Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the Church of San Benedetto

The wall comes to life

The theatre of taste

The city of museums

A new site for a new city

Baroque and the loss of equilibrium in the 16th century

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo La Rocca

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

A design by Vincenzo Sinatra

Feasting in Palazzolo

From International Gothic to present day

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

A museum to save a tradition

Two illustrious patron saints

A small room with a golden entrance

The Baroque town by the sea

One city, two sites

A long reconstruction

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

Places of knowledge: the Benedictines’ library

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

A new site for a new church

St. Sebastian, so much work!

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

A new palace for the La Rocca lords

A miniature city

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

An eagle-shaped city

A talking palace

A colourful floor

Many owners, one palace

Connections with other UNESCO sites

A feast only for Scicli

One city, three sites

The character of Badia Sant’Agata

The chocolate of Modica

The Staircase of Angels

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

Wonderful quick decorations

Feast days

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

A prominent church

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

A symbol for the town

Searching for colour

New roads for Catania

The Barresi-Branciforte lords

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

A triumph of colour

A square as the heart of the city

Discovering the mother church

The two churches

Some masterpieces

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Sebastiano

Some prestigious works

The church of Carmine

The senses tell the story of the church of San Giuseppe