Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A miniature city

Feast days

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

The wall comes to life

Some prestigious works

From St. Thomas to St. Joseph

The Burgos crucifix

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

New roads for Catania

Many owners, one palace

A small room with a golden entrance

A new site for a new church

The colours of the cathedral

The character of Badia Sant’Agata

The chocolate of Modica

Fontana della Ninfa Zizza, public water in the town

The Infiorata, a feast of colours and flowers

The city of museums

One city, two sites

A triumph of colour

St. Agatha and the giant candelabras

Discovering the mother church

Militello, the story of an enlightened fiefdom

Places of knowledge: the Benedictines’ library

Wonderful quick decorations

St. Sebastian, so much work!

A long reconstruction

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

The disastrous earthquake

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

A prominent church

A colourful floor

The Staircase of Angels

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Benedetto

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

Norman apses

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

Between white and black

A half-Baroque church

The Baroque town by the sea

Two illustrious patron saints

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

A city in colour

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

A square as the heart of the city

A symbol for the town

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A Nobel Prize in Modica

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

Some masterpieces

A museum to save a tradition

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

The two churches