Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Connections with other UNESCO sites

The senses tell the story of the Church of the Annunciation

A symbol for the town

A triumph of colour

A new site for a new city

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

New roads for Catania

Wonderful quick decorations

The Barresi-Branciforte lords

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

A city in colour

Feast days

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

A long reconstruction

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

A majestic and luminous church

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

Prominent façade

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

The city of museums

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

A new palace for the La Rocca lords

St. Sebastian, so much work!

Rosario Gagliardi, the maestro of the Val di Noto

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

Searching for colour

The interior and its masterpieces

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

The senses tell the Cathedral of Sant’Agata

The theatre of taste

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

San Benedetto: a treasure reopened to the public

A half-Baroque church

A new site for a new church

The internal colours

A design by Vincenzo Sinatra

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

A miniature city

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

A colourful floor

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

A museum to save a tradition

Two illustrious patron saints

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

The two churches

A talking palace

Modica, a city with ancient origins

Discovering the mother church

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giuseppe

Places of knowledge: the Benedictines’ library

A Nobel Prize in Modica

The façade used as a puppet theatre

Some prestigious works

Norman apses

From International Gothic to present day

The colours of the cathedral

The chocolate of Modica

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli