Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

Some masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

The Staircase of Angels

Searching for colour

Two illustrious patron saints

St. Agatha and the giant candelabras

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

The city of museums

The two churches

From International Gothic to present day

Many owners, one palace

A Nobel Prize in Modica

A square as the heart of the city

A new site for a new city

Militello, the story of an enlightened fiefdom

A prominent church

Norman apses

The Maiolica of the staircase

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

A talking palace

St. Sebastian, so much work!

A new palace for the La Rocca lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The character of Badia Sant’Agata

The disastrous earthquake

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

One city, two sites

San Benedetto: a treasure reopened to the public

A new site for a new church

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A miniature city

From St. Thomas to St. Joseph

The Baroque town by the sea

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

One city, three sites

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

A hall for the feasts

The theatre of taste

A half-Baroque church

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

Feast days

A long reconstruction

The Infiorata, a feast of colours and flowers

The internal colours

New roads for Catania

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

The Feast of San Giacomo (St. James)

The interior and its masterpieces

A city in colour

Between white and black

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata