Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Two illustrious patron saints

A feast only for Scicli

Discovering the mother church

Feast days

Many owners, one palace

The church of Carmine

From St. Thomas to St. Joseph

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

A majestic and luminous church

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

The two churches

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A small room with a golden entrance

A talking palace

A Nobel Prize in Modica

Limestone, the colour of harmony

The disastrous earthquake

The colours of the cathedral

A city in colour

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

A long reconstruction

A museum to save a tradition

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

The chocolate of Modica

Prominent façade

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

A prominent church

A colourful floor

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

The character of Badia Sant’Agata

A new palace for the La Rocca lords

Feasting in Palazzolo

The theatre of taste

A half-Baroque church

Norman apses

St. Sebastian, so much work!

New roads for Catania

The Infiorata, a feast of colours and flowers

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

The Baroque town by the sea

A miniature city

The Feast of San Giacomo (St. James)

Wonderful quick decorations

One city, two sites