Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The character of Badia Sant’Agata

Feasting in Palazzolo

The church of Carmine

From International Gothic to present day

The two churches

A symbol for the town

The theatre of taste

Places of knowledge: the Benedictines’ library

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

Modica, a city with ancient origins

A talking palace

An eagle-shaped city

A city in colour

A new site for a new city

A miniature city

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feast days

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

A museum to save a tradition

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Benedetto

Prominent façade

A small room with a golden entrance

The Maiolica of the staircase

The senses tell the Cathedral of Sant’Agata

Between white and black

The senses tell the story of the Church of San Sebastiano

A triumph of colour

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

Norman apses

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

The Burgos crucifix

One city, three sites

The Barresi-Branciforte lords

One city, two sites

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

St. Agatha and the giant candelabras

A feast only for Scicli

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

From the contrast of the exterior to the internal jubilation of colours

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

Two illustrious patron saints

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

A square as the heart of the city

The colours of the cathedral

A majestic and luminous church

A half-Baroque church

The Baroque town by the sea

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

Some prestigious works

A hall for the feasts

The chocolate of Modica

Some masterpieces

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo La Rocca

The wall comes to life

Discovering the mother church

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso