Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A city in colour

A colourful floor

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

New roads for Catania

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

A miniature city

Some masterpieces

The two churches

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

A prominent church

Connections with other UNESCO sites

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

The disastrous earthquake

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The wall comes to life

A hall for the feasts

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

St. Sebastian, so much work!

The character of Badia Sant’Agata

The city of museums

Modica, a city with ancient origins

A museum to save a tradition

Many owners, one palace

The Maiolica of the staircase

The church of Carmine

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

St. Agatha and the giant candelabras

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The interior and its masterpieces

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

The Staircase of Angels

The internal colours

Norman apses

The senses tell the story of the Church of the Annunciation

Between white and black

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The theatre of taste

Searching for colour

Discovering the mother church

A new site for a new city

A half-Baroque church

The Burgos crucifix

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

Two illustrious patron saints

Feast days

The kitchen, a treasure chest of colours

From International Gothic to present day

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

An eagle-shaped city

A Nobel Prize in Modica

A symbol for the town

Some prestigious works

A new palace for the La Rocca lords

Prominent façade

The colours of the cathedral