Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

A long reconstruction

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

A feast only for Scicli

A design by Vincenzo Sinatra

A colourful floor

Fontana della Ninfa Zizza, public water in the town

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade

From St. Thomas to St. Joseph

The church of Carmine

The senses tell the story of the Church of San Sebastiano

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Nicolaci

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

New roads for Catania

St. Sebastian, so much work!

The wall comes to life

Places of knowledge: the Benedictines’ library

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

A small room with a golden entrance

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe

A prominent church

A museum to save a tradition

Limestone, the colour of harmony

The disastrous earthquake

The chocolate of Modica

The façade used as a puppet theatre

The character of Badia Sant’Agata

A triumph of colour

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

The Baroque town by the sea

The Maiolica of the staircase

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

The Staircase of Angels

Feast days

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

Norman apses

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

The Feast of San Giacomo (St. James)

An eagle-shaped city

A city in colour

Corbels: a celebration of the Nicolaci family

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

A miniature city

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

One city, two sites

A new entrance for Santa Chiara (St. Claire)

Between white and black

San Benedetto: a treasure reopened to the public

Discovering the mother church

Some prestigious works

A majestic and luminous church

A square as the heart of the city

A new site for a new church

A half-Baroque church

Modica, a city with ancient origins

The theatre of taste

A talking palace

The senses tell the story of the Badia di Sant’Agata

The two churches

The senses tell the story of the Church of San Benedetto