Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The interior and its masterpieces

The colours of the cathedral

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

The Staircase of Angels

Discovering the mother church

The kitchen, a treasure chest of colours

The two churches

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

The senses tell the story of the Church of Santa Chiara

One city, three sites

A triumph of colour

The city of museums

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

The Maiolica of the staircase

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

The disastrous earthquake

The Feast of San Giacomo (St. James)

A colourful floor

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

A prominent church

A small room with a golden entrance

Some prestigious works

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The character of Badia Sant’Agata

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

Corbels: a celebration of the Nicolaci family

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

The façade used as a puppet theatre

A hall for the feasts

A city in colour

A miniature city

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

Modica, a city with ancient origins

The church of Carmine

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

A talking palace

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

Militello, the story of an enlightened fiefdom

Between white and black

Limestone, the colour of harmony

Searching for colour

An eagle-shaped city

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

A majestic and luminous church

The Baroque town by the sea

A square as the heart of the city

The theatre of taste

The Barresi-Branciforte lords

One city, two sites

The wall comes to life

The senses tell the story of the church of San Giovanni Battista

The internal colours

Some masterpieces

Two illustrious patron saints

Prominent façade

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

A new site for a new city

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feast days