Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A hall for the feasts

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

Wonderful quick decorations

The chocolate of Modica

The theatre of taste

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

Garden of Novices and the restorations by Giancarlo De Carlo

A majestic and luminous church

The Infiorata, a feast of colours and flowers

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

The wall comes to life

A miniature city

One city, three sites

A half-Baroque church

A new site for a new church

An eagle-shaped city

Prominent façade

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

A new site for a new city

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From International Gothic to present day

Norman apses

Some masterpieces

From St. Thomas to St. Joseph

Searching for colour

The internal colours

The senses tell about Palazzo Nicolaci

Militello, the story of an enlightened fiefdom

Many owners, one palace

The character of Badia Sant’Agata

A colourful floor

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The façade used as a puppet theatre

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

A Nobel Prize in Modica

The two churches

Places of knowledge: the Benedictines’ library

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

A prominent church

Two illustrious patron saints

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

New roads for Catania

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

The Maiolica of the staircase

A city in colour

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

Modica, a city with ancient origins

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

The Burgos crucifix

The Barresi-Branciforte lords

Feast days

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

Some prestigious works

The city of museums

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

Feasting in Palazzolo

A talking palace

A museum to save a tradition

A long reconstruction

St. Sebastian, so much work!