Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From International Gothic to present day

The senses tell the story of the Church of San Benedetto

A new site for a new church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

A prominent church

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The interior and its masterpieces

The two churches

Some masterpieces

Many owners, one palace

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

A triumph of colour

From St. Thomas to St. Joseph

A hall for the feasts

The church of Carmine

Searching for colour

The senses tell the Cathedral of Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

A half-Baroque church

The Burgos crucifix

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

A talking palace

A colourful floor

Discovering the mother church

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

An eagle-shaped city

St. Sebastian, so much work!

Feasting in Palazzolo

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

Some prestigious works

Modica, a city with ancient origins

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

Limestone, the colour of harmony

A long reconstruction

Prominent façade

A city in colour

The Maiolica of the staircase

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

Between white and black

Norman apses

The Infiorata, a feast of colours and flowers

New roads for Catania

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

The Barresi-Branciforte lords

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

The Staircase of Angels

A feast only for Scicli

A Nobel Prize in Modica

One city, three sites

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

Corbels: a celebration of the Nicolaci family

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

The internal colours

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

A design by Vincenzo Sinatra

Wonderful quick decorations

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano