Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A design by Vincenzo Sinatra

The colours of the cathedral

One city, three sites

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

Feast days

An eagle-shaped city

A Nobel Prize in Modica

The internal colours

Norman apses

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

A city in colour

St. Sebastian, so much work!

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

Some prestigious works

The Burgos crucifix

Connections with other UNESCO sites

The façade used as a puppet theatre

Some masterpieces

A museum to save a tradition

From St. Thomas to St. Joseph

A symbol for the town

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Militello, the story of an enlightened fiefdom

A colourful floor

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces

A triumph of colour

Searching for colour

The chocolate of Modica

Prominent façade

The kitchen, a treasure chest of colours

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

A miniature city

A new site for a new church

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

From International Gothic to present day

A new site for a new city

A long reconstruction

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

The Baroque town by the sea

Wonderful quick decorations

The Barresi-Branciforte lords

New roads for Catania

The Maiolica of the staircase

A new palace for the La Rocca lords

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake

The role of the religious orders in rebuilding the Val di Noto

A feast only for Scicli

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

One city, two sites

The senses tell the story of the Church of Santa Chiara

The city of museums

Rosario Gagliardi, the maestro of the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

A prominent church

The senses tell about Palazzo La Rocca