Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

An eagle-shaped city

Between white and black

Two illustrious patron saints

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new entrance for Santa Chiara (St. Claire)

A talking palace

Some masterpieces

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

Feasting in Palazzolo

Connections with other UNESCO sites

A symbol for the town

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

A prominent church

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

The interior and its masterpieces

One city, three sites

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

A miniature city

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

One city, two sites

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

Many owners, one palace

The city of museums

Norman apses

Feast days

A museum to save a tradition

The two churches

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

Prominent façade

The senses tell the story of the Church of the Annunciation

A half-Baroque church

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

A small room with a golden entrance

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

Searching for colour

The Baroque town by the sea

Wonderful quick decorations

Fontana della Ninfa Zizza, public water in the town

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The façade used as a puppet theatre

From International Gothic to present day

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

A city in colour

A majestic and luminous church

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

A new site for a new city

St. Sebastian, so much work!

The internal colours

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

A square as the heart of the city

A hall for the feasts

A new site for a new church

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

A colourful floor

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

New roads for Catania

The wall comes to life