Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Maiolica of the staircase

The disastrous earthquake

San Nicolò l’Arena: an unfinished church

A triumph of colour

The two churches

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

The interior and its masterpieces

The colours of the cathedral

The theatre of taste

Discovering the mother church

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

Wonderful quick decorations

A colourful floor

Feast days

A hall for the feasts

A museum to save a tradition

The kitchen, a treasure chest of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

New roads for Catania

From St. Thomas to St. Joseph

The city of museums

The senses tell the story of the church of San Giuseppe

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

A square as the heart of the city

A half-Baroque church

A new site for a new church

St. Agatha and the giant candelabras

St. Sebastian, so much work!

From the contrast of the exterior to the internal jubilation of colours

Norman apses

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

Feasting in Palazzolo

The senses tell about Palazzo La Rocca

The Baroque town by the sea

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

The Burgos crucifix

Two illustrious patron saints

Between white and black

The senses tell the story of the church of Santa Maria del Carmelo

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

Corbels: a celebration of the Nicolaci family

Some masterpieces

San Benedetto: a treasure reopened to the public

An eagle-shaped city

The chocolate of Modica

The wall comes to life

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

Many owners, one palace

Prominent façade

The Barresi-Branciforte lords

The internal colours

Limestone, the colour of harmony

The Staircase of Angels

A new site for a new city

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

One city, three sites

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque