Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

One city, three sites

Wonderful quick decorations

The internal colours

The city of museums

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new church

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

A new palace for the La Rocca lords

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

Searching for colour

From International Gothic to present day

A colourful floor

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A museum to save a tradition

A talking palace

The senses tell the story of the church of San Giuseppe

The wall comes to life

The character of Badia Sant’Agata

A long reconstruction

A design by Vincenzo Sinatra

A triumph of colour

Some masterpieces

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

From St. Thomas to St. Joseph

The interior and its masterpieces

St. Agatha and the giant candelabras

Connections with other UNESCO sites

A small room with a golden entrance

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

Places of knowledge: the Benedictines’ library

Feast days

A city in colour

The theatre of taste

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of Santa Maria del Carmelo

The façade used as a puppet theatre

Two illustrious patron saints

St. Sebastian, so much work!

The two churches

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

Norman apses

A hall for the feasts

A majestic and luminous church

Militello, the story of an enlightened fiefdom

Between white and black

The senses tell the story of the Church of San Sebastiano

A symbol for the town

A half-Baroque church

The senses tell the story of the Church of San Benedetto

Palazzo Nicolaci di Villadorata, who is the architect?

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

The Maiolica of the staircase

A miniature city

A feast only for Scicli

The Burgos crucifix

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

The Benedictine Monastery, one of the largest in Europe

The Feast of San Giacomo (St. James)

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

Limestone, the colour of harmony

Prominent façade

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

Some prestigious works

The senses tell the Cathedral of Sant’Agata

One city, two sites

Modica, a city with ancient origins

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake