Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Two illustrious patron saints

A museum to save a tradition

The kitchen, a treasure chest of colours

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

A hall for the feasts

A small room with a golden entrance

From St. Thomas to St. Joseph

The interior and its masterpieces

A prominent church

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Sebastiano

The façade used as a puppet theatre

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

A colourful floor

Searching for colour

The senses tell the story of the Badia di Sant’Agata

A miniature city

Between white and black

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

A square as the heart of the city

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

A feast only for Scicli

Some masterpieces

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

Feast days

The two churches

One city, three sites

Some prestigious works

The disastrous earthquake

Modica, a city with ancient origins

The wall comes to life

Discovering the mother church

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

Feasting in Palazzolo

The theatre of taste

A majestic and luminous church

Militello, the story of an enlightened fiefdom

New roads for Catania

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

An eagle-shaped city

Many owners, one palace

The senses tell the story of the staircase of Santa Maria del Monte

Corbels: a celebration of the Nicolaci family

One city, two sites

A triumph of colour

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

A long reconstruction

The Baroque town by the sea

A design by Vincenzo Sinatra

The chocolate of Modica

St. Sebastian, so much work!

A talking palace

The Barresi-Branciforte lords

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

The Maiolica of the staircase

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town