Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A feast only for Scicli

A new site for a new church

Palazzo Nicolaci di Villadorata, who is the architect?

A majestic and luminous church

A long reconstruction

An eagle-shaped city

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Many owners, one palace

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

A talking palace

San Nicolò l’Arena: an unfinished church

One city, three sites

Limestone, the colour of harmony

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

Some masterpieces

The Baroque town by the sea

San Benedetto: a treasure reopened to the public

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The city of museums

A colourful floor

A miniature city

The Maiolica of the staircase

St. Agatha and the giant candelabras

One city, two sites

St. Sebastian, so much work!

The Burgos crucifix

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

Feast days

The kitchen, a treasure chest of colours

The disastrous earthquake

Places of knowledge: the Benedictines’ library

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

Wonderful quick decorations

A new palace for the La Rocca lords

A museum to save a tradition

A Nobel Prize in Modica

Some prestigious works

Modica, a city with ancient origins

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

The internal colours

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

The theatre of taste

Connections with other UNESCO sites

The Staircase of Angels

A square as the heart of the city

A city in colour

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

The two churches

The Benedictine Monastery, one of the largest in Europe

From St. Thomas to St. Joseph

Feasting in Palazzolo

A new site for a new city

A prominent church

Searching for colour

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

The wall comes to life

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Sebastiano

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara