Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A colourful floor

Wonderful quick decorations

Many owners, one palace

Limestone, the colour of harmony

From International Gothic to present day

The wall comes to life

A new site for a new church

One city, two sites

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

One city, three sites

Prominent façade

A talking palace

The two churches

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

The Burgos crucifix

Between white and black

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of the Annunciation

An eagle-shaped city

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

The city of museums

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

Norman apses

The Staircase of Angels

Militello, the story of an enlightened fiefdom

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

A new entrance for Santa Chiara (St. Claire)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

The senses tell the story of the Church of San Benedetto

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

A new site for a new city

A prominent church

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

A Nobel Prize in Modica

The theatre of taste

Two illustrious patron saints

The Baroque town by the sea

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

The internal colours

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

A majestic and luminous church

Modica, a city with ancient origins

A half-Baroque church

Connections with other UNESCO sites

Searching for colour

The character of Badia Sant’Agata

A small room with a golden entrance

The colours of the cathedral

The chocolate of Modica

A city in colour

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

A long reconstruction

A feast only for Scicli

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci