Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A prominent church

Modica, a city with ancient origins

St. Agatha and the giant candelabras

Norman apses

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

Feast days

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

A symbol for the town

The senses tell the story of the church of San Giuseppe

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Nicolaci

A majestic and luminous church

From International Gothic to present day

Discovering the mother church

Two illustrious patron saints

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

Places of knowledge: the Benedictines’ library

Between white and black

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

A small room with a golden entrance

The Barresi-Branciforte lords

Wonderful quick decorations

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The senses tell about Palazzo La Rocca

A miniature city

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

The Maiolica of the staircase

One city, two sites

Connections with other UNESCO sites

St. Sebastian, so much work!

A half-Baroque church

A hall for the feasts

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

A city in colour

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

Corbels: a celebration of the Nicolaci family

A triumph of colour

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

One city, three sites

A new site for a new church

Some masterpieces

The theatre of taste

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Prominent façade

Feasting in Palazzolo

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

A Nobel Prize in Modica

Searching for colour

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

The Burgos crucifix

The church of Carmine

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

The city of museums

Some prestigious works

The internal colours

An eagle-shaped city

New roads for Catania

Many owners, one palace