Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The façade used as a puppet theatre

The two churches

A prominent church

The Infiorata, a feast of colours and flowers

Norman apses

Many owners, one palace

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The city of museums

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

The Barresi-Branciforte lords

Feast days

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

New roads for Catania

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

A feast only for Scicli

An eagle-shaped city

Places of knowledge: the Benedictines’ library

A miniature city

A symbol for the town

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

A half-Baroque church

The Staircase of Angels

The church of Carmine

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

Some masterpieces

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

The senses tell the story of the Church of the Annunciation

A talking palace

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

The colours of the cathedral

A triumph of colour

A design by Vincenzo Sinatra

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

The disastrous earthquake

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

Between white and black

A city in colour

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the staircase of Santa Maria del Monte

Two illustrious patron saints

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

One city, three sites

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

The Burgos crucifix

The role of the religious orders in rebuilding the Val di Noto

A colourful floor

Searching for colour

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

A square as the heart of the city

One city, two sites

The theatre of taste

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new palace for the La Rocca lords

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

Wonderful quick decorations