Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The character of Badia Sant’Agata

Corbels: a celebration of the Nicolaci family

New roads for Catania

A design by Vincenzo Sinatra

Searching for colour

A small room with a golden entrance

Feast days

Many owners, one palace

The city of museums

San Nicolò l’Arena: an unfinished church

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

A prominent church

One city, three sites

Norman apses

A hall for the feasts

From St. Thomas to St. Joseph

Between white and black

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

A symbol for the town

One city, two sites

A majestic and luminous church

Limestone, the colour of harmony

Prominent façade

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

The wall comes to life

The senses tell about Palazzo La Rocca

Modica, a city with ancient origins

A museum to save a tradition

The Burgos crucifix

A talking palace

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

The façade used as a puppet theatre

From International Gothic to present day

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giuseppe

The disastrous earthquake

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

St. Sebastian, so much work!

Two illustrious patron saints

A new palace for the La Rocca lords

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

A new site for a new city

The senses tell the story of the Church of Santa Chiara

A miniature city

The two churches

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

St. Agatha and the giant candelabras

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

A feast only for Scicli

A new site for a new church

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

Some masterpieces

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

A city in colour

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The colours of the cathedral

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library