Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Places of knowledge: the Benedictines’ library

A long reconstruction

A half-Baroque church

St. Sebastian, so much work!

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

A prominent church

A museum to save a tradition

The Barresi-Branciforte lords

Discovering the mother church

The city of museums

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

The chocolate of Modica

Palazzo Nicolaci di Villadorata, who is the architect?

The theatre of taste

Prominent façade

A miniature city

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

From International Gothic to present day

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

The Burgos crucifix

The kitchen, a treasure chest of colours

A new site for a new church

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

The façade used as a puppet theatre

Searching for colour

The senses tell the story of the Church of Santa Chiara

Some prestigious works

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

New roads for Catania

A city in colour

The cathedral of Sant’Agata: a lengthy reconstruction

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

The colours of the cathedral

San Benedetto: a treasure reopened to the public

A square as the heart of the city

A colourful floor

A feast only for Scicli

The interior and its masterpieces

A majestic and luminous church

A Nobel Prize in Modica

Norman apses

A triumph of colour

The internal colours

The Feast of San Giacomo (St. James)

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The senses tell about Palazzo La Rocca

Many owners, one palace

Two illustrious patron saints

One city, three sites

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

Some masterpieces

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The character of Badia Sant’Agata

A hall for the feasts

The two churches

The church of Carmine

A symbol for the town

One city, two sites

St. Agatha and the giant candelabras

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town