Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new site for a new city

A hall for the feasts

The city of museums

Rosario Gagliardi, the maestro of the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Militello, the story of an enlightened fiefdom

The internal colours

Discovering the mother church

A long reconstruction

New roads for Catania

Corbels: a celebration of the Nicolaci family

Some masterpieces

The Staircase of Angels

The colours of the cathedral

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata

One city, two sites

The church of Carmine

A half-Baroque church

A museum to save a tradition

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

A majestic and luminous church

Wonderful quick decorations

The two churches

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

Searching for colour

Limestone, the colour of harmony

A design by Vincenzo Sinatra

The interior and its masterpieces

A colourful floor

Some prestigious works

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Barresi-Branciforte lords

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

A triumph of colour

Modica, a city with ancient origins

A new site for a new church

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

The chocolate of Modica

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

Feasting in Palazzolo

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

Places of knowledge: the Benedictines’ library

Between white and black

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

A square as the heart of the city

The character of Badia Sant’Agata

Two illustrious patron saints

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

Prominent façade

San Benedetto: a treasure reopened to the public

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

A symbol for the town

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

A miniature city

Many owners, one palace

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

The Baroque town by the sea

The senses tell about Palazzo La Rocca

A talking palace

From the contrast of the exterior to the internal jubilation of colours

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction