Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The façade used as a puppet theatre

Norman apses

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

The Maiolica of the staircase

A Nobel Prize in Modica

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

A square as the heart of the city

The Barresi-Branciforte lords

A long reconstruction

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

A colourful floor

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

A new site for a new city

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giovanni Battista

Baroque and the loss of equilibrium in the 16th century

Corbels: a celebration of the Nicolaci family

A museum to save a tradition

A new site for a new church

Wonderful quick decorations

Searching for colour

A triumph of colour

An eagle-shaped city

Between white and black

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

One city, three sites

Prominent façade

A miniature city

The internal colours

A symbol for the town

The theatre of taste

A half-Baroque church

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

The wall comes to life

Connections with other UNESCO sites

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

A city in colour

Some masterpieces

A prominent church

Two illustrious patron saints

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

One city, two sites

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

The church of Carmine

Feast days

Some prestigious works

The city of museums

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

A hall for the feasts

A talking palace