Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

A colourful floor

A long reconstruction

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

A square as the heart of the city

The chocolate of Modica

Some masterpieces

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

Some prestigious works

Feast days

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

Searching for colour

Between white and black

A new site for a new church

From International Gothic to present day

A half-Baroque church

The colours of the cathedral

Norman apses

The senses tell the story of the Church of San Benedetto

A new site for a new city

The city of museums

The Baroque town by the sea

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

The façade used as a puppet theatre

Feasting in Palazzolo

Two illustrious patron saints

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

A triumph of colour

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

An eagle-shaped city

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

A majestic and luminous church

A small room with a golden entrance

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

San Nicolò l’Arena: an unfinished church

A hall for the feasts

The church of Carmine

Prominent façade

New roads for Catania

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

A talking palace

Modica, a city with ancient origins

A new palace for the La Rocca lords

Wonderful quick decorations

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Sebastiano

A prominent church

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

A symbol for the town

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

A city in colour

The senses tell about Palazzo La Rocca