Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

The chocolate of Modica

The Maiolica of the staircase

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

Between white and black

One city, two sites

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

Some masterpieces

A talking palace

A square as the heart of the city

The theatre of taste

The character of Badia Sant’Agata

A new site for a new city

A long reconstruction

A triumph of colour

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A colourful floor

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

The Staircase of Angels

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

The city of museums

A majestic and luminous church

The senses tell about Palazzo La Rocca

Searching for colour

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

From International Gothic to present day

A new site for a new church

An eagle-shaped city

Norman apses

Fontana della Ninfa Zizza, public water in the town

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

Some prestigious works

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

A prominent church

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

A half-Baroque church

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Agatha and the giant candelabras

A miniature city

Prominent façade

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

Feast days

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

A museum to save a tradition

Many owners, one palace

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

The senses tell the Cathedral of Sant’Agata

The two churches

The role of the religious orders in rebuilding the Val di Noto

The church of Carmine

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

A small room with a golden entrance

The façade used as a puppet theatre

The Barresi-Branciforte lords

Feasting in Palazzolo

A feast only for Scicli

Connections with other UNESCO sites