Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Some prestigious works

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The two churches

Feast days

Searching for colour

One city, three sites

The senses tell the story of the Church of San Benedetto

Prominent façade

The colours of the cathedral

The Infiorata, a feast of colours and flowers

A colourful floor

The Burgos crucifix

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

The façade used as a puppet theatre

A miniature city

A symbol for the town

From International Gothic to present day

A prominent church

A feast only for Scicli

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

A small room with a golden entrance

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

The Baroque town by the sea

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

San Nicolò l’Arena: an unfinished church

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

A new site for a new city

St. Agatha and the giant candelabras

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

A square as the heart of the city

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

Between white and black

The church of Carmine

The senses tell about Palazzo La Rocca

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

Two illustrious patron saints

Some masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

The chocolate of Modica

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

A city in colour

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

A long reconstruction

One city, two sites

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

The interior and its masterpieces

Many owners, one palace

Corbels: a celebration of the Nicolaci family

A talking palace

A museum to save a tradition

A half-Baroque church

The city of museums

The senses tell about Palazzo Nicolaci

Norman apses

The internal colours

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city