Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The character of Badia Sant’Agata

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

A new site for a new church

Wonderful quick decorations

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

A feast only for Scicli

A miniature city

The Burgos crucifix

The Infiorata, a feast of colours and flowers

The Staircase of Angels

A half-Baroque church

The internal colours

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

A talking palace

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo La Rocca

One city, two sites

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

Norman apses

The two churches

The senses tell the story of the Badia di Sant’Agata

The city of museums

A symbol for the town

The senses tell about Palazzo Nicolaci

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

One city, three sites

The Baroque town by the sea

An eagle-shaped city

Between white and black

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

Some prestigious works

The senses tell the story of the Church of San Benedetto

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

A prominent church

A majestic and luminous church

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

Discovering the mother church

New roads for Catania

Connections with other UNESCO sites

Feast days

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

Two illustrious patron saints

The interior and its masterpieces

From International Gothic to present day

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

A triumph of colour

Prominent façade

A square as the heart of the city

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The cathedral of Sant’Agata: a lengthy reconstruction

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

A colourful floor

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

Fontana della Ninfa Zizza, public water in the town

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

A city in colour