Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

Many owners, one palace

The façade used as a puppet theatre

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

A triumph of colour

The senses tell the story of the Church of the Annunciation

A majestic and luminous church

Discovering the mother church

Some masterpieces

Militello, the story of an enlightened fiefdom

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

The Baroque town by the sea

A colourful floor

The interior and its masterpieces

A museum to save a tradition

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

A new site for a new city

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

A half-Baroque church

Feast days

Two illustrious patron saints

One city, two sites

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

Connections with other UNESCO sites

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

The kitchen, a treasure chest of colours

Between white and black

A prominent church

One city, three sites

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

Norman apses

The senses tell the story of the Church of Santa Chiara

The theatre of taste

From St. Thomas to St. Joseph

Searching for colour

The city of museums

A symbol for the town

The Barresi-Branciforte lords

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The church of Carmine

A city in colour

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

A talking palace

A square as the heart of the city

The wall comes to life

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The two churches

A miniature city

Feasting in Palazzolo

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Feast of San Giacomo (St. James)