Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo Nicolaci

A talking palace

An eagle-shaped city

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The kitchen, a treasure chest of colours

Norman apses

The Baroque town by the sea

From International Gothic to present day

The senses tell the story of the Church of San Giovanni Evangelista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

A museum to save a tradition

Modica, a city with ancient origins

The city of museums

Searching for colour

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

Prominent façade

The colours of the cathedral

Wonderful quick decorations

Between white and black

The Barresi-Branciforte lords

The Staircase of Angels

A prominent church

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

One city, two sites

The two churches

A triumph of colour

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

A miniature city

A Nobel Prize in Modica

Corbels: a celebration of the Nicolaci family

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

Some masterpieces

A new site for a new church

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour

Many owners, one palace

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

The theatre of taste

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

A small room with a golden entrance

New roads for Catania

St. Sebastian, so much work!

A hall for the feasts

The senses tell about Palazzo La Rocca

A half-Baroque church

The church of Carmine

Feasting in Palazzolo

The wall comes to life

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

One city, three sites

The façade used as a puppet theatre

The interior and its masterpieces

A symbol for the town

A design by Vincenzo Sinatra

St. Agatha and the giant candelabras

A colourful floor

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano