Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Prominent façade

The theatre of taste

Searching for colour

One city, three sites

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

The church of Carmine

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

A triumph of colour

The chocolate of Modica

The kitchen, a treasure chest of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

A colourful floor

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

Some masterpieces

The internal colours

The senses tell about Palazzo La Rocca

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

From the contrast of the exterior to the internal jubilation of colours

Feast days

A feast only for Scicli

The Burgos crucifix

The façade used as a puppet theatre

An eagle-shaped city

Modica, a city with ancient origins

Feasting in Palazzolo

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

A museum to save a tradition

The two churches

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

The Barresi-Branciforte lords

The Staircase of Angels

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

Norman apses

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

A half-Baroque church

Limestone, the colour of harmony

The disastrous earthquake

A city in colour

The city of museums

A prominent church

Many owners, one palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A hall for the feasts

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

Some prestigious works

Places of knowledge: the Benedictines’ library

St. Agatha and the giant candelabras

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

A symbol for the town

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

A miniature city

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

Corbels: a celebration of the Nicolaci family

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

A majestic and luminous church

One city, two sites

The colours of the cathedral

The senses tell the story of the church of San Giuseppe

The interior and its masterpieces