Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

Baroque and the loss of equilibrium in the 16th century

Between white and black

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

The church of Carmine

One city, two sites

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

A triumph of colour

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

The theatre of taste

A new palace for the La Rocca lords

From St. Thomas to St. Joseph

A miniature city

Feasting in Palazzolo

Some masterpieces

From International Gothic to present day

Militello, the story of an enlightened fiefdom

A feast only for Scicli

A majestic and luminous church

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

A half-Baroque church

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The character of Badia Sant’Agata

A prominent church

Modica, a city with ancient origins

A hall for the feasts

A city in colour

An eagle-shaped city

A small room with a golden entrance

Prominent façade

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

The two churches

A symbol for the town

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Wonderful quick decorations

The disastrous earthquake

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

Limestone, the colour of harmony

The Barresi-Branciforte lords

One city, three sites

Norman apses

A new site for a new church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

The city of museums

Some prestigious works

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The internal colours

A new site for a new city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

A square as the heart of the city

The Maiolica of the staircase

A Nobel Prize in Modica

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

Discovering the mother church