Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A miniature city

The façade used as a puppet theatre

A talking palace

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

From the contrast of the exterior to the internal jubilation of colours

A prominent church

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giovanni Evangelista

Searching for colour

A colourful floor

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

Between white and black

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

Norman apses

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

A Nobel Prize in Modica

One city, three sites

A majestic and luminous church

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

The church of Carmine

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

The Barresi-Branciforte lords

A city in colour

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

One city, two sites

The theatre of taste

Some masterpieces

St. Agatha and the giant candelabras

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The internal colours

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

A feast only for Scicli

A new site for a new city

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

Feast days

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

The wall comes to life

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

A museum to save a tradition

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

The city of museums

Many owners, one palace

New roads for Catania

The Staircase of Angels

A symbol for the town

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

A design by Vincenzo Sinatra

Prominent façade

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

A new site for a new church

The senses tell about Palazzo La Rocca

Modica, a city with ancient origins

From St. Thomas to St. Joseph

A square as the heart of the city

A hall for the feasts