Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

The senses tell the story of the Church of Santa Chiara

A long reconstruction

St. Agatha and the giant candelabras

A majestic and luminous church

The city of museums

The internal colours

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

Modica, a city with ancient origins

Norman apses

A miniature city

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

A talking palace

Limestone, the colour of harmony

Discovering the mother church

The church of Carmine

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

A new site for a new city

The character of Badia Sant’Agata

St. Sebastian, so much work!

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

An eagle-shaped city

The senses tell the story of the Church of San Benedetto

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

Searching for colour

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

From St. Thomas to St. Joseph

Some prestigious works

A design by Vincenzo Sinatra

The Staircase of Angels

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

Wonderful quick decorations

Prominent façade

Connections with other UNESCO sites

A museum to save a tradition

Two illustrious patron saints

New roads for Catania

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

A colourful floor

A feast only for Scicli

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

Many owners, one palace

A city in colour

The chocolate of Modica

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

Feast days

One city, three sites

Feasting in Palazzolo

One city, two sites

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The two churches

A hall for the feasts

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto