Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A long reconstruction

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

The Baroque town by the sea

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

One city, two sites

One city, three sites

A prominent church

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

A new site for a new city

The two churches

Many owners, one palace

The senses tell about Palazzo La Rocca

The theatre of taste

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A hall for the feasts

A talking palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

A triumph of colour

St. Sebastian, so much work!

The façade used as a puppet theatre

Feast days

The Barresi-Branciforte lords

A colourful floor

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The wall comes to life

A new palace for the La Rocca lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

A half-Baroque church

Some masterpieces

A small room with a golden entrance

The Staircase of Angels

A museum to save a tradition

New roads for Catania

The senses tell about Palazzo Nicolaci

The Maiolica of the staircase

Some prestigious works

The interior and its masterpieces

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

Between white and black

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

Two illustrious patron saints

The chocolate of Modica

The internal colours

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

A majestic and luminous church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

A miniature city

A city in colour

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Searching for colour

The Burgos crucifix

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake