Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the Cathedral of Sant’Agata

A colourful floor

A feast only for Scicli

St. Sebastian, so much work!

The internal colours

Limestone, the colour of harmony

A long reconstruction

Prominent façade

From International Gothic to present day

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

A small room with a golden entrance

One city, two sites

A majestic and luminous church

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

The Staircase of Angels

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

St. Agatha and the giant candelabras

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

Some prestigious works

Corbels: a celebration of the Nicolaci family

Feast days

Two illustrious patron saints

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

A hall for the feasts

The chocolate of Modica

A symbol for the town

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

Norman apses

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

Discovering the mother church

Some masterpieces

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

A talking palace

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

The façade used as a puppet theatre

Connections with other UNESCO sites

The character of Badia Sant’Agata

A miniature city

Fontana della Ninfa Zizza, public water in the town

The wall comes to life

The theatre of taste

A triumph of colour

The senses tell the story of the church of San Giuseppe

The church of Carmine

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

The Burgos crucifix

Between white and black

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

One city, three sites

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new city

The colours of the cathedral

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

The Maiolica of the staircase

A city in colour

A new site for a new church

A prominent church

The city of museums

A square as the heart of the city

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte