Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

Some prestigious works

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

The wall comes to life

The theatre of taste

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

A symbol for the town

Feasting in Palazzolo

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

Between white and black

Feast days

The senses tell the story of the Church of Santa Chiara

One city, two sites

A city in colour

Some masterpieces

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

A new palace for the La Rocca lords

Searching for colour

A prominent church

The Maiolica of the staircase

St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

A colourful floor

One city, three sites

The senses tell the story of the Church of the Annunciation

Limestone, the colour of harmony

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

A new site for a new church

Two illustrious patron saints

Many owners, one palace

The character of Badia Sant’Agata

Modica, a city with ancient origins

The internal colours

A talking palace

Places of knowledge: the Benedictines’ library

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

The colours of the cathedral

The interior and its masterpieces

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giovanni Battista

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

Discovering the mother church

Prominent façade

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Norman apses

The Burgos crucifix

An eagle-shaped city

A museum to save a tradition

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

A hall for the feasts

A feast only for Scicli

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

The church of Carmine

A miniature city

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

The city of museums

A small room with a golden entrance

A new site for a new city

The kitchen, a treasure chest of colours

The Staircase of Angels

A square as the heart of the city

The chocolate of Modica

A long reconstruction