Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Baroque town by the sea

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

A prominent church

The church of Carmine

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

From International Gothic to present day

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

The Staircase of Angels

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The theatre of taste

Limestone, the colour of harmony

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

A long reconstruction

Corbels: a celebration of the Nicolaci family

Two illustrious patron saints

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

A majestic and luminous church

The internal colours

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

Prominent façade

Some masterpieces

A half-Baroque church

A new site for a new city

A miniature city

Between white and black

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

A talking palace

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

One city, two sites

A Nobel Prize in Modica

A new site for a new church

A design by Vincenzo Sinatra

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

One city, three sites

Feast days

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

Many owners, one palace

Searching for colour

The Barresi-Branciforte lords

The wall comes to life

A triumph of colour

The senses tell the story of the Church of San Sebastiano

The façade used as a puppet theatre

A feast only for Scicli

The city of museums

The Burgos crucifix

The senses tell about Palazzo La Rocca

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

Norman apses

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feasting in Palazzolo

Wonderful quick decorations

St. Sebastian, so much work!

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The two churches

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours