Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

A Nobel Prize in Modica

A design by Vincenzo Sinatra

Many owners, one palace

Connections with other UNESCO sites

Limestone, the colour of harmony

The church of Carmine

A new site for a new church

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

A museum to save a tradition

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

A prominent church

The city of museums

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

New roads for Catania

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

Prominent façade

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

A city in colour

The senses tell the Cathedral of Sant’Agata

A colourful floor

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

Some prestigious works

A triumph of colour

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

A half-Baroque church

The senses tell about Palazzo La Rocca

The Staircase of Angels

The theatre of taste

Feasting in Palazzolo

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

One city, two sites

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

One city, three sites

A new palace for the La Rocca lords

An eagle-shaped city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

The wall comes to life

San Benedetto: a treasure reopened to the public

Discovering the mother church

Two illustrious patron saints

Feast days

The Feast of San Giacomo (St. James)

A new site for a new city

A majestic and luminous church

The internal colours

The two churches

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

Modica, a city with ancient origins

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi