Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

A new palace for the La Rocca lords

A miniature city

The senses tell about Palazzo Napolino Tommasi Rosso

The kitchen, a treasure chest of colours

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

An eagle-shaped city

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

A city in colour

A design by Vincenzo Sinatra

A colourful floor

The Infiorata, a feast of colours and flowers

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

The senses tell the story of the Church of Santa Chiara

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

Searching for colour

The theatre of taste

A new site for a new church

A triumph of colour

Feast days

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

The wall comes to life

St. Sebastian, so much work!

Some prestigious works

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

The Burgos crucifix

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

A square as the heart of the city

A long reconstruction

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The two churches

From the contrast of the exterior to the internal jubilation of colours

A prominent church

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

Modica, a city with ancient origins

A majestic and luminous church

Discovering the mother church

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

Between white and black

The character of Badia Sant’Agata

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

The Staircase of Angels

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

A feast only for Scicli

A Nobel Prize in Modica

The colours of the cathedral

The church of Carmine

St. Agatha and the giant candelabras

Connections with other UNESCO sites

The interior and its masterpieces

The Feast of San Giacomo (St. James)

A talking palace