista

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

Some masterpieces

The façade used as a puppet theatre

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints