Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

Connections with other UNESCO sites

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

A majestic and luminous church

Searching for colour

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The senses tell the story of the church of Santa Maria del Carmelo

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The kitchen, a treasure chest of colours

The Burgos crucifix

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

Some prestigious works

Some masterpieces

A talking palace

San Nicolò l’Arena: an unfinished church

A symbol for the town

Prominent façade

A museum to save a tradition

A miniature city

Two illustrious patron saints

A small room with a golden entrance

A Nobel Prize in Modica

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

A new entrance for Santa Chiara (St. Claire)

The city of museums

From International Gothic to present day

Discovering the mother church

One city, three sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

The Staircase of Angels

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

The colours of the cathedral

The senses tell about Palazzo Nicolaci

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

The senses tell the story of the staircase of Santa Maria del Monte

The wall comes to life

A hall for the feasts

A prominent church

A new site for a new city

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of the Annunciation

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

Militello, the story of an enlightened fiefdom

The internal colours

St. Agatha and the giant candelabras

One city, two sites

The two churches

A city in colour

The Baroque town by the sea

A new site for a new church

From St. Thomas to St. Joseph

Feast days

The Infiorata, a feast of colours and flowers

An eagle-shaped city

St. Sebastian, so much work!

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

The Barresi-Branciforte lords

The church of Carmine

Between white and black

New roads for Catania

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista