Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From St. Thomas to St. Joseph

The Maiolica of the staircase

Two illustrious patron saints

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

Some masterpieces

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

Some prestigious works

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

The chocolate of Modica

The kitchen, a treasure chest of colours

Wonderful quick decorations

A half-Baroque church

A symbol for the town

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

A miniature city

A hall for the feasts

A long reconstruction

Feasting in Palazzolo

San Benedetto: a treasure reopened to the public

A colourful floor

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

The internal colours

Between white and black

An eagle-shaped city

From International Gothic to present day

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

Feast days

St. Agatha and the giant candelabras

A new site for a new church

A triumph of colour

One city, two sites

A prominent church

Many owners, one palace

Modica, a city with ancient origins

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

St. Sebastian, so much work!

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

The theatre of taste

Militello, the story of an enlightened fiefdom

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

A Nobel Prize in Modica

A small room with a golden entrance

The church of Carmine

A new site for a new city

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The city of museums

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

Searching for colour

The Baroque town by the sea

Discovering the mother church

Prominent façade