Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The wall comes to life

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

One city, two sites

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

A small room with a golden entrance

St. Sebastian, so much work!

The Staircase of Angels

The disastrous earthquake

Some prestigious works

The Infiorata, a feast of colours and flowers

A new site for a new church

A museum to save a tradition

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

Modica, a city with ancient origins

A Nobel Prize in Modica

The cathedral of Sant’Agata: a lengthy reconstruction

A long reconstruction

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

A city in colour

The internal colours

Feast days

The Feast of San Giacomo (St. James)

The façade used as a puppet theatre

The Barresi-Branciforte lords

Norman apses

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

A triumph of colour

The church of Carmine

The character of Badia Sant’Agata

The interior and its masterpieces

New roads for Catania

San Benedetto: a treasure reopened to the public

Between white and black

A prominent church

From International Gothic to present day

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The theatre of taste

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

Prominent façade

Connections with other UNESCO sites

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

One city, three sites

A square as the heart of the city

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

The two churches

A miniature city

A talking palace

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

A colourful floor