Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new palace for the La Rocca lords

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

Many owners, one palace

Militello, the story of an enlightened fiefdom

The internal colours

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

Two illustrious patron saints

The two churches

A half-Baroque church

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

A new site for a new city

A majestic and luminous church

The Burgos crucifix

The wall comes to life

New roads for Catania

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A city in colour

Corbels: a celebration of the Nicolaci family

Garden of Novices and the restorations by Giancarlo De Carlo

Wonderful quick decorations

A small room with a golden entrance

A miniature city

An eagle-shaped city

Searching for colour

A Nobel Prize in Modica

Fontana della Ninfa Zizza, public water in the town

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

The façade used as a puppet theatre

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Sebastiano

Feast days

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

A triumph of colour

Prominent façade

The senses tell the story of the Church of Santa Chiara

The city of museums

The colours of the cathedral

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

Between white and black

A symbol for the town

The senses tell the story of the Church of the Annunciation

A long reconstruction

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

A square as the heart of the city

The church of Carmine

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

The theatre of taste

A colourful floor

Connections with other UNESCO sites

A new site for a new church

Norman apses

Feasting in Palazzolo

One city, three sites

The Staircase of Angels

A prominent church

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

One city, two sites

The senses tell the Cathedral of Sant’Agata

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

From International Gothic to present day

San Benedetto: a treasure reopened to the public

Discovering the mother church

The disastrous earthquake