Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The disastrous earthquake

A symbol for the town

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

A museum to save a tradition

The Baroque town by the sea

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

The Staircase of Angels

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

Some prestigious works

The internal colours

The Burgos crucifix

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

Modica, a city with ancient origins

A hall for the feasts

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

Between white and black

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

Searching for colour

From International Gothic to present day

The theatre of taste

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

Feast days

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

Wonderful quick decorations

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

A talking palace

A majestic and luminous church

Many owners, one palace

The city of museums

The colours of the cathedral

The Benedictine Monastery, one of the largest in Europe

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

Limestone, the colour of harmony

A design by Vincenzo Sinatra

Discovering the mother church

The character of Badia Sant’Agata

One city, two sites

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

A city in colour

The senses tell about Palazzo La Rocca

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

A miniature city

Some masterpieces

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

St. Agatha and the giant candelabras

The two churches

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

A prominent church

The senses tell about Palazzo Nicolaci

One city, three sites

The senses tell the Cathedral of Sant’Agata

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

The Maiolica of the staircase

Prominent façade

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

The church of Carmine

St. Sebastian, so much work!