Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The façade used as a puppet theatre

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Sebastian, so much work!

A square as the heart of the city

New roads for Catania

An eagle-shaped city

A hall for the feasts

The Staircase of Angels

Prominent façade

The character of Badia Sant’Agata

A miniature city

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

A museum to save a tradition

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

Feast days

The senses tell the story of the Church of San Benedetto

A symbol for the town

The colours of the cathedral

From International Gothic to present day

The two churches

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

The Barresi-Branciforte lords

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

A colourful floor

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

One city, two sites

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

The Burgos crucifix

Searching for colour

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

Between white and black

Corbels: a celebration of the Nicolaci family

A prominent church

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

Some masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

Militello, the story of an enlightened fiefdom

One city, three sites

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

St. Agatha and the giant candelabras

Some prestigious works

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

Wonderful quick decorations

The chocolate of Modica

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

A design by Vincenzo Sinatra

A city in colour

The Baroque town by the sea

A half-Baroque church

A feast only for Scicli

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

The city of museums

A Nobel Prize in Modica