Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

A museum to save a tradition

Some prestigious works

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

A city in colour

Discovering the mother church

A majestic and luminous church

Norman apses

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

A talking palace

Limestone, the colour of harmony

The character of Badia Sant’Agata

Modica, a city with ancient origins

A hall for the feasts

The Barresi-Branciforte lords

Prominent façade

The theatre of taste

Wonderful quick decorations

Two illustrious patron saints

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

A half-Baroque church

A triumph of colour

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

The Maiolica of the staircase

Searching for colour

The city of museums

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

Feast days

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

The interior and its masterpieces

The chocolate of Modica

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

A small room with a golden entrance

The Baroque town by the sea

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

New roads for Catania

An eagle-shaped city

The Staircase of Angels

Between white and black

The wall comes to life

A prominent church

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

The Infiorata, a feast of colours and flowers

The Burgos crucifix

Some masterpieces

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

A new site for a new church

A symbol for the town

A colourful floor

One city, two sites

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo