Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The disastrous earthquake

Discovering the mother church

A new palace for the La Rocca lords

A square as the heart of the city

Militello, the story of an enlightened fiefdom

Many owners, one palace

The Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

Fontana della Ninfa Zizza, public water in the town

A half-Baroque church

The Staircase of Angels

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

The Baroque town by the sea

A long reconstruction

A triumph of colour

The senses tell the story of the church of San Giovanni Battista

The theatre of taste

The chocolate of Modica

Two illustrious patron saints

The senses tell about Palazzo La Rocca

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

A miniature city

From St. Thomas to St. Joseph

Corbels: a celebration of the Nicolaci family

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Nicolaci

The kitchen, a treasure chest of colours

The senses tell the story of the Badia di Sant’Agata

A talking palace

Between white and black

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

Baroque and the loss of equilibrium in the 16th century

A city in colour

A small room with a golden entrance

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

A colourful floor

Searching for colour

Feasting in Palazzolo

Norman apses

Some prestigious works

The two churches

A new site for a new city

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

Modica, a city with ancient origins

The Maiolica of the staircase

The character of Badia Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

An eagle-shaped city

Wonderful quick decorations

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

Some masterpieces

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

Feast days

One city, three sites