Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the staircase of Santa Maria del Monte

One city, three sites

St. Agatha and the giant candelabras

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

The church of Carmine

Wonderful quick decorations

The Baroque town by the sea

Norman apses

The theatre of taste

A talking palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Many owners, one palace

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

The wall comes to life

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

Feast days

Modica, a city with ancient origins

New roads for Catania

The kitchen, a treasure chest of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new city

San Benedetto: a treasure reopened to the public

The Maiolica of the staircase

One city, two sites

The senses tell the story of the Church of San Sebastiano

Some prestigious works

Discovering the mother church

A city in colour

Feasting in Palazzolo

The disastrous earthquake

The city of museums

A small room with a golden entrance

The Staircase of Angels

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

Prominent façade

A colourful floor

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

A prominent church

A new site for a new church

A symbol for the town

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo La Rocca

A miniature city

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

The two churches

A museum to save a tradition

The colours of the cathedral

A majestic and luminous church

Some masterpieces

The internal colours

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

St. Sebastian, so much work!

The façade used as a puppet theatre

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

A hall for the feasts

The senses tell the story of the Church of the Annunciation

Searching for colour

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

The cathedral of Sant’Agata: a lengthy reconstruction

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black