Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

One city, three sites

A feast only for Scicli

A long reconstruction

The Infiorata, a feast of colours and flowers

Between white and black

Prominent façade

A triumph of colour

The character of Badia Sant’Agata

Searching for colour

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour

The disastrous earthquake

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

A new palace for the La Rocca lords

A miniature city

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

A talking palace

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

A colourful floor

The colours of the cathedral

Two illustrious patron saints

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

New roads for Catania

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

A new site for a new church

The senses tell about Palazzo Nicolaci

A majestic and luminous church

The Maiolica of the staircase

The church of Carmine

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

Some masterpieces

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

Norman apses

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

Feasting in Palazzolo

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

From St. Thomas to St. Joseph

A half-Baroque church

The city of museums

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The internal colours

The senses tell the story of the Church of the Annunciation

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

The senses tell the story of the church of Santa Maria del Carmelo

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

A square as the heart of the city

An eagle-shaped city

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

The chocolate of Modica

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feast days

The interior and its masterpieces

A Nobel Prize in Modica

The senses tell the story of the staircase of Santa Maria del Monte

Many owners, one palace