Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

New roads for Catania

A talking palace

The two churches

A symbol for the town

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

Between white and black

Some prestigious works

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

Discovering the mother church

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

San Benedetto: a treasure reopened to the public

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

Some masterpieces

A triumph of colour

The senses tell about Palazzo Napolino Tommasi Rosso

A hall for the feasts

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Feasting in Palazzolo

A feast only for Scicli

A miniature city

The internal colours

Feast days

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new church

The colours of the cathedral

Modica, a city with ancient origins

Two illustrious patron saints

A square as the heart of the city

The chocolate of Modica

A prominent church

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

From International Gothic to present day

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

The Baroque town by the sea

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

The city of museums

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

Prominent façade

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

A colourful floor

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

The disastrous earthquake

The senses tell about Palazzo La Rocca

Connections with other UNESCO sites

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

Searching for colour

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction