Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A hall for the feasts

Norman apses

Connections with other UNESCO sites

A talking palace

An eagle-shaped city

A triumph of colour

Between white and black

The internal colours

Feast days

The two churches

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

A miniature city

Discovering the mother church

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

A new site for a new church

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

The theatre of taste

A colourful floor

Feasting in Palazzolo

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

A half-Baroque church

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

The Staircase of Angels

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

From International Gothic to present day

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

The wall comes to life

A long reconstruction

St. Sebastian, so much work!

The disastrous earthquake

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

The Baroque town by the sea

A small room with a golden entrance

The kitchen, a treasure chest of colours

A symbol for the town

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

Searching for colour

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

From St. Thomas to St. Joseph

The church of Carmine

Wonderful quick decorations

A design by Vincenzo Sinatra

A new site for a new city

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A city in colour

Two illustrious patron saints

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

The Maiolica of the staircase

The senses tell the story of the church of San Giovanni Battista