Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A colourful floor

Corbels: a celebration of the Nicolaci family

Between white and black

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

An eagle-shaped city

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

The Staircase of Angels

Norman apses

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

A new site for a new church

St. Agatha and the giant candelabras

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

The character of Badia Sant’Agata

The disastrous earthquake

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

The Baroque town by the sea

New roads for Catania

A prominent church

One city, three sites

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

From International Gothic to present day

The internal colours

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

Discovering the mother church

The chocolate of Modica

A square as the heart of the city

The senses tell the story of the Church of the Annunciation

One city, two sites

From St. Thomas to St. Joseph

The façade used as a puppet theatre

Some prestigious works

St. Sebastian, so much work!

Feast days

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A feast only for Scicli

The colours of the cathedral

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

A triumph of colour

The wall comes to life

A long reconstruction

A symbol for the town

A new site for a new city

The church of Carmine

Two illustrious patron saints

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

The kitchen, a treasure chest of colours

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

The city of museums

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new palace for the La Rocca lords

A city in colour

The two churches

The senses tell the story of the Badia di Sant’Agata

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

Prominent façade

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto