Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A colourful floor

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

Some prestigious works

The façade used as a puppet theatre

St. Sebastian, so much work!

Limestone, the colour of harmony

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

One city, two sites

Wonderful quick decorations

Feasting in Palazzolo

Two illustrious patron saints

The Baroque town by the sea

The interior and its masterpieces

The wall comes to life

The Barresi-Branciforte lords

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

Discovering the mother church

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

The Staircase of Angels

A feast only for Scicli

A new site for a new church

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

A long reconstruction

One city, three sites

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The internal colours

The theatre of taste

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

A hall for the feasts

A new palace for the La Rocca lords

A new site for a new city

A symbol for the town

Feast days

A Nobel Prize in Modica

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giovanni Battista

Norman apses

Between white and black

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

The senses tell the story of the church of San Giuseppe

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The Benedictine Monastery, one of the largest in Europe

Places of knowledge: the Benedictines’ library

The church of Carmine

A city in colour

Many owners, one palace

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Sebastiano

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

Some masterpieces

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

A half-Baroque church

Connections with other UNESCO sites

The colours of the cathedral

A talking palace

The two churches

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

A museum to save a tradition

A small room with a golden entrance