Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

A half-Baroque church

The disastrous earthquake

A city in colour

St. Agatha and the giant candelabras

St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

A feast only for Scicli

Some prestigious works

Prominent façade

Some masterpieces

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

Two illustrious patron saints

The wall comes to life

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

A prominent church

A triumph of colour

The colours of the cathedral

Feast days

The Infiorata, a feast of colours and flowers

The chocolate of Modica

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

The internal colours

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new city

The two churches

Corbels: a celebration of the Nicolaci family

Many owners, one palace

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

A miniature city

A small room with a golden entrance

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

A colourful floor

The senses tell about Palazzo Nicolaci

The character of Badia Sant’Agata

Between white and black

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

Connections with other UNESCO sites

Searching for colour

The senses tell the story of the Badia di Sant’Agata

Norman apses

Feasting in Palazzolo

A museum to save a tradition

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

One city, three sites

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

A majestic and luminous church

Discovering the mother church

A new palace for the La Rocca lords

A long reconstruction

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

The Feast of San Giacomo (St. James)

The city of museums

A new site for a new church

New roads for Catania

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

A Nobel Prize in Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace