Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

The Barresi-Branciforte lords

Prominent façade

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

A half-Baroque church

Militello, the story of an enlightened fiefdom

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Benedetto

A small room with a golden entrance

Searching for colour

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

A design by Vincenzo Sinatra

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

A talking palace

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

A feast only for Scicli

The senses tell about Palazzo La Rocca

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

Norman apses

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

An eagle-shaped city

One city, three sites

The two churches

New roads for Catania

The Baroque town by the sea

The Maiolica of the staircase

A colourful floor

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

A new site for a new city

The senses tell the story of the church of San Giuseppe

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

Between white and black

A museum to save a tradition

The Feast of San Giacomo (St. James)

Many owners, one palace

A prominent church

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

A city in colour

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

Some masterpieces

A long reconstruction

Modica, a city with ancient origins

One city, two sites

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The Staircase of Angels

A symbol for the town

The Burgos crucifix

Some prestigious works

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

A new palace for the La Rocca lords