Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A design by Vincenzo Sinatra

A square as the heart of the city

St. Sebastian, so much work!

A symbol for the town

Modica, a city with ancient origins

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

The Staircase of Angels

The wall comes to life

The senses tell the story of the church of San Giovanni Battista

The Maiolica of the staircase

A city in colour

A new entrance for Santa Chiara (St. Claire)

A talking palace

The Baroque town by the sea

A majestic and luminous church

The colours of the cathedral

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

A new site for a new church

Some masterpieces

A miniature city

Prominent façade

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

A triumph of colour

The disastrous earthquake

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

A colourful floor

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

Searching for colour

Some prestigious works

The Barresi-Branciforte lords

Feast days

The church of Carmine

A feast only for Scicli

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

The senses tell about Palazzo La Rocca

The theatre of taste

The Infiorata, a feast of colours and flowers

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

Limestone, the colour of harmony

A hall for the feasts

The two churches

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

The internal colours

The senses tell the story of the Church of Santa Chiara

Norman apses

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

Many owners, one palace

St. Agatha and the giant candelabras

A half-Baroque church

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

Rosario Gagliardi, the maestro of the Val di Noto

A long reconstruction

The chocolate of Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites