Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giuliano ai Crociferi

Modica, a city with ancient origins

A triumph of colour

An eagle-shaped city

The disastrous earthquake

St. Agatha and the giant candelabras

San Nicolò l’Arena: an unfinished church

Between white and black

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

One city, three sites

Feasting in Palazzolo

Limestone, the colour of harmony

A new site for a new church

From International Gothic to present day

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The church of Carmine

A new palace for the La Rocca lords

Feast days

The senses tell the story of the Church of the Annunciation

A symbol for the town

Many owners, one palace

The Feast of San Giacomo (St. James)

A design by Vincenzo Sinatra

The Staircase of Angels

Some masterpieces

A miniature city

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

The city of museums

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

Norman apses

A Nobel Prize in Modica

The Burgos crucifix

The Barresi-Branciforte lords

A feast only for Scicli

The senses tell about Palazzo Nicolaci

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

A prominent church

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

One city, two sites

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

A colourful floor

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A city in colour

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

St. Sebastian, so much work!

A half-Baroque church

A hall for the feasts

A long reconstruction

A small room with a golden entrance

The colours of the cathedral

Searching for colour

Wonderful quick decorations

The internal colours

The wall comes to life

The senses tell the story of the Church of San Benedetto

A talking palace

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The façade used as a puppet theatre

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento