Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

A feast only for Scicli

The character of Badia Sant’Agata

The façade used as a puppet theatre

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

A talking palace

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

The two churches

The Maiolica of the staircase

Searching for colour

A design by Vincenzo Sinatra

A square as the heart of the city

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Prominent façade

The Staircase of Angels

Wonderful quick decorations

Some prestigious works

The chocolate of Modica

Two illustrious patron saints

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

A symbol for the town

The internal colours

The city of museums

A city in colour

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

A triumph of colour

Many owners, one palace

A hall for the feasts

The kitchen, a treasure chest of colours

From International Gothic to present day

Feast days

St. Sebastian, so much work!

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

The theatre of taste

A colourful floor

Norman apses

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

Connections with other UNESCO sites

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

A miniature city

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The disastrous earthquake

One city, two sites

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

The wall comes to life

St. Agatha and the giant candelabras

A new palace for the La Rocca lords

A new site for a new church

A new site for a new city

A long reconstruction

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

San Benedetto: a treasure reopened to the public