Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A new site for a new church

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

A symbol for the town

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

Discovering the mother church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Cathedral of Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

The senses tell the story of the Church of Santa Chiara

New roads for Catania

A new site for a new city

The kitchen, a treasure chest of colours

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

The chocolate of Modica

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

One city, three sites

Norman apses

Feast days

A square as the heart of the city

Two illustrious patron saints

Limestone, the colour of harmony

The Barresi-Branciforte lords

Some masterpieces

Prominent façade

Militello, the story of an enlightened fiefdom

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A museum to save a tradition

Many owners, one palace

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A long reconstruction

The Feast of San Giacomo (St. James)

A colourful floor

Fontana della Ninfa Zizza, public water in the town

The church of Carmine

The façade used as a puppet theatre

One city, two sites

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

St. Agatha and the giant candelabras

The two churches

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

From St. Thomas to St. Joseph

A half-Baroque church

From International Gothic to present day

A new palace for the La Rocca lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

Between white and black

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

Searching for colour

The city of museums

A small room with a golden entrance

A miniature city

A majestic and luminous church

The Infiorata, a feast of colours and flowers

The colours of the cathedral

A city in colour

A talking palace

Some prestigious works

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

A prominent church

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

The theatre of taste

The internal colours

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

A hall for the feasts

A design by Vincenzo Sinatra