Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A prominent church

A square as the heart of the city

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

St. Agatha and the giant candelabras

One city, three sites

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

Prominent façade

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

Many owners, one palace

One city, two sites

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

The two churches

A colourful floor

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

The church of Carmine

An eagle-shaped city

A city in colour

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

Places of knowledge: the Benedictines’ library

A talking palace

The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

Wonderful quick decorations

Feast days

From the contrast of the exterior to the internal jubilation of colours

The city of museums

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

Searching for colour

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

New roads for Catania

The Feast of San Giacomo (St. James)

The disastrous earthquake

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

The Burgos crucifix

A new site for a new city

Discovering the mother church

The Barresi-Branciforte lords

The internal colours

A museum to save a tradition

A small room with a golden entrance

A triumph of colour

A Nobel Prize in Modica

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

The theatre of taste

A hall for the feasts

The colours of the cathedral

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

The Maiolica of the staircase

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

Two illustrious patron saints

The chocolate of Modica

The wall comes to life

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

A new site for a new church