Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

One city, three sites

The wall comes to life

A museum to save a tradition

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

Feasting in Palazzolo

A half-Baroque church

The senses tell the story of the church of San Giuseppe

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

The interior and its masterpieces

The Feast of San Giacomo (St. James)

The disastrous earthquake

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

A small room with a golden entrance

A city in colour

The chocolate of Modica

The senses tell about Palazzo La Rocca

Prominent façade

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

A prominent church

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new city

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

A symbol for the town

Many owners, one palace

Searching for colour

A miniature city

The Maiolica of the staircase

A square as the heart of the city

A colourful floor

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

The theatre of taste

The Burgos crucifix

The church of Carmine

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

A long reconstruction

Discovering the mother church

Two illustrious patron saints

A triumph of colour

The senses tell about Palazzo Nicolaci

The Staircase of Angels

A Nobel Prize in Modica

Some prestigious works

The city of museums

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

Norman apses

The two churches

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe