Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo La Rocca

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

The colours of the cathedral

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

Connections with other UNESCO sites

Many owners, one palace

The two churches

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

A half-Baroque church

The senses tell the story of the church of San Giuseppe

The interior and its masterpieces

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

Feasting in Palazzolo

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

The church of Carmine

A hall for the feasts

A new site for a new church

The internal colours

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

The theatre of taste

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

One city, two sites

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

Feast days

The wall comes to life

A triumph of colour

A miniature city

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

A small room with a golden entrance

A new site for a new city

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

One city, three sites

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A colourful floor

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

A long reconstruction

The city of museums

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

Some prestigious works

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

An eagle-shaped city

The character of Badia Sant’Agata

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A talking palace

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

A design by Vincenzo Sinatra

Norman apses

A prominent church

The senses tell the story of the church of San Giovanni Battista

A majestic and luminous church

Between white and black

The Maiolica of the staircase