Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A symbol for the town

From International Gothic to present day

The colours of the cathedral

Many owners, one palace

Wonderful quick decorations

A majestic and luminous church

A square as the heart of the city

The façade used as a puppet theatre

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

A long reconstruction

The character of Badia Sant’Agata

The interior and its masterpieces

Limestone, the colour of harmony

The disastrous earthquake

The city of museums

One city, two sites

The senses tell the story of the Church of Santa Chiara

A new site for a new city

A half-Baroque church

A new site for a new church

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

The theatre of taste

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

A triumph of colour

One city, three sites

The Maiolica of the staircase

Searching for colour

Norman apses

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

A new palace for the La Rocca lords

Two illustrious patron saints

The chocolate of Modica

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

The wall comes to life

The church of Carmine

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Sebastiano

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The two churches

A feast only for Scicli

A design by Vincenzo Sinatra

Some masterpieces

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

A city in colour

Feast days

Some prestigious works

San Benedetto: a treasure reopened to the public

An eagle-shaped city

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A hall for the feasts

The Staircase of Angels

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

A talking palace

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The internal colours

Between white and black

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo