Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

A design by Vincenzo Sinatra

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

The chocolate of Modica

Some prestigious works

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

Searching for colour

St. Agatha and the giant candelabras

A miniature city

A new site for a new church

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The wall comes to life

A long reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Nicolaci

One city, three sites

The Feast of San Giacomo (St. James)

A talking palace

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

The interior and its masterpieces

The character of Badia Sant’Agata

The Staircase of Angels

Discovering the mother church

A Nobel Prize in Modica

A new site for a new city

The theatre of taste

A small room with a golden entrance

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

A half-Baroque church

The Burgos crucifix

A hall for the feasts

The Baroque town by the sea

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

Feasting in Palazzolo

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

Feast days

St. Sebastian, so much work!

Norman apses

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

The Maiolica of the staircase

The city of museums

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

The internal colours

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

A triumph of colour

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

One city, two sites

Some masterpieces

Connections with other UNESCO sites

The kitchen, a treasure chest of colours

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

The two churches

From St. Thomas to St. Joseph

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

Prominent façade