Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Feast days

The colours of the cathedral

The character of Badia Sant’Agata

A miniature city

Some masterpieces

The two churches

The theatre of taste

A half-Baroque church

Many owners, one palace

Wonderful quick decorations

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

The internal colours

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

Prominent façade

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

The Staircase of Angels

An eagle-shaped city

A long reconstruction

Discovering the mother church

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

Searching for colour

The Infiorata, a feast of colours and flowers

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

A hall for the feasts

A feast only for Scicli

The church of Carmine

San Nicolò l’Arena: an unfinished church

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

A triumph of colour

A majestic and luminous church

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

A talking palace

A new palace for the La Rocca lords

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

One city, three sites

The chocolate of Modica

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

The disastrous earthquake

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

St. Sebastian, so much work!

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

Between white and black

Limestone, the colour of harmony

The façade used as a puppet theatre

A symbol for the town

One city, two sites

The senses tell the story of the Badia di Sant’Agata

Norman apses

New roads for Catania

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

From International Gothic to present day