Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A half-Baroque church

A long reconstruction

Feast days

From St. Thomas to St. Joseph

Searching for colour

San Benedetto: a treasure reopened to the public

Discovering the mother church

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

The wall comes to life

Militello, the story of an enlightened fiefdom

Some prestigious works

The senses tell the Cathedral of Sant’Agata

A symbol for the town

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

A new site for a new city

A hall for the feasts

A Nobel Prize in Modica

One city, two sites

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giuseppe

Between white and black

Many owners, one palace

Modica, a city with ancient origins

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

The two churches

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

St. Sebastian, so much work!

A city in colour

A new palace for the La Rocca lords

The disastrous earthquake

The city of museums

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The kitchen, a treasure chest of colours

The interior and its masterpieces

A colourful floor

The internal colours

The character of Badia Sant’Agata

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church

The Barresi-Branciforte lords

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

Norman apses

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

Limestone, the colour of harmony

A miniature city

One city, three sites

The church of Carmine

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

The Staircase of Angels

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

The theatre of taste

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque