Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

One city, three sites

Modica, a city with ancient origins

The two churches

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

A Nobel Prize in Modica

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

The city of museums

A miniature city

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

From St. Thomas to St. Joseph

A square as the heart of the city

The interior and its masterpieces

The disastrous earthquake

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

The Staircase of Angels

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feasting in Palazzolo

A long reconstruction

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

A triumph of colour

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

Norman apses

Connections with other UNESCO sites

Two illustrious patron saints

The church of Carmine

A new site for a new city

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

The internal colours

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

The Maiolica of the staircase

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

A talking palace

Prominent façade

Many owners, one palace

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

The theatre of taste

The Baroque town by the sea

Searching for colour

The wall comes to life

A hall for the feasts

Some masterpieces

The senses tell the story of the church of San Giuseppe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new church

Limestone, the colour of harmony

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

A museum to save a tradition

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

Between white and black

A half-Baroque church

The senses tell the Cathedral of Sant’Agata