Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Feast days

A colourful floor

Searching for colour

The city of museums

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

The theatre of taste

A prominent church

The chocolate of Modica

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

A miniature city

The kitchen, a treasure chest of colours

The Burgos crucifix

Wonderful quick decorations

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

New roads for Catania

Some prestigious works

A triumph of colour

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

Prominent façade

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

A hall for the feasts

Some masterpieces

Many owners, one palace

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

The Baroque town by the sea

Two illustrious patron saints

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

A long reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

Limestone, the colour of harmony

The wall comes to life

From St. Thomas to St. Joseph

Between white and black

A new entrance for Santa Chiara (St. Claire)

One city, two sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giuliano ai Crociferi

Garden of Novices and the restorations by Giancarlo De Carlo

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Nicolaci

A square as the heart of the city

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

A talking palace

The colours of the cathedral

Norman apses

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

A feast only for Scicli

Discovering the mother church

Connections with other UNESCO sites

An eagle-shaped city

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

A majestic and luminous church

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto