Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The two churches

The senses tell about Palazzo Nicolaci

A long reconstruction

Some prestigious works

Feasting in Palazzolo

A talking palace

A new site for a new city

A miniature city

The chocolate of Modica

Wonderful quick decorations

The city of museums

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The Burgos crucifix

Prominent façade

The senses tell about Palazzo La Rocca

Some masterpieces

Feast days

Places of knowledge: the Benedictines’ library

The senses tell the story of the staircase of Santa Maria del Monte

The character of Badia Sant’Agata

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

A prominent church

The Barresi-Branciforte lords

From International Gothic to present day

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

Many owners, one palace

St. Sebastian, so much work!

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

The theatre of taste

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

A hall for the feasts

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

A city in colour

San Nicolò l’Arena: an unfinished church

A colourful floor

Militello, the story of an enlightened fiefdom

A new site for a new church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The disastrous earthquake

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

The church of Carmine

A half-Baroque church

One city, three sites

St. Agatha and the giant candelabras

The kitchen, a treasure chest of colours

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The colours of the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

One city, two sites

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

Between white and black