Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

One city, two sites

Limestone, the colour of harmony

Many owners, one palace

Searching for colour

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

One city, three sites

The interior and its masterpieces

Discovering the mother church

The senses tell about Palazzo Nicolaci

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

The Barresi-Branciforte lords

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

Places of knowledge: the Benedictines’ library

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

Connections with other UNESCO sites

Some prestigious works

A majestic and luminous church

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

A colourful floor

A city in colour

A symbol for the town

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

St. Agatha and the giant candelabras

The disastrous earthquake

The chocolate of Modica

Prominent façade

A prominent church

A triumph of colour

Some masterpieces

The Baroque town by the sea

The two churches

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

A design by Vincenzo Sinatra

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Sebastiano

A museum to save a tradition

A miniature city

New roads for Catania

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

Feast days

Feasting in Palazzolo

The senses tell about Palazzo La Rocca

The wall comes to life

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The internal colours

Modica, a city with ancient origins

Between white and black

The façade used as a puppet theatre

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

The Burgos crucifix

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara