Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Limestone, the colour of harmony

Modica, a city with ancient origins

The Baroque town by the sea

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The internal colours

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

The wall comes to life

The city of museums

St. Agatha and the giant candelabras

St. Sebastian, so much work!

The Maiolica of the staircase

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

Between white and black

Feasting in Palazzolo

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

A half-Baroque church

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

A feast only for Scicli

A triumph of colour

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

A small room with a golden entrance

New roads for Catania

A museum to save a tradition

A symbol for the town

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

A talking palace

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

A square as the heart of the city

A new palace for the La Rocca lords

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

One city, three sites

A hall for the feasts

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

A long reconstruction

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The church of Carmine

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

The two churches

One city, two sites

A prominent church

A Nobel Prize in Modica

Some prestigious works

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Connections with other UNESCO sites

Prominent façade

A miniature city

A colourful floor

Many owners, one palace

A new site for a new city

San Nicolò l’Arena: an unfinished church

Some masterpieces

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

The disastrous earthquake

Norman apses

The theatre of taste

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore