Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Staircase of Angels

Norman apses

Wonderful quick decorations

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

The role of the religious orders in rebuilding the Val di Noto

A prominent church

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

One city, two sites

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

The Baroque town by the sea

A new entrance for Santa Chiara (St. Claire)

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

A colourful floor

Some masterpieces

A long reconstruction

Fontana della Ninfa Zizza, public water in the town

A triumph of colour

A half-Baroque church

Connections with other UNESCO sites

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

The Burgos crucifix

A museum to save a tradition

A hall for the feasts

San Nicolò l’Arena: an unfinished church

The theatre of taste

A design by Vincenzo Sinatra

An eagle-shaped city

The wall comes to life

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

The two churches

New roads for Catania

A city in colour

The Barresi-Branciforte lords

The church of Carmine

Limestone, the colour of harmony

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The senses tell about Palazzo Nicolaci

Searching for colour

A feast only for Scicli

Many owners, one palace

Some prestigious works

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giuliano ai Crociferi

A square as the heart of the city

The city of museums

The senses tell the story of the Church of the Annunciation

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

A miniature city

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

A majestic and luminous church

The senses tell about Palazzo La Rocca

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

Between white and black

From International Gothic to present day

St. Agatha and the giant candelabras

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

The kitchen, a treasure chest of colours

Discovering the mother church

St. Sebastian, so much work!

The disastrous earthquake

A new site for a new church

The façade used as a puppet theatre