Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

A city in colour

From International Gothic to present day

A miniature city

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

Norman apses

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

Many owners, one palace

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

The colours of the cathedral

A half-Baroque church

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

Searching for colour

Some prestigious works

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

Prominent façade

The senses tell the story of the Church of San Sebastiano

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

The city of museums

The Benedictine Monastery, one of the largest in Europe

A prominent church

The interior and its masterpieces

A colourful floor

A hall for the feasts

Limestone, the colour of harmony

The wall comes to life

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

The character of Badia Sant’Agata

A new site for a new church

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

Connections with other UNESCO sites

New roads for Catania

A new palace for the La Rocca lords

The disastrous earthquake

The Burgos crucifix

A long reconstruction

The Barresi-Branciforte lords

The Maiolica of the staircase

The two churches

Modica, a city with ancient origins

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

A museum to save a tradition

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras

A symbol for the town

One city, two sites

Feast days

A square as the heart of the city

The kitchen, a treasure chest of colours

A triumph of colour

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

A feast only for Scicli

A design by Vincenzo Sinatra

A new site for a new city

The theatre of taste

Two illustrious patron saints