Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From the contrast of the exterior to the internal jubilation of colours

The city of museums

A city in colour

St. Sebastian, so much work!

An eagle-shaped city

A triumph of colour

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

A Nobel Prize in Modica

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

San Benedetto: a treasure reopened to the public

A small room with a golden entrance

A symbol for the town

The Barresi-Branciforte lords

The interior and its masterpieces

Militello, the story of an enlightened fiefdom

A new site for a new city

A miniature city

Limestone, the colour of harmony

The internal colours

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

One city, two sites

The senses tell the story of the Church of San Sebastiano

A long reconstruction

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

A talking palace

Wonderful quick decorations

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

Between white and black

Norman apses

From International Gothic to present day

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

The Maiolica of the staircase

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

The Baroque town by the sea

The Burgos crucifix

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

A prominent church

Places of knowledge: the Benedictines’ library

The colours of the cathedral

Feast days

Searching for colour

A colourful floor

A hall for the feasts

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

A museum to save a tradition

The chocolate of Modica

A half-Baroque church

Modica, a city with ancient origins

The theatre of taste

A design by Vincenzo Sinatra

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo La Rocca

Some masterpieces

The façade used as a puppet theatre

The church of Carmine

One city, three sites

The two churches

New roads for Catania