Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

The senses tell about Palazzo La Rocca

Some prestigious works

A new palace for the La Rocca lords

Wonderful quick decorations

The Burgos crucifix

Feasting in Palazzolo

A symbol for the town

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The Staircase of Angels

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

A small room with a golden entrance

The church of Carmine

A museum to save a tradition

Modica, a city with ancient origins

A square as the heart of the city

A Nobel Prize in Modica

The senses tell the story of the Church of San Sebastiano

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The disastrous earthquake

Prominent façade

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The façade used as a puppet theatre

Connections with other UNESCO sites

The Baroque town by the sea

Discovering the mother church

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

New roads for Catania

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

A miniature city

A talking palace

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

A new site for a new church

The chocolate of Modica

Searching for colour

Between white and black

The senses tell the story of the church of San Giuseppe

San Benedetto: a treasure reopened to the public

A triumph of colour

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The wall comes to life

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

One city, three sites

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

A half-Baroque church

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

Palazzo Nicolaci di Villadorata, who is the architect?

Limestone, the colour of harmony

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

A hall for the feasts

Militello, the story of an enlightened fiefdom

The theatre of taste

The internal colours

A new site for a new city

The role of the religious orders in rebuilding the Val di Noto

St. Sebastian, so much work!

Norman apses

The interior and its masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A majestic and luminous church

A colourful floor