Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A prominent church

Norman apses

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

Places of knowledge: the Benedictines’ library

One city, three sites

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

Many owners, one palace

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

A majestic and luminous church

A feast only for Scicli

A square as the heart of the city

Feast days

The interior and its masterpieces

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

A triumph of colour

Searching for colour

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

The senses tell the story of the church of San Giovanni Battista

A colourful floor

The theatre of taste

The chocolate of Modica

A talking palace

A miniature city

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

Some masterpieces

Corbels: a celebration of the Nicolaci family

The Barresi-Branciforte lords

The façade used as a puppet theatre

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

A design by Vincenzo Sinatra

The Staircase of Angels

A long reconstruction

The two churches

The Maiolica of the staircase

The character of Badia Sant’Agata

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

St. Sebastian, so much work!

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

The city of museums

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

Some prestigious works

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Benedetto

A new site for a new church

Connections with other UNESCO sites

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

A symbol for the town