Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A long reconstruction

A symbol for the town

Wonderful quick decorations

One city, three sites

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The kitchen, a treasure chest of colours

The Infiorata, a feast of colours and flowers

A half-Baroque church

St. Agatha and the giant candelabras

A colourful floor

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

One city, two sites

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

A Nobel Prize in Modica

A miniature city

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

Norman apses

Some masterpieces

The Baroque town by the sea

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

Rosario Gagliardi, the maestro of the Val di Noto

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

A small room with a golden entrance

The theatre of taste

The internal colours

A talking palace

Prominent façade

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The two churches

A new entrance for Santa Chiara (St. Claire)

The Benedictine Monastery, one of the largest in Europe

Between white and black

An eagle-shaped city

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

Many owners, one palace

The disastrous earthquake

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

Searching for colour

The senses tell the story of the Church of San Benedetto

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

The colours of the cathedral

The senses tell about Palazzo Nicolaci

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

Limestone, the colour of harmony

Connections with other UNESCO sites

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

Feasting in Palazzolo

The façade used as a puppet theatre

Feast days

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

A prominent church

The character of Badia Sant’Agata

The city of museums

The senses tell the story of the Church of the Annunciation

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church