Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Two illustrious patron saints

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

From International Gothic to present day

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

One city, two sites

The façade used as a puppet theatre

A hall for the feasts

From St. Thomas to St. Joseph

The interior and its masterpieces

A Nobel Prize in Modica

St. Sebastian, so much work!

The theatre of taste

A feast only for Scicli

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A majestic and luminous church

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

A museum to save a tradition

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

Many owners, one palace

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

The kitchen, a treasure chest of colours

The Baroque town by the sea

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

The Infiorata, a feast of colours and flowers

An eagle-shaped city

Prominent façade

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

Norman apses

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

Some prestigious works

Feasting in Palazzolo

The internal colours

The two churches

The role of the religious orders in rebuilding the Val di Noto

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The colours of the cathedral

Feast days

A prominent church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

A small room with a golden entrance

The city of museums

Between white and black

A colourful floor

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

New roads for Catania

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

A long reconstruction

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new city

A new palace for the La Rocca lords

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)