Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

A half-Baroque church

A symbol for the town

Militello, the story of an enlightened fiefdom

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

A long reconstruction

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

The two churches

A talking palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public

A miniature city

Norman apses

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

The theatre of taste

The wall comes to life

Wonderful quick decorations

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

St. Sebastian, so much work!

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

The city of museums

The senses tell the story of the Church of the Annunciation

A prominent church

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

The façade used as a puppet theatre

New roads for Catania

The Feast of San Giacomo (St. James)

One city, three sites

A colourful floor

One city, two sites

Connections with other UNESCO sites

Some masterpieces

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

A triumph of colour

A new site for a new church

A city in colour

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

Prominent façade

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

Between white and black

A museum to save a tradition

The Barresi-Branciforte lords

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

A new palace for the La Rocca lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

Many owners, one palace

St. Agatha and the giant candelabras

The church of Carmine

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

Feast days

A Nobel Prize in Modica

A new site for a new city

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

Limestone, the colour of harmony

Feasting in Palazzolo