Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The theatre of taste

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

Wonderful quick decorations

A half-Baroque church

One city, two sites

A museum to save a tradition

The kitchen, a treasure chest of colours

Feast days

Modica, a city with ancient origins

The colours of the cathedral

The Maiolica of the staircase

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

A long reconstruction

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

Many owners, one palace

Militello, the story of an enlightened fiefdom

The Staircase of Angels

The two churches

A feast only for Scicli

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

A new site for a new city

A talking palace

A majestic and luminous church

The chocolate of Modica

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

San Nicolò l’Arena: an unfinished church

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

A hall for the feasts

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

The Barresi-Branciforte lords

The Baroque town by the sea

A new site for a new church

A small room with a golden entrance

Some prestigious works

A miniature city

The city of museums

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

A city in colour

The senses tell the story of the Church of Santa Chiara

The wall comes to life

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

New roads for Catania

The internal colours

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

From International Gothic to present day

Corbels: a celebration of the Nicolaci family

The church of Carmine

The senses tell the story of the Church of Santa Chiara

A prominent church

Prominent façade

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

A triumph of colour

Discovering the mother church