Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From St. Thomas to St. Joseph

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

A talking palace

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

Feast days

A majestic and luminous church

The Feast of San Giacomo (St. James)

One city, three sites

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

The two churches

A colourful floor

The theatre of taste

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

A long reconstruction

The Burgos crucifix

Two illustrious patron saints

New roads for Catania

San Benedetto: a treasure reopened to the public

One city, two sites

The internal colours

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

The interior and its masterpieces

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

Limestone, the colour of harmony

A feast only for Scicli

A new palace for the La Rocca lords

Many owners, one palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

A new entrance for Santa Chiara (St. Claire)

Norman apses

A museum to save a tradition

From International Gothic to present day

Discovering the mother church

Corbels: a celebration of the Nicolaci family

Some prestigious works

The senses tell the story of the church of San Giuseppe

Between white and black

The Baroque town by the sea

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

A new site for a new city

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

Prominent façade

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

A miniature city

A square as the heart of the city

A Nobel Prize in Modica

Searching for colour

A symbol for the town

Connections with other UNESCO sites

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

The Barresi-Branciforte lords

A design by Vincenzo Sinatra

Feasting in Palazzolo

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

A prominent church