Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Feasting in Palazzolo

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

The city of museums

The Barresi-Branciforte lords

A museum to save a tradition

San Benedetto: a treasure reopened to the public

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

The theatre of taste

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

Norman apses

The Benedictine Monastery, one of the largest in Europe

Garden of Novices and the restorations by Giancarlo De Carlo

A feast only for Scicli

A half-Baroque church

A miniature city

A city in colour

A prominent church

Some prestigious works

The internal colours

Many owners, one palace

The chocolate of Modica

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The wall comes to life

The interior and its masterpieces

The Baroque town by the sea

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new city

Some masterpieces

An eagle-shaped city

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

Militello, the story of an enlightened fiefdom

The colours of the cathedral

A majestic and luminous church

A long reconstruction

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

New roads for Catania

Two illustrious patron saints

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

One city, three sites

A hall for the feasts

A square as the heart of the city

A talking palace

A colourful floor

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

A Nobel Prize in Modica

The façade used as a puppet theatre

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

Searching for colour

Feast days

A small room with a golden entrance

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

The two churches

Fontana della Ninfa Zizza, public water in the town

From St. Thomas to St. Joseph

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

One city, two sites

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

St. Sebastian, so much work!

The disastrous earthquake

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords