Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

The church of Carmine

The senses tell about Palazzo La Rocca

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

A square as the heart of the city

A museum to save a tradition

A Nobel Prize in Modica

The façade used as a puppet theatre

From International Gothic to present day

From St. Thomas to St. Joseph

A symbol for the town

One city, three sites

A new site for a new church

A half-Baroque church

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

The Burgos crucifix

The internal colours

Wonderful quick decorations

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

Two illustrious patron saints

Norman apses

The Baroque town by the sea

The interior and its masterpieces

Prominent façade

A prominent church

San Nicolò l’Arena: an unfinished church

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giovanni Battista

The city of museums

A triumph of colour

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

The wall comes to life

One city, two sites

Many owners, one palace

Corbels: a celebration of the Nicolaci family

The senses tell the Cathedral of Sant’Agata

The character of Badia Sant’Agata

The chocolate of Modica

The Staircase of Angels

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

The Maiolica of the staircase

A miniature city

Searching for colour

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

The senses tell the story of the Church of Santa Chiara

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new city

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

A feast only for Scicli

Limestone, the colour of harmony

A city in colour

A colourful floor

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

Some prestigious works

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

Militello, the story of an enlightened fiefdom

From the contrast of the exterior to the internal jubilation of colours

A new entrance for Santa Chiara (St. Claire)