Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A new site for a new city

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

The character of Badia Sant’Agata

The chocolate of Modica

The interior and its masterpieces

Some masterpieces

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Norman apses

Searching for colour

A hall for the feasts

A square as the heart of the city

Feast days

A feast only for Scicli

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

San Benedetto: a treasure reopened to the public

Rosario Gagliardi, the maestro of the Val di Noto

A miniature city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

A long reconstruction

The Feast of San Giacomo (St. James)

The cathedral of Sant’Agata: a lengthy reconstruction

A museum to save a tradition

A city in colour

The wall comes to life

A majestic and luminous church

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Cathedral of Sant’Agata

A talking palace

An eagle-shaped city

Limestone, the colour of harmony

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

One city, two sites

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

A small room with a golden entrance

A design by Vincenzo Sinatra

The church of Carmine

A symbol for the town

The senses tell the story of the church of San Giuseppe

A prominent church

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

Garden of Novices and the restorations by Giancarlo De Carlo

The disastrous earthquake

The colours of the cathedral

A new site for a new church

Palazzo Nicolaci di Villadorata, who is the architect?

The Maiolica of the staircase

A new palace for the La Rocca lords

The city of museums

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

One city, three sites

The kitchen, a treasure chest of colours

The Staircase of Angels

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

A half-Baroque church

The internal colours

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

The theatre of taste

San Nicolò l’Arena: an unfinished church

Many owners, one palace