Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A colourful floor

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

Prominent façade

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

Discovering the mother church

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

A new site for a new city

Norman apses

Two illustrious patron saints

A feast only for Scicli

The city of museums

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

The chocolate of Modica

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

A small room with a golden entrance

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

The theatre of taste

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

A long reconstruction

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

A Nobel Prize in Modica

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new church

A design by Vincenzo Sinatra

A prominent church

Feasting in Palazzolo

The colours of the cathedral

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The wall comes to life

The interior and its masterpieces

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

Corbels: a celebration of the Nicolaci family

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

The disastrous earthquake

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

San Benedetto: a treasure reopened to the public

One city, two sites

A half-Baroque church

Many owners, one palace

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

The two churches

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

The Baroque town by the sea

The church of Carmine

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A triumph of colour

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

An eagle-shaped city

Between white and black

The Burgos crucifix

A symbol for the town

Searching for colour

A majestic and luminous church

The character of Badia Sant’Agata

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto