Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Some prestigious works

The senses tell the story of the Church of San Benedetto

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Many owners, one palace

The senses tell the story of the Church of the Annunciation

From International Gothic to present day

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The façade used as a puppet theatre

The Staircase of Angels

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

A new palace for the La Rocca lords

From St. Thomas to St. Joseph

A square as the heart of the city

Modica, a city with ancient origins

A talking palace

The theatre of taste

A triumph of colour

The Barresi-Branciforte lords

Between white and black

Searching for colour

Feast days

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

The senses tell about Palazzo La Rocca

The two churches

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

The wall comes to life

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

San Nicolò l’Arena: an unfinished church

The internal colours

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

An eagle-shaped city

The Maiolica of the staircase

One city, three sites

The Burgos crucifix

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

A new site for a new city

The colours of the cathedral

A long reconstruction

A colourful floor

Two illustrious patron saints

Prominent façade

One city, two sites

A feast only for Scicli

A majestic and luminous church

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A miniature city

The Feast of San Giacomo (St. James)

The Benedictine Monastery, one of the largest in Europe

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

Norman apses

A prominent church

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci