Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The city of museums

A feast only for Scicli

Some masterpieces

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

The two churches

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

A triumph of colour

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

Between white and black

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

Modica, a city with ancient origins

A colourful floor

A long reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

A prominent church

The Maiolica of the staircase

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

Many owners, one palace

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

Connections with other UNESCO sites

The Barresi-Branciforte lords

Feasting in Palazzolo

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

A talking palace

The senses tell the story of the Church of Santa Chiara

New roads for Catania

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

The disastrous earthquake

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

The internal colours

San Benedetto: a treasure reopened to the public

A miniature city

Wonderful quick decorations

One city, three sites

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

A new site for a new church

The senses tell about Palazzo Nicolaci

A hall for the feasts

The Infiorata, a feast of colours and flowers

A museum to save a tradition

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

Two illustrious patron saints

One city, two sites

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

The chocolate of Modica

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Benedetto

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

A symbol for the town

A design by Vincenzo Sinatra

The theatre of taste

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

The wall comes to life

Searching for colour

The church of Carmine

A small room with a golden entrance

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church