Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A new site for a new church

Places of knowledge: the Benedictines’ library

One city, three sites

Feasting in Palazzolo

A small room with a golden entrance

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A symbol for the town

The Burgos crucifix

From International Gothic to present day

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

The Barresi-Branciforte lords

A triumph of colour

Some prestigious works

A half-Baroque church

From St. Thomas to St. Joseph

The wall comes to life

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

The senses tell the story of the church of San Giuseppe

One city, two sites

A majestic and luminous church

Discovering the mother church

The senses tell the story of the Church of San Benedetto

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Maiolica of the staircase

Wonderful quick decorations

The theatre of taste

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

Modica, a city with ancient origins

A square as the heart of the city

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

A feast only for Scicli

The Infiorata, a feast of colours and flowers

A city in colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

The disastrous earthquake

The internal colours

From the contrast of the exterior to the internal jubilation of colours

The city of museums

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

Many owners, one palace

A colourful floor

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

Between white and black

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

A prominent church

A museum to save a tradition

The two churches

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The interior and its masterpieces

A long reconstruction

St. Sebastian, so much work!

A Nobel Prize in Modica

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

The role of the religious orders in rebuilding the Val di Noto

The Baroque town by the sea

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

New roads for Catania

A design by Vincenzo Sinatra

Searching for colour

The church of Carmine

The colours of the cathedral

Some masterpieces

A hall for the feasts

Norman apses