Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

The church of Carmine

An eagle-shaped city

The interior and its masterpieces

A new palace for the La Rocca lords

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

A colourful floor

Feasting in Palazzolo

Searching for colour

The Staircase of Angels

New roads for Catania

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

The internal colours

The Infiorata, a feast of colours and flowers

The two churches

The disastrous earthquake

The colours of the cathedral

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

A design by Vincenzo Sinatra

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

A long reconstruction

Wonderful quick decorations

Modica, a city with ancient origins

Some masterpieces

A new site for a new city

A prominent church

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

From St. Thomas to St. Joseph

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

The Feast of San Giacomo (St. James)

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

A new site for a new church

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

A small room with a golden entrance

From International Gothic to present day

The chocolate of Modica

Feast days

The Baroque town by the sea

The Maiolica of the staircase

The theatre of taste

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

Many owners, one palace

A triumph of colour

Two illustrious patron saints

The Burgos crucifix

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

A new entrance for Santa Chiara (St. Claire)

Baroque and the loss of equilibrium in the 16th century

Norman apses

St. Agatha and the giant candelabras

The Barresi-Branciforte lords

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

Prominent façade

The kitchen, a treasure chest of colours

A museum to save a tradition

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

Some prestigious works