Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A talking palace

Searching for colour

Militello, the story of an enlightened fiefdom

A feast only for Scicli

The Maiolica of the staircase

A square as the heart of the city

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

Corbels: a celebration of the Nicolaci family

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

Discovering the mother church

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

Limestone, the colour of harmony

Connections with other UNESCO sites

A city in colour

An eagle-shaped city

A colourful floor

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

The senses tell the story of the Church of Santa Chiara

The two churches

Feast days

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

A new palace for the La Rocca lords

A small room with a golden entrance

Some prestigious works

Feasting in Palazzolo

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

A museum to save a tradition

St. Agatha and the giant candelabras

The colours of the cathedral

A miniature city

A prominent church

New roads for Catania

The theatre of taste

The city of museums

The Infiorata, a feast of colours and flowers

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

A Nobel Prize in Modica

The church of Carmine

Wonderful quick decorations

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

Norman apses

The senses tell about Palazzo La Rocca

The Baroque town by the sea

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

A new site for a new city

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

San Nicolò l’Arena: an unfinished church

A half-Baroque church

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

Prominent façade

A new site for a new church

San Benedetto: a treasure reopened to the public

One city, two sites

Some masterpieces

The senses tell about Palazzo Nicolaci

The chocolate of Modica

The Barresi-Branciforte lords

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque