Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

Some prestigious works

A hall for the feasts

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

Searching for colour

The two churches

One city, two sites

The colours of the cathedral

The senses tell about Palazzo La Rocca

A new site for a new church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

St. Sebastian, so much work!

Two illustrious patron saints

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

The Maiolica of the staircase

Limestone, the colour of harmony

The Baroque town by the sea

Feasting in Palazzolo

The city of museums

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

San Benedetto: a treasure reopened to the public

New roads for Catania

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

Many owners, one palace

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Discovering the mother church

The senses tell about Palazzo Nicolaci

A half-Baroque church

From St. Thomas to St. Joseph

An eagle-shaped city

Between white and black

Connections with other UNESCO sites

Modica, a city with ancient origins

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

A city in colour

The chocolate of Modica

The wall comes to life

A long reconstruction

One city, three sites

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

A talking palace

Some masterpieces

The theatre of taste

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

A feast only for Scicli

The church of Carmine

A majestic and luminous church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

St. Agatha and the giant candelabras

Feast days