Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

The senses tell the story of the church of San Giuseppe

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

The Infiorata, a feast of colours and flowers

A feast only for Scicli

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

Corbels: a celebration of the Nicolaci family

A triumph of colour

The internal colours

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

The church of Carmine

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

Discovering the mother church

The character of Badia Sant’Agata

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

Prominent façade

From International Gothic to present day

The chocolate of Modica

From St. Thomas to St. Joseph

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

Some masterpieces

A city in colour

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

A hall for the feasts

The Burgos crucifix

The senses tell about Palazzo La Rocca

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

Militello, the story of an enlightened fiefdom

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church

The theatre of taste

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Nicolaci

One city, two sites

Modica, a city with ancient origins

Searching for colour

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

Between white and black

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

The city of museums

The kitchen, a treasure chest of colours

A museum to save a tradition

A new site for a new city

Feasting in Palazzolo

A colourful floor

A talking palace

Connections with other UNESCO sites

Feast days

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

One city, three sites

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

The Staircase of Angels

A prominent church

The senses tell the story of the Church of San Sebastiano

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

Norman apses