Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

A majestic and luminous church

Prominent façade

New roads for Catania

A miniature city

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The internal colours

A museum to save a tradition

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Nicolaci

A square as the heart of the city

The city of museums

A hall for the feasts

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

Feasting in Palazzolo

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The Baroque town by the sea

The senses tell about Palazzo La Rocca

Norman apses

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

A small room with a golden entrance

The senses tell the story of the Church of the Annunciation

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

A new site for a new church

One city, two sites

The wall comes to life

The senses tell the story of the Church of Santa Chiara

Between white and black

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

A new site for a new city

A talking palace

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

A long reconstruction

The chocolate of Modica

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

The church of Carmine

A prominent church

Feast days

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

The senses tell about Palazzo Napolino Tommasi Rosso

A feast only for Scicli

Discovering the mother church

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

The character of Badia Sant’Agata

The interior and its masterpieces

Searching for colour

Many owners, one palace

One city, three sites

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

San Nicolò l’Arena: an unfinished church

A colourful floor

A city in colour

From International Gothic to present day

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte