Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A feast only for Scicli

A museum to save a tradition

Many owners, one palace

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

Modica, a city with ancient origins

The character of Badia Sant’Agata

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

The theatre of taste

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

A miniature city

Places of knowledge: the Benedictines’ library

From International Gothic to present day

A Nobel Prize in Modica

A talking palace

Limestone, the colour of harmony

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

The internal colours

The disastrous earthquake

An eagle-shaped city

The senses tell about Palazzo Nicolaci

Feast days

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

Some prestigious works

A triumph of colour

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

A city in colour

A hall for the feasts

The city of museums

A square as the heart of the city

Searching for colour

One city, three sites

The Baroque town by the sea

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

A long reconstruction

Some masterpieces

One city, two sites

Baroque and the loss of equilibrium in the 16th century

Prominent façade

The senses tell the Cathedral of Sant’Agata

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

The Maiolica of the staircase

Feasting in Palazzolo

A half-Baroque church

Norman apses

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

The two churches

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral