Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Badia di Sant’Agata

A design by Vincenzo Sinatra

Between white and black

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

From St. Thomas to St. Joseph

From International Gothic to present day

The Burgos crucifix

Feast days

The theatre of taste

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

A museum to save a tradition

One city, three sites

A miniature city

A new site for a new church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new city

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

Searching for colour

A majestic and luminous church

Wonderful quick decorations

Some prestigious works

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

A triumph of colour

A hall for the feasts

A Nobel Prize in Modica

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

The Feast of San Giacomo (St. James)

New roads for Catania

The Barresi-Branciforte lords

A city in colour

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

The Maiolica of the staircase

A colourful floor

Some masterpieces

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

The Staircase of Angels

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

A half-Baroque church

A small room with a golden entrance

The colours of the cathedral

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

One city, two sites

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

The façade used as a puppet theatre

Modica, a city with ancient origins

An eagle-shaped city

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

The city of museums

St. Agatha and the giant candelabras

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

A talking palace

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Prominent façade

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

The chocolate of Modica

Feasting in Palazzolo

Norman apses

Discovering the mother church

The senses tell the story of the Church of San Benedetto

The wall comes to life

A new palace for the La Rocca lords