Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

A half-Baroque church

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

One city, three sites

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

A hall for the feasts

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The internal colours

Some masterpieces

The Baroque town by the sea

The city of museums

Some prestigious works

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The character of Badia Sant’Agata

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

Modica, a city with ancient origins

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

The theatre of taste

A colourful floor

Many owners, one palace

Militello, the story of an enlightened fiefdom

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

A design by Vincenzo Sinatra

Prominent façade

Norman apses

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

A triumph of colour

A new site for a new city

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

A feast only for Scicli

Limestone, the colour of harmony

A prominent church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

Discovering the mother church

A square as the heart of the city

A miniature city

The senses tell the story of the Church of San Sebastiano

Feast days

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

Two illustrious patron saints

A talking palace

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

The disastrous earthquake

A majestic and luminous church

A new site for a new church

The Staircase of Angels

From St. Thomas to St. Joseph

Between white and black

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

St. Agatha and the giant candelabras

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

A city in colour