Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Places of knowledge: the Benedictines’ library

Wonderful quick decorations

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

Modica, a city with ancient origins

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The chocolate of Modica

Many owners, one palace

The Baroque town by the sea

Discovering the mother church

A small room with a golden entrance

The colours of the cathedral

The disastrous earthquake

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

A feast only for Scicli

The internal colours

Some masterpieces

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

New roads for Catania

The Maiolica of the staircase

A new palace for the La Rocca lords

Between white and black

The senses tell the story of the church of Santa Maria del Carmelo

The Feast of San Giacomo (St. James)

The Staircase of Angels

A talking palace

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

Feast days

Fontana della Ninfa Zizza, public water in the town

Searching for colour

The senses tell the story of the church of San Giovanni Battista

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

A miniature city

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feasting in Palazzolo

The theatre of taste

One city, two sites

The senses tell about Palazzo La Rocca

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

A design by Vincenzo Sinatra

Prominent façade

The senses tell the story of the Church of the Annunciation

Norman apses

A new site for a new church

A hall for the feasts

The façade used as a puppet theatre

A majestic and luminous church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

A symbol for the town

Connections with other UNESCO sites

Two illustrious patron saints

The Burgos crucifix

Militello, the story of an enlightened fiefdom

From International Gothic to present day

The city of museums

The Benedictine Monastery, one of the largest in Europe

One city, three sites

The two churches

A museum to save a tradition

Some prestigious works

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

A new site for a new city

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

A prominent church

An eagle-shaped city