Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A majestic and luminous church

The Staircase of Angels

From St. Thomas to St. Joseph

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

Prominent façade

The Feast of San Giacomo (St. James)

A square as the heart of the city

The disastrous earthquake

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

A talking palace

A colourful floor

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

One city, two sites

The colours of the cathedral

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

One city, three sites

A hall for the feasts

Some masterpieces

The theatre of taste

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

Between white and black

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Nicolaci

A half-Baroque church

The wall comes to life

New roads for Catania

A Nobel Prize in Modica

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new church

A feast only for Scicli

An eagle-shaped city

The Burgos crucifix

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

The internal colours

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

Many owners, one palace

St. Sebastian, so much work!

The senses tell the story of the Badia di Sant’Agata

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

A prominent church

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

A city in colour

The Maiolica of the staircase

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

The church of Carmine

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feast days

The two churches