Noto

Corbels: a celebration of the Nicolaci family

Corbels are one of the most characteristic elements of the palaces of the Val di Noto. They make the façades of the noble buildings unique and animated. Carefully designed and sculpted by the best artisans, the corbels of Palazzo Nicolaci liven up the street that shares the same name.
Each one was created according to a precise design, “the virtues of the Nicolaci”. You can see winged horses with their front legs reaching out to freedom, and winged figures looking to the future.
The central door is followed by sirens, symbols of spirituality, and the balcony of chimeras , monstrous mythological creatures with a lion’s face, symbols of power.
At the beginning and end there are two large corbels dedicated to the Nicolaci family, who went from being simple merchants to barons then princes, all of which is depicted by the metaphor of a child who grows up and becomes an adult.
It is a symbolic building of Baroque architecture and the political and economic power achieved by the family.
sirena balcone chimera balcone lateralmente

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

A triumph of colour

The interior and its masterpieces

A new palace for the La Rocca lords

One city, three sites

A city in colour

The city of museums

A prominent church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Wonderful quick decorations

The senses tell about Palazzo La Rocca

A new site for a new church

Militello, the story of an enlightened fiefdom

The church of Carmine

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

Some prestigious works

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

The colours of the cathedral

The two churches

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

From the contrast of the exterior to the internal jubilation of colours

A talking palace

Feast days

Searching for colour

A majestic and luminous church

Modica, a city with ancient origins

Discovering the mother church

Places of knowledge: the Benedictines’ library

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

The theatre of taste

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

A colourful floor

From International Gothic to present day

Feasting in Palazzolo

St. Agatha and the giant candelabras

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

The senses tell about Palazzo Nicolaci

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

A miniature city

A new entrance for Santa Chiara (St. Claire)

St. Sebastian, so much work!

A design by Vincenzo Sinatra

A square as the heart of the city

A long reconstruction

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Corbels: a celebration of the Nicolaci family

The internal colours

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Between white and black

The façade used as a puppet theatre

The disastrous earthquake

The character of Badia Sant’Agata

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The wall comes to life

A symbol for the town

A new site for a new city

The chocolate of Modica