Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Between white and black

Norman apses

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The city of museums

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

Limestone, the colour of harmony

A prominent church

San Benedetto: a treasure reopened to the public

Many owners, one palace

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The theatre of taste

A talking palace

The façade used as a puppet theatre

A Nobel Prize in Modica

The two churches

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

The Burgos crucifix

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

The chocolate of Modica

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

A triumph of colour

St. Sebastian, so much work!

Discovering the mother church

Wonderful quick decorations

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

A miniature city

Feasting in Palazzolo

One city, three sites

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

The Staircase of Angels

A square as the heart of the city

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

The senses tell about Palazzo Nicolaci

A city in colour

A long reconstruction

A museum to save a tradition

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

A majestic and luminous church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Prominent façade

Feast days

An eagle-shaped city

Two illustrious patron saints

A new site for a new city

From St. Thomas to St. Joseph

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

New roads for Catania

Some masterpieces

Connections with other UNESCO sites

One city, two sites

The role of the religious orders in rebuilding the Val di Noto

The internal colours

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara