Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

Norman apses

A small room with a golden entrance

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

A hall for the feasts

A new site for a new church

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

A city in colour

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

A colourful floor

The city of museums

Many owners, one palace

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

An eagle-shaped city

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The wall comes to life

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

A square as the heart of the city

A triumph of colour

Wonderful quick decorations

A prominent church

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

A feast only for Scicli

The façade used as a puppet theatre

One city, three sites

The two churches

A talking palace

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

One city, two sites

Discovering the mother church

A miniature city

The church of Carmine

The Staircase of Angels

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feast days

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

Prominent façade

A new site for a new city

Searching for colour