Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

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Two illustrious patron saints

The Burgos crucifix

The senses tell about Palazzo Nicolaci

An eagle-shaped city

The façade used as a puppet theatre

A half-Baroque church

A new palace for the La Rocca lords

A museum to save a tradition

The colours of the cathedral

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

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Norman apses

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Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

Feast days

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

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The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

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Some prestigious works

From International Gothic to present day

A design by Vincenzo Sinatra

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A triumph of colour

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The two churches

The interior and its masterpieces

The Feast of San Giacomo (St. James)

The church of Carmine

Many owners, one palace

Militello, the story of an enlightened fiefdom

The character of Badia Sant’Agata

One city, two sites

A hall for the feasts

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New roads for Catania

Searching for colour

The disastrous earthquake

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The wall comes to life

Prominent façade

San Benedetto: a treasure reopened to the public

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A talking palace

Between white and black

A new site for a new church

The theatre of taste

St. Agatha and the giant candelabras

A colourful floor

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

A prominent church

The city of museums

The Infiorata, a feast of colours and flowers

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The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

Feasting in Palazzolo

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

Modica, a city with ancient origins

A new site for a new city

Some masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

The Maiolica of the staircase

Wonderful quick decorations

One city, three sites

The Baroque town by the sea

A miniature city

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites