Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The church of Carmine

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

Norman apses

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

Prominent façade

The two churches

St. Sebastian, so much work!

The interior and its masterpieces

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

Two illustrious patron saints

A hall for the feasts

The Barresi-Branciforte lords

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

The façade used as a puppet theatre

Limestone, the colour of harmony

Feast days

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

One city, two sites

San Benedetto: a treasure reopened to the public

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some prestigious works

A colourful floor

A talking palace

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

Feasting in Palazzolo

A prominent church

A square as the heart of the city

A feast only for Scicli

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

An eagle-shaped city

From International Gothic to present day

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A small room with a golden entrance

A museum to save a tradition

A new site for a new city

Discovering the mother church

A new site for a new church

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

The internal colours

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

The city of museums

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

A triumph of colour

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

A miniature city

The chocolate of Modica

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

One city, three sites

The Baroque town by the sea