Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

The two churches

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

An eagle-shaped city

One city, two sites

Militello, the story of an enlightened fiefdom

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

The colours of the cathedral

Between white and black

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

A prominent church

A city in colour

A miniature city

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

Prominent façade

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A majestic and luminous church

A colourful floor

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

The character of Badia Sant’Agata

The Maiolica of the staircase

A half-Baroque church

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

Discovering the mother church

A new site for a new city

Modica, a city with ancient origins

The church of Carmine

A museum to save a tradition

From St. Thomas to St. Joseph

A long reconstruction

The Barresi-Branciforte lords

A new site for a new church

The interior and its masterpieces

Many owners, one palace

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

A square as the heart of the city

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

Feast days

The senses tell about Palazzo Nicolaci

The internal colours

New roads for Catania

The Staircase of Angels

Places of knowledge: the Benedictines’ library

The theatre of taste

A design by Vincenzo Sinatra

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

Searching for colour

Some masterpieces

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)