Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

A new palace for the La Rocca lords

The chocolate of Modica

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

The colours of the cathedral

Many owners, one palace

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

Searching for colour

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

A city in colour

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

The interior and its masterpieces

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

The senses tell about Palazzo Nicolaci

The church of Carmine

A Nobel Prize in Modica

A long reconstruction

Feasting in Palazzolo

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

Feast days

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

New roads for Catania

Some masterpieces

One city, two sites

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

The Maiolica of the staircase

The disastrous earthquake

Modica, a city with ancient origins

A museum to save a tradition

The senses tell about Palazzo La Rocca

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new church

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

The wall comes to life

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

The two churches

Norman apses

The senses tell the story of the Church of San Sebastiano

Fontana della Ninfa Zizza, public water in the town

A design by Vincenzo Sinatra

A miniature city

The Burgos crucifix

The façade used as a puppet theatre

St. Sebastian, so much work!

Between white and black

A colourful floor

The city of museums

Connections with other UNESCO sites

A triumph of colour

The internal colours

From International Gothic to present day

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

A talking palace

Some prestigious works

Discovering the mother church

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

A feast only for Scicli

The Baroque town by the sea

A hall for the feasts

A prominent church

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

Prominent façade

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

A half-Baroque church

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

A symbol for the town