Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Baroque and the loss of equilibrium in the 16th century

The internal colours

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

The Feast of San Giacomo (St. James)

A half-Baroque church

A city in colour

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

From International Gothic to present day

A Nobel Prize in Modica

A museum to save a tradition

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

Connections with other UNESCO sites

The Barresi-Branciforte lords

The Baroque town by the sea

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

Militello, the story of an enlightened fiefdom

The wall comes to life

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

Discovering the mother church

Feast days

A miniature city

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The theatre of taste

St. Sebastian, so much work!

Wonderful quick decorations

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Between white and black

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A long reconstruction

The city of museums

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

A symbol for the town

One city, two sites

The senses tell the story of the Badia di Sant’Agata

Some masterpieces

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

A design by Vincenzo Sinatra

One city, three sites

The character of Badia Sant’Agata

New roads for Catania

San Benedetto: a treasure reopened to the public

St. Agatha and the giant candelabras

Norman apses

A talking palace

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

A new site for a new church

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

The church of Carmine

A feast only for Scicli

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

A triumph of colour

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

A colourful floor

The disastrous earthquake

A square as the heart of the city