Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Via dei Crociferi is a street a little more than one hundred metres long where some of Catania’s major Baroque architecture was built.
Among these is the exquisite church of San Giuliano (St. Julian), part of the architectural complex of the former Benedictine monastery. When the building in the old town (now Piazza Cutelli) was destroyed by the earthquake, the abbess Bonaiuto began its reconstruction. In 1703, with the help of her brother Don Fernando and the Bishop Riggio, the abbess sold the ruins of the old monastery and land, and began reconstruction on Via dei Crociferi.
The construction was long and complex. In 1741, when the final piece of land was purchased to build the church, the monastery had a dormitory, parlour and sacristy.

foto facciata chiesa frontale
When you are inside San Giuliano ai Crociferi it seems to be in a casket. The church has a central plan. Carved into the walls there are four niches, a small chapel and the high altar. The dome is painted with frescoes by the Catania painter Giuseppe Rapisardi. The scene shows Saint Berillo, the city’s third patron, while receiving from Saint Peter the task of founding the Catanese Church. Under the dome are four windows. Below are potbellied grates that allowed nuns to attend church celebrations.

Giuseppe Palazzotto was the architect and site manager; though tradition attributes this role to Vaccarini, in all likelihood he was only the designer of the project.

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

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Many owners, one palace

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The theatre of taste

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A feast only for Scicli

One city, three sites

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A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

A design by Vincenzo Sinatra

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

Some prestigious works

Places of knowledge: the Benedictines’ library

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One city, two sites

Between white and black

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Limestone, the colour of harmony

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

A talking palace

The wall comes to life

The two churches

Searching for colour

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

A hall for the feasts

Feasting in Palazzolo

A new site for a new church

The city of museums

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

Connections with other UNESCO sites

A city in colour

Norman apses

Two illustrious patron saints

A prominent church

St. Sebastian, so much work!

Feast days

The interior and its masterpieces

The façade used as a puppet theatre

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

A triumph of colour

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

New roads for Catania

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A new palace for the La Rocca lords

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The Feast of San Giacomo (St. James)

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Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

The colours of the cathedral

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Prominent façade

St. Agatha and the giant candelabras

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The Burgos crucifix

Discovering the mother church

The Infiorata, a feast of colours and flowers

The Baroque town by the sea

A long reconstruction

A museum to save a tradition

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

The senses tell the story of the Badia di Sant’Agata

A colourful floor

Baroque and the loss of equilibrium in the 16th century

Some masterpieces