Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

Some prestigious works

Some masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new church

The chocolate of Modica

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

Between white and black

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

A talking palace

Limestone, the colour of harmony

An eagle-shaped city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feasting in Palazzolo

Wonderful quick decorations

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

A miniature city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

Searching for colour

A hall for the feasts

A prominent church

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

Militello, the story of an enlightened fiefdom

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

A colourful floor

From International Gothic to present day

From St. Thomas to St. Joseph

A Nobel Prize in Modica

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

Connections with other UNESCO sites

The internal colours

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

The Baroque town by the sea

The Feast of San Giacomo (St. James)

One city, three sites

A symbol for the town

New roads for Catania

The colours of the cathedral

One city, two sites

A half-Baroque church

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?

The Benedictine Monastery, one of the largest in Europe

Prominent façade

Feast days

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A feast only for Scicli

The senses tell about Palazzo La Rocca

A long reconstruction

A majestic and luminous church

Norman apses

The disastrous earthquake

A museum to save a tradition

The wall comes to life

A city in colour

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

The Maiolica of the staircase