Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The kitchen, a treasure chest of colours

Some prestigious works

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

An eagle-shaped city

A miniature city

The senses tell the Cathedral of Sant’Agata

The theatre of taste

Militello, the story of an enlightened fiefdom

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

A small room with a golden entrance

Some masterpieces

A museum to save a tradition

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of the Annunciation

From International Gothic to present day

Searching for colour

Places of knowledge: the Benedictines’ library

A new site for a new city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

The character of Badia Sant’Agata

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

One city, two sites

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

The disastrous earthquake

A hall for the feasts

The interior and its masterpieces

A feast only for Scicli

A long reconstruction

A symbol for the town

A colourful floor

Two illustrious patron saints

From St. Thomas to St. Joseph

The senses tell about Palazzo Napolino Tommasi Rosso

Feasting in Palazzolo

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

Feast days

San Benedetto: a treasure reopened to the public

Norman apses

A square as the heart of the city

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

A triumph of colour

The chocolate of Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

A talking palace

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

Limestone, the colour of harmony

St. Sebastian, so much work!

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

The Barresi-Branciforte lords

Modica, a city with ancient origins

Prominent façade

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

The Burgos crucifix

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

The city of museums

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

The Baroque town by the sea

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

St. Agatha and the giant candelabras

A city in colour

Many owners, one palace

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

One city, three sites