Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, three sites

A majestic and luminous church

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

Between white and black

The senses tell the story of the Church of Santa Chiara

Prominent façade

Some prestigious works

A small room with a golden entrance

The senses tell about Palazzo La Rocca

A city in colour

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

Discovering the mother church

An eagle-shaped city

The internal colours

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

A new site for a new church

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

A Nobel Prize in Modica

Searching for colour

New roads for Catania

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The city of museums

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

A half-Baroque church

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

A miniature city

A colourful floor

The kitchen, a treasure chest of colours

The Infiorata, a feast of colours and flowers

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

Places of knowledge: the Benedictines’ library

The two churches

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

Many owners, one palace

Two illustrious patron saints

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

Connections with other UNESCO sites

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

One city, two sites

The Maiolica of the staircase

A new site for a new city

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli

The church of Carmine

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

Some masterpieces

Modica, a city with ancient origins