Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

A city in colour

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

A new site for a new church

Some prestigious works

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

A square as the heart of the city

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

The Maiolica of the staircase

Prominent façade

The church of Carmine

The cathedral of Sant’Agata: a lengthy reconstruction

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

An eagle-shaped city

The kitchen, a treasure chest of colours

A triumph of colour

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

One city, three sites

A majestic and luminous church

The internal colours

Limestone, the colour of harmony

A museum to save a tradition

Feasting in Palazzolo

St. Agatha and the giant candelabras

A miniature city

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

Feast days

A prominent church

Some masterpieces

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

Norman apses

Fontana della Ninfa Zizza, public water in the town

A hall for the feasts

New roads for Catania

From International Gothic to present day

A talking palace

A new palace for the La Rocca lords

The colours of the cathedral

The Burgos crucifix

The Barresi-Branciforte lords

A long reconstruction

One city, two sites

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

Discovering the mother church

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

Many owners, one palace

St. Sebastian, so much work!

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

Searching for colour

The two churches

The chocolate of Modica

Two illustrious patron saints

The theatre of taste

Places of knowledge: the Benedictines’ library