Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public

St. Sebastian, so much work!

Connections with other UNESCO sites

The senses tell the Cathedral of Sant’Agata

The wall comes to life

The interior and its masterpieces

The two churches

From International Gothic to present day

Two illustrious patron saints

The disastrous earthquake

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

A museum to save a tradition

An eagle-shaped city

Feast days

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

Prominent façade

The chocolate of Modica

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

A majestic and luminous church

Between white and black

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

Many owners, one palace

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

A triumph of colour

The senses tell the story of the Church of San Benedetto

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

The colours of the cathedral

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

From St. Thomas to St. Joseph

One city, two sites

The Barresi-Branciforte lords

The senses tell the story of the Church of San Sebastiano

A half-Baroque church

Norman apses

A city in colour

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

A talking palace

A square as the heart of the city

Wonderful quick decorations

A new site for a new church

The Burgos crucifix

The city of museums

The senses tell the story of the Badia di Sant’Agata

A hall for the feasts

Feasting in Palazzolo

A new site for a new city

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

Searching for colour

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

A colourful floor

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo