Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

Prominent façade

The disastrous earthquake

A half-Baroque church

A long reconstruction

The Baroque town by the sea

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

The internal colours

Limestone, the colour of harmony

Modica, a city with ancient origins

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

One city, three sites

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

Between white and black

Searching for colour

The façade used as a puppet theatre

Two illustrious patron saints

The theatre of taste

A new site for a new city

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

From St. Thomas to St. Joseph

A talking palace

The senses tell the story of the church of San Giuseppe

A feast only for Scicli

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

New roads for Catania

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The wall comes to life

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

The city of museums

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

A design by Vincenzo Sinatra

A city in colour

From International Gothic to present day

The two churches

Some masterpieces

A miniature city

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The senses tell the Cathedral of Sant’Agata

A colourful floor

The senses tell about Palazzo Nicolaci

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

One city, two sites

Many owners, one palace

St. Agatha and the giant candelabras

The Burgos crucifix

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

A small room with a golden entrance

Feasting in Palazzolo

Some prestigious works

A triumph of colour

The church of Carmine

A square as the heart of the city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

Discovering the mother church

St. Sebastian, so much work!