Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The church of Carmine

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

The façade used as a puppet theatre

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

Places of knowledge: the Benedictines’ library

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The disastrous earthquake

A small room with a golden entrance

One city, two sites

A talking palace

From the contrast of the exterior to the internal jubilation of colours

A city in colour

Modica, a city with ancient origins

Searching for colour

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

A Nobel Prize in Modica

The senses tell the story of the Church of San Sebastiano

A miniature city

One city, three sites

Prominent façade

A symbol for the town

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

The city of museums

Some masterpieces

A new palace for the La Rocca lords

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

San Nicolò l’Arena: an unfinished church

A colourful floor

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

A half-Baroque church

The internal colours

The Benedictine Monastery, one of the largest in Europe

Feast days

The wall comes to life

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

Between white and black

A new site for a new church

A long reconstruction

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

A design by Vincenzo Sinatra

A prominent church

Discovering the mother church

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The colours of the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The Maiolica of the staircase

Feasting in Palazzolo

An eagle-shaped city

The chocolate of Modica

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

The two churches

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso