Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

Searching for colour

The character of Badia Sant’Agata

Norman apses

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

One city, two sites

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

The theatre of taste

Discovering the mother church

A small room with a golden entrance

Wonderful quick decorations

A triumph of colour

The senses tell the Cathedral of Sant’Agata

New roads for Catania

An eagle-shaped city

St. Agatha and the giant candelabras

The wall comes to life

From St. Thomas to St. Joseph

A hall for the feasts

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

Many owners, one palace

Some prestigious works

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

Between white and black

Two illustrious patron saints

The internal colours

The Maiolica of the staircase

The senses tell the story of the Church of San Sebastiano

The façade used as a puppet theatre

Feasting in Palazzolo

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

A prominent church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Feast days

A city in colour

The city of museums

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

A half-Baroque church

The chocolate of Modica

The senses tell about Palazzo Nicolaci

A talking palace

Fontana della Ninfa Zizza, public water in the town

A miniature city

Some masterpieces

The two churches

Connections with other UNESCO sites

The kitchen, a treasure chest of colours

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

The Barresi-Branciforte lords

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

St. Sebastian, so much work!

The church of Carmine

A colourful floor

A square as the heart of the city

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

Prominent façade

The senses tell the story of the Church of Santa Chiara

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From International Gothic to present day