Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The wall comes to life

Norman apses

The senses tell about Palazzo Nicolaci

Feast days

The kitchen, a treasure chest of colours

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

The interior and its masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Prominent façade

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

Some prestigious works

A long reconstruction

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

Searching for colour

The Barresi-Branciforte lords

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

The two churches

A design by Vincenzo Sinatra

A city in colour

The colours of the cathedral

St. Sebastian, so much work!

From St. Thomas to St. Joseph

Limestone, the colour of harmony

Discovering the mother church

A majestic and luminous church

The internal colours

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

A prominent church

Modica, a city with ancient origins

The Burgos crucifix

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

A triumph of colour

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

The theatre of taste

The Feast of San Giacomo (St. James)

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

Some masterpieces

One city, two sites

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

An eagle-shaped city

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

Many owners, one palace

Corbels: a celebration of the Nicolaci family

A new site for a new church

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

A feast only for Scicli

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

A talking palace

Two illustrious patron saints

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

The city of museums

Between white and black

From International Gothic to present day

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

The character of Badia Sant’Agata

A half-Baroque church

One city, three sites

The church of Carmine