Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

Many owners, one palace

St. Agatha and the giant candelabras

One city, three sites

The senses tell the story of the church of San Giovanni Battista

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

A long reconstruction

Connections with other UNESCO sites

A half-Baroque church

Modica, a city with ancient origins

Between white and black

A colourful floor

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

A new site for a new city

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

Some masterpieces

A majestic and luminous church

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

A triumph of colour

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

A new site for a new church

The senses tell about Palazzo La Rocca

The colours of the cathedral

The Staircase of Angels

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

Feast days

Two illustrious patron saints

The kitchen, a treasure chest of colours

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

Militello, the story of an enlightened fiefdom

A miniature city

An eagle-shaped city

St. Sebastian, so much work!

The chocolate of Modica

Places of knowledge: the Benedictines’ library

A talking palace

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

One city, two sites

The senses tell the Cathedral of Sant’Agata

The wall comes to life

A city in colour

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

The character of Badia Sant’Agata

Some prestigious works

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Nicolaci

A square as the heart of the city

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

From St. Thomas to St. Joseph

A symbol for the town

The theatre of taste