Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Some masterpieces

From International Gothic to present day

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

The city of museums

A miniature city

A square as the heart of the city

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Staircase of Angels

One city, two sites

A museum to save a tradition

The colours of the cathedral

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

Discovering the mother church

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

Places of knowledge: the Benedictines’ library

One city, three sites

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The wall comes to life

The character of Badia Sant’Agata

An eagle-shaped city

The Burgos crucifix

A Nobel Prize in Modica

A small room with a golden entrance

A talking palace

A new site for a new church

The senses tell the story of the Church of the Annunciation

A city in colour

The senses tell about Palazzo La Rocca

Wonderful quick decorations

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

The Infiorata, a feast of colours and flowers

A colourful floor

The senses tell the story of the Church of San Sebastiano

Some prestigious works

Corbels: a celebration of the Nicolaci family

A long reconstruction

Searching for colour

Norman apses

A new entrance for Santa Chiara (St. Claire)

The internal colours

A design by Vincenzo Sinatra

Connections with other UNESCO sites

Limestone, the colour of harmony

The Baroque town by the sea

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

Between white and black

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

The disastrous earthquake

A half-Baroque church

St. Agatha and the giant candelabras

Feast days

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

New roads for Catania

Two illustrious patron saints

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Many owners, one palace

The senses tell the story of the church of Santa Maria del Carmelo

The Feast of San Giacomo (St. James)

The Maiolica of the staircase

Prominent façade

Fontana della Ninfa Zizza, public water in the town

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours