Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell about Palazzo Napolino Tommasi Rosso

A symbol for the town

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of the Annunciation

The interior and its masterpieces

The Barresi-Branciforte lords

Discovering the mother church

A miniature city

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

A prominent church

Some masterpieces

The Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

A feast only for Scicli

St. Sebastian, so much work!

New roads for Catania

The Maiolica of the staircase

The façade used as a puppet theatre

The church of Carmine

A city in colour

A colourful floor

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

Prominent façade

The senses tell the Cathedral of Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The city of museums

From International Gothic to present day

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

One city, two sites

Between white and black

The disastrous earthquake

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public

Many owners, one palace

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

The theatre of taste

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

Feast days

A talking palace

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

A long reconstruction

The colours of the cathedral

The Feast of San Giacomo (St. James)

The two churches

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

A square as the heart of the city

A triumph of colour

Norman apses

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

A small room with a golden entrance

A majestic and luminous church

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

Connections with other UNESCO sites

A half-Baroque church

Searching for colour