Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A triumph of colour

Modica, a city with ancient origins

A feast only for Scicli

The chocolate of Modica

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

Feast days

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A hall for the feasts

Some masterpieces

Connections with other UNESCO sites

Prominent façade

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

A symbol for the town

Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

One city, three sites

A new site for a new city

The senses tell about Palazzo Nicolaci

A new site for a new church

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

Some prestigious works

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giovanni Battista

The internal colours

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

A prominent church

A half-Baroque church

A design by Vincenzo Sinatra

The interior and its masterpieces

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

Searching for colour

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

The two churches

Two illustrious patron saints

Discovering the mother church

The Baroque town by the sea

The wall comes to life

Norman apses

A miniature city

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

New roads for Catania

Many owners, one palace

The senses tell the story of the Church of San Sebastiano

A long reconstruction

The senses tell the story of the Church of San Benedetto

A colourful floor

Places of knowledge: the Benedictines’ library

The theatre of taste

An eagle-shaped city

From St. Thomas to St. Joseph

The church of Carmine

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

Wonderful quick decorations

Fontana della Ninfa Zizza, public water in the town

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

A talking palace