Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

Norman apses

A Nobel Prize in Modica

A new site for a new city

St. Agatha and the giant candelabras

A majestic and luminous church

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

A feast only for Scicli

Some masterpieces

The character of Badia Sant’Agata

Many owners, one palace

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

Connections with other UNESCO sites

Wonderful quick decorations

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A talking palace

The senses tell the story of the Badia di Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

Between white and black

The senses tell about Palazzo La Rocca

Some prestigious works

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

A city in colour

A triumph of colour

A hall for the feasts

The wall comes to life

The Barresi-Branciforte lords

A long reconstruction

The two churches

New roads for Catania

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

One city, three sites

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

From International Gothic to present day

A design by Vincenzo Sinatra

A museum to save a tradition

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A half-Baroque church

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

The Infiorata, a feast of colours and flowers

A miniature city

The chocolate of Modica

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

The façade used as a puppet theatre

The Staircase of Angels

An eagle-shaped city

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

Feast days

The theatre of taste

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

The Benedictine Monastery, one of the largest in Europe

San Benedetto: a treasure reopened to the public

Searching for colour

Prominent façade

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

Limestone, the colour of harmony