Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Searching for colour

The disastrous earthquake

The senses tell about Palazzo Nicolaci

A colourful floor

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

The character of Badia Sant’Agata

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

Feasting in Palazzolo

Some masterpieces

The Baroque town by the sea

A design by Vincenzo Sinatra

A new site for a new city

A triumph of colour

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

A prominent church

A half-Baroque church

Feast days

A new palace for the La Rocca lords

From International Gothic to present day

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The Supernatural dimension of the chapel of the Santissimo Sacramento

Wonderful quick decorations

Connections with other UNESCO sites

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giuseppe

The church of Carmine

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

A talking palace

Between white and black

Limestone, the colour of harmony

The Burgos crucifix

Modica, a city with ancient origins

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

A feast only for Scicli

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

Prominent façade

A new entrance for Santa Chiara (St. Claire)

The internal colours

The senses tell the story of the Church of San Sebastiano

The city of museums

A miniature city

One city, three sites

The senses tell the story of the Church of Santa Chiara

The wall comes to life

The chocolate of Modica

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

A city in colour

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Militello, the story of an enlightened fiefdom

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

Many owners, one palace

Some prestigious works

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

One city, two sites

A symbol for the town

St. Agatha and the giant candelabras

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

Norman apses

The two churches

A hall for the feasts

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

A museum to save a tradition

The colours of the cathedral

A Nobel Prize in Modica