Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

A new site for a new church

The interior and its masterpieces

New roads for Catania

A design by Vincenzo Sinatra

An eagle-shaped city

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

Prominent façade

From International Gothic to present day

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

The colours of the cathedral

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

Many owners, one palace

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

A half-Baroque church

Limestone, the colour of harmony

A long reconstruction

Discovering the mother church

A colourful floor

Searching for colour

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

A square as the heart of the city

Wonderful quick decorations

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works

The church of Carmine

A triumph of colour

Connections with other UNESCO sites

The disastrous earthquake

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The Infiorata, a feast of colours and flowers

Between white and black

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

Norman apses

The Feast of San Giacomo (St. James)

A symbol for the town

Militello, the story of an enlightened fiefdom

The Burgos crucifix

The façade used as a puppet theatre

From St. Thomas to St. Joseph

A hall for the feasts

A city in colour

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

A majestic and luminous church

The chocolate of Modica

Feast days

A talking palace

San Benedetto: a treasure reopened to the public

A small room with a golden entrance

A feast only for Scicli

A prominent church

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

One city, three sites

Two illustrious patron saints