Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

The senses tell about Palazzo Nicolaci

A new site for a new church

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

Prominent façade

A miniature city

The city of museums

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

A feast only for Scicli

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

One city, three sites

Searching for colour

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

Feast days

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

A colourful floor

The two churches

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of the Annunciation

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

The theatre of taste

A half-Baroque church

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

The wall comes to life

An eagle-shaped city

The senses tell the Cathedral of Sant’Agata

A small room with a golden entrance

The Burgos crucifix

St. Agatha and the giant candelabras

St. Sebastian, so much work!

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

One city, two sites

A Nobel Prize in Modica

Between white and black

Norman apses

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

Wonderful quick decorations

Connections with other UNESCO sites

The Staircase of Angels

A talking palace

A symbol for the town

Feasting in Palazzolo

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo La Rocca

A city in colour

A long reconstruction

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

The church of Carmine

The Baroque town by the sea

A new site for a new city

The senses tell the story of the church of San Giuseppe

The internal colours

The colours of the cathedral

The Maiolica of the staircase

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi