Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Norman apses

Discovering the mother church

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

Many owners, one palace

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

A miniature city

San Benedetto: a treasure reopened to the public

Prominent façade

The Barresi-Branciforte lords

A city in colour

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

A hall for the feasts

Some prestigious works

The Staircase of Angels

The kitchen, a treasure chest of colours

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

The city of museums

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

One city, three sites

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

Between white and black

San Nicolò l’Arena: an unfinished church

The façade used as a puppet theatre

Some masterpieces

New roads for Catania

A prominent church

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

St. Agatha and the giant candelabras

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

A new site for a new city

A long reconstruction

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

The wall comes to life

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

Feast days

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A symbol for the town

The Baroque town by the sea

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

Modica, a city with ancient origins

Wonderful quick decorations

A colourful floor

A talking palace

An eagle-shaped city