Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A feast only for Scicli

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

Corbels: a celebration of the Nicolaci family

The Barresi-Branciforte lords

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

A square as the heart of the city

The Burgos crucifix

From St. Thomas to St. Joseph

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

Feasting in Palazzolo

The Staircase of Angels

A small room with a golden entrance

A miniature city

The Maiolica of the staircase

Many owners, one palace

A majestic and luminous church

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

A talking palace

The church of Carmine

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

Between white and black

The Benedictine Monastery, one of the largest in Europe

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

A museum to save a tradition

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The Feast of San Giacomo (St. James)

Two illustrious patron saints

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

The senses tell the story of the Church of San Sebastiano

A triumph of colour

A prominent church

New roads for Catania

Some prestigious works

A colourful floor

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

An eagle-shaped city

St. Agatha and the giant candelabras

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

Norman apses

The internal colours

A new site for a new city

Prominent façade

Modica, a city with ancient origins

Wonderful quick decorations

A Nobel Prize in Modica

The wall comes to life

The disastrous earthquake

A design by Vincenzo Sinatra

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

The kitchen, a treasure chest of colours

One city, three sites

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

Some masterpieces

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!