Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A talking palace

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

Garden of Novices and the restorations by Giancarlo De Carlo

Some prestigious works

A new site for a new city

The kitchen, a treasure chest of colours

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public

Rosario Gagliardi, the maestro of the Val di Noto

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

A city in colour

Many owners, one palace

The internal colours

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

The city of museums

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

The church of Carmine

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A majestic and luminous church

Limestone, the colour of harmony

From International Gothic to present day

A museum to save a tradition

The colours of the cathedral

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

Feast days

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The role of the religious orders in rebuilding the Val di Noto

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

A feast only for Scicli

The Barresi-Branciforte lords

The Staircase of Angels

A square as the heart of the city

Feasting in Palazzolo

The theatre of taste

New roads for Catania

Some masterpieces

One city, two sites

Prominent façade

Norman apses

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

A half-Baroque church

The two churches

A hall for the feasts

One city, three sites

The character of Badia Sant’Agata

From St. Thomas to St. Joseph

A small room with a golden entrance

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

Modica, a city with ancient origins

A prominent church

A new palace for the La Rocca lords

A miniature city

Discovering the mother church

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

Between white and black

Searching for colour

A design by Vincenzo Sinatra

An eagle-shaped city

A triumph of colour

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

The senses tell the story of the Church of San Sebastiano