Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Prominent façade

A small room with a golden entrance

Connections with other UNESCO sites

Corbels: a celebration of the Nicolaci family

The character of Badia Sant’Agata

The church of Carmine

From International Gothic to present day

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

One city, two sites

The senses tell about Palazzo La Rocca

A talking palace

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

San Benedetto: a treasure reopened to the public

St. Sebastian, so much work!

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

A prominent church

The senses tell the story of the Church of San Giovanni Evangelista

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

A miniature city

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

The disastrous earthquake

Norman apses

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Nicolò l’Arena: an unfinished church

A long reconstruction

Some masterpieces

A museum to save a tradition

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

Searching for colour

A new site for a new city

An eagle-shaped city

The city of museums

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

Feasting in Palazzolo

Feast days

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

Two illustrious patron saints

The chocolate of Modica

Limestone, the colour of harmony

A majestic and luminous church

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

The theatre of taste

One city, three sites

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

The interior and its masterpieces

A hall for the feasts

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

The Baroque town by the sea

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The senses tell about Palazzo Nicolaci

Some prestigious works

A symbol for the town

Many owners, one palace

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

The Burgos crucifix

A Nobel Prize in Modica