Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A miniature city

A prominent church

The theatre of taste

A feast only for Scicli

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

Some prestigious works

The internal colours

The colours of the cathedral

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

One city, two sites

A talking palace

A hall for the feasts

Searching for colour

Some masterpieces

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

The Feast of San Giacomo (St. James)

The chocolate of Modica

St. Sebastian, so much work!

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

From International Gothic to present day

A Nobel Prize in Modica

A small room with a golden entrance

The Burgos crucifix

The Staircase of Angels

A triumph of colour

Discovering the mother church

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

Feast days

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

A majestic and luminous church

A new site for a new church

The two churches

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

The city of museums

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

A symbol for the town

Militello, the story of an enlightened fiefdom

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

One city, three sites

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

A half-Baroque church

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The senses tell the story of the Church of the Annunciation

The interior and its masterpieces

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feasting in Palazzolo

The wall comes to life

A city in colour

A design by Vincenzo Sinatra

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

A long reconstruction

A colourful floor

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony