Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A colourful floor

Between white and black

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

Two illustrious patron saints

Prominent façade

The Baroque town by the sea

A new site for a new city

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

Feasting in Palazzolo

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

Wonderful quick decorations

The senses tell about Palazzo La Rocca

The Staircase of Angels

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The wall comes to life

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

The theatre of taste

Limestone, the colour of harmony

The Burgos crucifix

The two churches

From the contrast of the exterior to the internal jubilation of colours

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

The internal colours

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

A city in colour

The senses tell the story of the Church of the Annunciation

A miniature city

Connections with other UNESCO sites

A symbol for the town

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

Feast days

The chocolate of Modica

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

One city, two sites

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

A hall for the feasts

San Nicolò l’Arena: an unfinished church

A half-Baroque church

The colours of the cathedral

A new site for a new church

Searching for colour

The Benedictine Monastery, one of the largest in Europe

Discovering the mother church

The church of Carmine

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

Modica, a city with ancient origins

Norman apses

The interior and its masterpieces

New roads for Catania

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

A talking palace

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo