Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The interior and its masterpieces

New roads for Catania

The church of Carmine

A feast only for Scicli

The wall comes to life

Many owners, one palace

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

A city in colour

A small room with a golden entrance

The colours of the cathedral

The senses tell the story of the church of San Giuseppe

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

A talking palace

From the contrast of the exterior to the internal jubilation of colours

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

Limestone, the colour of harmony

The Staircase of Angels

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

A square as the heart of the city

A colourful floor

The Maiolica of the staircase

The Burgos crucifix

One city, two sites

A long reconstruction

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

Wonderful quick decorations

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

A symbol for the town

Some masterpieces

San Nicolò l’Arena: an unfinished church

Prominent façade

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

A miniature city

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

Feast days

Discovering the mother church

St. Agatha and the giant candelabras

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

The façade used as a puppet theatre

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

Norman apses

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

Baroque and the loss of equilibrium in the 16th century

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

Two illustrious patron saints

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

One city, three sites

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The city of museums

Places of knowledge: the Benedictines’ library

A museum to save a tradition

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

A triumph of colour

A prominent church

St. Sebastian, so much work!

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction